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During Halloween in West Hollywood, two guys making out in a park are interrupted by a serial killer. Later that night, a group of gay kids decides to visit the site of the murders.
A man (Carrey) becomes obsessed with a book that appears to be based on his life, but ends with a murder yet to happen in reality.
Hollywoodland is a uniquely compelling exploration of fame and identity, inspired by one of Hollywood's most infamous real-life mysteries.
When a young woman is found murdered, a group of local high school students decide to further scare their classmates by spreading online rumors that a serial killer called "The Wolf" is on the loose. By describing "The Wolf's" next victims, the students' game is to see how many people they can convince - and if anyone will uncover the lie. But when the described victims actually do start turning up dead, suddenly no one knows where the lies end and the truth begins. As someone or something begins hunting the students themselves, the game turns terrifyingly real.
"Texas Chainsaw Massacre" (1974) trailer
A group of hippies travelling through 1970's Texas fall prey to a trio of murderous brothers and their cannibal grandparent
"The Amityville Horror" (2005) trailer
From Michael Bay, the producer of "The Texas Chainsaw Massacre", comes the true story of Amityville. In November 1974, a family of six was brutally murdered. Now, a year later, an unsuspecting young couple, George (Ryan Reynolds, "Blade: Trinity," "The In-Laws") and Kathy Lutz (Melissa George, TV's "Alias"), and their children move into the house that was the site of the horrific event and is now haunted by a murderous presence. What follows is 28 days of unimaginable terror. With demonic visions of the dead and relentless screams of terror, this is the haunted house story that isn't just a movie--it's real.
Based on the Broadway musical, a trio of black female soul singers cross over to the pop charts in the early 1960s.
Buddy is a displaced elf with an identity crisis. He lives at the North Pole but he doesn't really belong there. One day he decides to set off for New York City, in search of his roots and his real father. But Buddy soon learns that life in the big city is not all ice skating and sugarplums. He finds his father, who is a workaholic publisher of children's books with a place on Santa's naughty list. He also discovers a new mom and a 10-year-old half-brother, who doesn't believe in Christmas or elves or Santa. In fact, everyone in New York seems to have forgotten the true meaning of Christmas. Buddy takes it upon himself to win over his family, realize his destiny, and ultimately save Christmas for New York and the world. Directed by Jon Favreau. Starring Will Ferrell, James Caan, Bob Newhart, Edward Asner, Mary Steenburgen, Zooey Deschanel, and Amy Sedaris.
After the mysterious brutal death of an old friend, a group of teenagers find themselves in possession of "Stay Alive," a next generation horror survival videogame based on the spine-chilling true story of a 17th century noblewoman known as "The Blood Countess." The gamers don't know anything about the game other than they're not supposed to have it... and they're dying to play it. Not able to resist temptation, the group begins to play the grisly game and soon a chilling connection is made ? they are each being murdered one-by-one in the same method as the character they played in the game. As the line between the game world and the real world disappears, the group must find a way to defeat the vicious and merciless Blood Countess, all the while trying to... STAY ALIVE.
Filmmaker Ralph Arlyck first met Sean while living as a graduate student in San Francisco's Haight Ashbury neighborhood at the height of the 1960s. The city was awash with the trappings of America's cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck's building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean's casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- "Sure, I smoke pot"-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility. Thirty years, three generations, and a lifetime later, Arlyck has returned to San Francisco in search of who the adult Sean might have become. And what he finds, to his surprise, tells him as much about his own east-coast migration as it does about the Californian life he left behind-that the choices we're handed and the choices we make are, very often, quite odd bedfellows.
