Wolfmother: "Woman" Video
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Wolfmother provides a revved-up Black Sabbath update with this single.
Pinback: "From Nothing to Nowhere"
"Autumn of the Seraphs", pushes forward and upward. Its melodies are more dynamic and aggressive, while still gently pulling you back in again and again. While entirely recorded in the band's home studios once again, this record is tighter, the drumming more immediate and crisp. Those duties were shared by Mario Rubalcaba (Rocket from the Crypt) and Chris Prescott (No Knife), and it's a marked difference from Pinback's previous releases Good to Sea is the jam of Indian summer. Walters saunters its way to a buzzy guitar breakdown while Subbing for Eden works steadily toward each climactic chorus. Autumn of the Seraphs is for both rabbits and people, for good days and for ones where you should have stayed in bed. It's Pinback's best yet, and it's going to take you over.
Dub Trio: "Casting Out the Nines [Live]"
TThree distinct personalities functioning as one unit, Dub Trio seems capable of making all manner of sounds. The three gentlemen collectively known as Dub Trio bring noises into this world that are unique, decidedly new and fresh. Drawing on music at large, rather than forcing a marriage of two things that were never quite divorced, they bring an eclectic and attractive take on the term "new music." Primarily just drums, bass, and guitar, but the "job description" for each member varies from track to track. Staying away from overtly clich?d genre restrictions, Dub Trio is free to bring you to the dance floor, to tears or at least give you a peek at the three minds at work. The drums function as a section, rather than as one instrument in the hands of Joe Tomino. You will hear this section transform over the course of a record or live show, the pulse never wavering yet morphing into drum machine-esque sounds, then suddenly, to big rock drums assault. The inspired moment to moment decisions acting as a foil to the three way cat and mouse game that the band brings nightly to the stage. The bass is the foundation. Stu Brooks delivers low end like it is a weapon. One moment like a telephone pole swinging towards your gut and the next moment a playful rump shaking pulse locked in with Joe as they let it roll. The bass also changes faces many times in a performance, but never loses the pocket. Amazing that "feel" is measured in milliseconds when Stu is at the controls of a big oceanic sound. The guitar in Dub Trio, played by DP Holmes, always seems to be the device for cueing a response in the listener. Dave makes shapes, colors and devices for emotional control one moment, then is careening down the highway at 120 mph in a rusty Chevy Nova the next. The medium becomes the message when the distortion kicks in. Aggressive, dreamy, liquid and solid. There is a command of the elements in the guitar section. With this second record, New Heavy, Dub Trio shows us a more aggressive side of life. Special guest vocalist Mike Patton (Mr. Bungle, Faith No More, Ipecac Recordings) lends his voice to "Not Alone," the album?s standout hit. Heavy, moody, melancholy music at its best. This is a record to be enjoyed LOUD!
Three distinct personalities functioning as one unit, Dub Trio seems capable of making all manner of sounds. The three gentlemen collectively known as Dub Trio bring noises into this world that are unique, decidedly new and fresh. Drawing on music at large, rather than forcing a marriage of two things that were never quite divorced, they bring an eclectic and attractive take on the term "new music." Primarily just drums, bass, and guitar, but the "job description" for each member varies from track to track. Staying away from overtly clich?d genre restrictions, Dub Trio is free to bring you to the dance floor, to tears or at least give you a peek at the three minds at work. The drums function as a section, rather than as one instrument in the hands of Joe Tomino. You will hear this section transform over the course of a record or live show, the pulse never wavering yet morphing into drum machine-esque sounds, then suddenly, to big rock drums assault. The inspired moment to moment decisions acting as a foil to the three way cat and mouse game that the band brings nightly to the stage. The bass is the foundation. Stu Brooks delivers low end like it is a weapon. One moment like a telephone pole swinging towards your gut and the next moment a playful rump shaking pulse locked in with Joe as they let it roll. The bass also changes faces many times in a performance, but never loses the pocket. Amazing that "feel" is measured in milliseconds when Stu is at the controls of a big oceanic sound. The guitar in Dub Trio, played by DP Holmes, always seems to be the device for cueing a response in the listener. Dave makes shapes, colors and devices for emotional control one moment, then is careening down the highway at 120 mph in a rusty Chevy Nova the next. The medium becomes the message when the distortion kicks in. Aggressive, dreamy, liquid and solid. There is a command of the elements in the guitar section. With this second record, New Heavy, Dub Trio shows us a more aggressive side of life. Special guest vocalist Mike Patton (Mr. Bungle, Faith No More, Ipecac Recordings) lends his voice to "Not Alone," the album?s standout hit. Heavy, moody, melancholy music at its best. This is a record to be enjoyed LOUD!
With the release of the uncompromising "Niggaz and White Girlz," labelmates Kirby Dominant and Chris Sinister unleash their thugged-out interpretation of '80s and new wave music featuring DJ Icewater. Kirb and Chris turn tracks from groups like The Cure, The Smiths, Depeche Mode, B-52s, U2, and Gary Numan into a non-stop soundtrack for New Wave Thuggin'.
BMW's roadster grows up. Good thing, because we want to wolf whistle at it.
Jason From the Lake: "Not Now"
Jason From The Lake sound like no-fi surf goth and look like Jarvis Cocker stalkers with a restraining order. Subversive drum machine? Check. Spacey drone guitars? Check. Mumblecore vocal delivery? Check. Fantastic melodies and precisely controlled songcraft? Absolutely. Think a big city. Think a small country. Jason From The Lake are named after a horror film and they are horrifyingly good.
After two years on the road with such bands as EVANESCENCE and NICKELBACK, Default returns with their most mature and uncompromising collection of songs to date. One Thing Remains equally channels the classic and the modern -- from LED ZEPPELIN to A PERFECT CIRCLE-- into something unique. The disc?s first single "Count On Me" is conquering rock radio with its undeniable riffs and passionate vocals.
Death From Above 1979: "Romantic Rights"
Hard riffage from Death From Above 1979
Number One Common create a fresh style of hard rock by throwing heavy grooves, alternative rock melodies, punk rock attitude, and metal guitar solos all into the same blender and then spit it out into your face with an intense live show that bleeds with hunger and passion.
