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Armed with little more than an acoustic guitar and her fragile alto, San Francisco folk singer/songwriter Emily Jane White offers complex tales of melancholy and isolation. Her gothic blues are starting to catch some serious attention and her debut Dark Undercoat is among 2007's strongest.
The 404 386: Where we get lost in the dream
It's Wilson's turn again to choose The 404 semiweekly audio draft sponsored by Beck's Beer in conjunction with Last.FM, a subsidiary of CBS Interactive and CNET News and Reviews 5000, so naturally we're a little skeptical (but not nearly as skeptical as we are about the moon landing), but Mr. Tang comes through again with the beautiful music of Priscilla Ahn, a young singer-songwriter with a light, ethereal voice that drifts through the layered atmosphere of her acoustic folk melodies.
As Kelly Willis planned to go into the studio last fall, she really didn't know what to expect. She had spent the four years since co-producing her 2002 album, the lovely, laid-back Easy, on family matters: her oldest son Deral, born in 2001, got three siblings -- twins Abby and Ben born in 2004 and baby Joseph, whose birth followed in early 2006. "This time around, I had absolutely no time or energy to be involved in the producer role at all," Willis recalls. So she called a guy "who lives and breathes music," whose instincts she loved and who she felt "really comfortable around": Chuck Prophet, the edgy singer-songwriter who contributed guitar to both Easy and 1999's acclaimed What I Deserve. Together, they would create the most sonically adventurous album of Kelly Willis' seventeen-plus-year recording career, "Translated From Love."
In this sentimental tune, country singer-songwriter Chely Wright (she of the 1999 hit song "Single White Female") muses about a river that can give life and take it away.
Weird and visceral singer-songwriter Scout Niblett cuts right to her emotional core and exposes the mess as is. Her fearless approach is unencumbered by musical boundaries--and to a certain extent musical ability--resulting in an awkward yet rewarding listen.
KT Tunstall is a sparkling new songwriter with Chinese blood, a Scottish heart, great legwarmers and a cool name ? "well, it?s got a bit more attitude than Kate which just says farmer?s daughter to me," she laughs. KT celebrates classic singer-songwriting in the tradition of Rikki Lee Jones, Carol Kingand Fleetwood Mac with an articulate, accessible, immediate brew of rootsy sass, wistful quandary and after-hours atmosphere.
Born and raised in Paisley, Scotland, Paolo Nutini, is a 19-year-old singer/songwriter who has been blessed with a soulful, passionate voice and the natural gift of being able to tell a story in a song. Nutini has absorbed the soul of the great American R&B singers and channeled it into something original, captivating, and dynamic.
Hailing from the small town of Moscow, Idaho, Josh Ritter?s songs are a rare gift of natural, intuitive beauty. Born in the late ?70s to two neuroscientists, Josh bought his first guitar from the local K-MART after hearing the Bob Dylan and Johnny Cash classic ?Girl From The North Country.? He began Oberlin College with the intent to follow in his parent?s scientist footsteps, but instead, discovered songwriting and the music of artists like Gillian Welch, Townes Van Zandt, and Leonard Cohen. He graduated and then moved east for its close proximity to historic folk clubs like Club Passim in Boston. On a shoestring budget he recorded his critically acclaimed break through album Golden Age of Radio in 2001 at various tiny, one-room studios on the East Coast. In the fall of that year, Josh pressed up several thousand copies of Golden Age, which quickly sold and funded more touring. A copy found it?s way into the hands of Jim Olsen and Signature Sounds Recordings, and the record was released nationally in the US in January 2002. Critics called the modest album ?stunning,? ?elegant,? and ?damn near perfect,? landing Josh in the pages of Details, the New York Times, and Maxim. ?Come and Find Me,? the modest anthem of Golden Age, was featured over the end-credits of HBO?s uber-hip series Six Feet Under, and several successful tours followed. Meanwhile, at a Boston open mic that spring, Josh met Glen Hansard, the lead singer of The Frames. Hansard invited him to open a string of shows for the band in Ireland. Josh?s career took flight in Ireland, buoyed by the single ?Me & Jiggs,? which entered the Irish Top 40 and helped gain Josh full blown cult status, complete with sold-out headline tours, late-night TV appearances, and his very own cover band in Cork. Josh ran the gamut at the Irish Hot Press Reader?s Poll Awards, landing in the Top 5 for Best International Folk Act, International Male Songwriter, and International Male Singer, putting him in the company of Springsteen, David Gray, and Johnny Cash. Josh would spend much of 2002 splitting his time between the US and Ireland, sharing bills with such eclectic artists as Beth Orton, Liz Phair, Damien Rice, and Joan Baez, as well as a celebrated appearance at the 2002 Newport Folk Festival. In the process, he garnered impressive acclaim not only for Golden Age of Radio but also for his richly textured and intimately engaging live shows. Publications like The Village Voice, The Washington Post, and The Irish Times scrambled to describe what made Josh?s music so ?stunning.? Sold-out shows in New York, Boston, and Dublin, as well as a trip to the Sundance Film Festival kicked off 2003 in style. In February of that year, rested, refreshed, and more than ready to make a new record, Josh entered Black Box studios in rural France with his touring band and Irish producer David Odlum (the Frames, Gemma Hayes) to record Hello Starling. Recorded and mixed in only 14 days in an old dairy barn in the French countryside, the thick stone walls, high ceilings, and vintage gear (much of it Curtis Mayfield?s old equipment), made for a record which sounds conversational and honest and shimmers with a new-found confidence. The 11 songs on Starling retain the feel and flow of another era; these are catch-tunes and earnest lullabies that rekindle the warm glow of a young Springsteen or Leonard Cohen in both their literacy and honest enthusiasm. ?Kathleen,? a summer anthem about waiting around a party to drive a girl home, is a live favorite; ?Rainslicker? moves and sways with all the dust-stained imagery of the Clientele; and the show-stopping beauty of ?Baby That?s Not All? suggests an artist at the peak of his new-found powers. The legendary Joan Baez recently recorded ?Wings,? the haunting ballad at the center of Starling, for inclusion on her new album, placing Josh alongside artists such as Gillian Welch, Steve Earle, and Natalie Merchant. Additionally, Norah Jones nominated Hello Starling for the 2004 Shortlist Music Prize and his song ?Kathleen? won the 2004 Boston Music Award for Song of the Year. During 2004, Josh spent the spring on a U.K. tour that was followed by appearances at summer festivals, including the Cambridge Folk Festival (alongside Gillian Welch) and the V Festival (with The Strokes and the Pixies). In Ireland, Josh played his biggest show to date there, headlining one night of the Heineken Green Energy Festival. In October of 2004, Josh signed with V2 Records. V2 plans to release Hello Starling this February. This fall, Josh toured with Sarah Harmer in Canada. In December, Josh will play a series of East Coast performances. In the spring of 2005, Josh plans to enter the studio again to record another album for V2.
Corrosion of Conformity: "Stone Breaker"
We really try hard to be true to what our hearts tell us to do," says New Orleans-bred Pepper Keenan, guitarist and songwriter for the band. "We do what we feel and we don't want to get caught up in any '90s-style production bullshit, 'cause when we look back at what we've done we want it to sound timeless. So many bands are gonna laugh at themselves in ten years. We don't want that." COC has been hurtling towards a "timeless" rock sound since their humble-but-turbulent beginning as a hardcore band way back in 1982. Back then, the band -- guitarist Woody Weatherman, bassist Mike Dean and drummer Reed Mullin (Keenan didn't join until 1990) -- searched desperately for a voice, an identifiable way to vent the spleen that has continued to haunt them through a full six records: 1983's vociferous Eye For An Eye, '85's phlegmatic rant Animosity, '87's drop D-tuned barrage Technocracy, '91's awesome, menacing Blind, and the album that serves as WISEBLOOD's most direct sonic ancestor: '94's breakthrough platter, Deliverance. "We began carving our niche with Deliverance," says Keenan with a hint of the South in his voice. "Now that we have that niche we should stay in it. I often wonder what makes good bands take sudden left turns. Why would you work hard to develop a sound and then just abandon it? It makes no sense." "We've always tried to make albums that have highs and lows and midpoints," says Keenan, "records that you can listen to from beginning to end. We've got no interest in ramming ten songs in the same key down your throat.
Dropkick Murphys: "The Warrior's Code"
The disc bows with tributes to the fallen: written for and dedicated to the band's friend Greg 'Chickenman' Riley, "Your Spirit's Alive" also remembers Boston Bruin great Ace Bailey and hockey standout Mark Bavis who perished on United Airlines flight 175 on Sept. 11, 2001. "Last Letter Home," salutes American serviceman and Dropkick Murphys fan Sgt. Andrew Farrar, who died on his 31st birthday January 28th, 2005. Shortly before his death in a letter he sent home, Farrar requested the Dropkick Murphys' version of "Fields of Athenry" be played at his funeral should anything happen to him while he was in Iraq. In addition to blending excerpts from that very letter into "Last Letter Home," the band was present at Farrar's funeral and played "The Fields Of Athenry" on the pipes as the casket entered the church. The Warrior's Code also marks the second time the Dropkick Murphys have set a previously unused Woody Guthrie lyric to music. Approached three years ago by Guthrie's daughter, Nora (whose son is a Dropkicks fan), with the prospect of putting some of her legendary father's unpublished lyrics to music, the band produced the hard-charging "Gonna Be a Blackout Tonight," from which the title of 2003's Blackout was taken. The Warrior's Code features "I'm Shipping Up to Boston" written around a whimsical lyric about a sailor who lost his wooden leg in Boston. "When Nora gave us the green light to go through the archives and take we wanted," says vocalist/bassist and founding member Ken Casey, "we looked through thousands of his songs. Obviously, there were a lot of deep songs about World War II and labor stuff, but randomly in the middle of all these serious lyrics was this silly song, which seemed kind of cool. When other people do Woody's stuff, you normally don't see that light-hearted side of his work."
