Truckfighters: "In search of (the)" Video
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This is the amazing swedish rockband "Truckfighters" first offial video release. The song "Helium 28" is taken from the "Truckfighters Vs Firestone - Fuzzsplit of the Century". Truckfighters has now released a fulllength album "Gravity X" and is coming at you... Probably the best heavy-rock for a long long time! Check out the artists webpage; www.truckfighters.com if you want more. do it. DO IT!
Whoremoan: "Holes in the Ground"
This is "Holes in the Ground", a music video from UK Stoner Rock band "Whoremoan". Taken from the album "Youth Must Dare", shot in Canvey Island, Essex, England. Included on the CD Album "Youth Must Dare" avialable via Ebay and CDBaby.
An average video for an above average band. Air Fare are a 3 piece rock group with a different sound, who recently recorded an album in the Czech Republic and are going back soon to tour with the label RGM.
Fuzz is a picture video produced by kwei. It is a picture video because it is a video composed of 296 pictures. The making of this picture video has consumed a lot of time, but it is totally rewarding. So, i hope you will enjoy Fuzz and i would be pleased if you leave a comment. Thank you.
R&B legend Rick James was one of the most influential black musicians of all time. As an artist, songwriter and producer, James provided the funky hits that resuscitated Motown Records in the late '70s. His Punk Funk sound updated the label's style and saw it through the mid-'80s. By 1981, Rick was at the peak of his commercial success with the platinum selling Street Songs album and the hit singles "Super Freak" and "Give It to Me Baby." The following year, Rick James & the Stone City Band took the stage in Essen, Germany to open the 10th Rockpalast-Festival. This 1982 performance was the first time James played in Europe, bringing his brand of American Punk Funk to a whole new audience. Together with the Stone City Band, James did not disappoint, burning up the stage with his trademark sound and special effects. Now for the first-time, this classic performance is available on DVD. Featuring classic hits like "You and I," "Mary Jane," and of course, "Super Freak," this is Rick James at his very best. Super Freak 1982 is not only a must-have collectors item but also a fitting tribute to an R&B legend. Track Listing: 1. Intro 2. Ghetto Life 3. Big Time 4. All Day All Night 5. Freaky 6. Fire It Up 7. Love Gun 8. Guitar Solo 9. Harp Bolo (Call Me Up) 10. Big Day 11. Standing On The Top 12. Mary Jane 13. Mary Jane March 14. You and I 15. Give It To Me Baby 16. Super Freak
R&B legend Rick James was one of the most influential black musicians of all time. As an artist, songwriter and producer, James provided the funky hits that resuscitated Motown Records in the late '70s. His Punk Funk sound updated the label's style and saw it through the mid-'80s. By 1981, Rick was at the peak of his commercial success with the platinum selling Street Songs album and the hit singles "Super Freak" and "Give It to Me Baby." The following year, Rick James & the Stone City Band took the stage in Essen, Germany to open the 10th Rockpalast-Festival. This 1982 performance was the first time James played in Europe, bringing his brand of American Punk Funk to a whole new audience. Together with the Stone City Band, James did not disappoint, burning up the stage with his trademark sound and special effects. Now for the first-time, this classic performance is available on DVD. Featuring classic hits like "You and I," "Mary Jane," and of course, "Super Freak," this is Rick James at his very best. Super Freak 1982 is not only a must-have collectors item but also a fitting tribute to an R&B legend. Track Listing: 1. Intro 2. Ghetto Life 3. Big Time 4. All Day All Night 5. Freaky 6. Fire It Up 7. Love Gun 8. Guitar Solo 9. Harp Bolo (Call Me Up) 10. Big Day 11. Standing On The Top 12. Mary Jane 13. Mary Jane March 14. You and I 15. Give It To Me Baby 16. Super Freak
# We started back in 1998 from the ashes of other previous hardcore/punk bands in our hometown, Jerez in South Spain. We rehearsed a lot and recorded a couple of demos. We managed to support Randy in their spanish tour of ?99 and after that Slide Chorus made us an offer to release our first album ?Proud to be nothing?. # Once the album was released we toured non - stop, and we played in every place possible in Spain, including the Islands. In summer ?00 we toured europe for the first time with our friends PPM. then, back to spain we managed to play big shows with bands like No Fun at All or Undeclinable. # In early 2001, we toured Europe again in the well known ?Stronger than Metal tour?, which led us to meet great bands on the road as the Donots, Against time or 5 days off. Later that year, we toured Spain with Adhesive and right after we flied to the Uk to rock along 10 days with Twofold. Then we played at the Deconstruction Tour in Portugal. # In June ?01, New Horizon Records released ?Proud to be nothing? in north america. In summer ?01 the band their basement to create ?The True Charm of Bourgeoisie?. We signed to Wild Punk Records to release the album in Spain. In september ?01 we went to ?Pig Studios? in Granda, Spain (same as for ?Proud to be Nothing?) and we repeated with Javi PPM as the producer. # In march ?02 we toured Canada. We did 10 shows in the states of Quebec and Ontario with a successful result. Then, in october ?02 we did a 21 dates european tour along 9 different european countries to present the latest album. It was the best tour ever for us! # In 2003 we signed to BCore Disc, and we worked hard to finally record "Dialectics" in September '03. The album was produced by Paco Loco (Australian Blonde, Steve Wynn...) at Odds Studios in El Puerto, very near our hometown Jerez. # "Dialectics" is no doubt the finest workpiece we've ever done, a very own soundfield where we feel really confortable. As always our touring plans this time are definitively serious, so watch out there!
On their 2001 self-titled debut, the five-piece band KINKY (Gilberto Cerezo, Ulises Lozano, Carlos Chairez, Omar Gongora, Cesar Pliego) emerged from the desert city of Monterrey, Mexico with a set of world-savvy songs that belied the fact that most of the ideas were birthed in their small home studio. As musicians who not only knew their various instruments but each other for many years within the small but supportive music scene of Monterrey, a collective vision of channeling sounds across the globe was definitely within reach. To work on thier second album, Atlas, they headed deep into the jungle, uprooting their studio and taking up temporary residence in an isolated ranch in Quintana Roo, Mexico for a month. From there, KINKY traveled to a different sort of jungle - Los Angeles - in order to write a few more songs and work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut (though they haven't abandoned their love of the machines either). "The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound," says Ulises. "In the first album we recorded ourselves and made loops. On this record we didn't use as many loops or samples. It was more like a live session where we'd record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live." It's this contrast of environments - represented by the image of a fantastical grasshopper-jetliner hybrid on the album cover - and constantly being on the road that makes up the themes of Atlas. Sonically it is a clash of the organic and the digital; lyrically it roams from remembering to grab and savor the moments maybe you can ("Snapshot", which owes its rhythms to "quebradita", a northern Mexican music style) to finding something special in what most take for granted as those in-between times when you're waiting for something else to happen ("Airport Feelings"). But they start right at home in Mexico, with the propulsive single "Presidente." "We're asking, which color is our president? Green, white or red?" explains Gil. "These are the colors of our flag and they cover different ideas. Red can be very drastic or violent, or mean danger. White means peace or being clean. Green means things are growing up or developing. So each color represents state of mind or feeling and I think it's a good analogy with our flag."
Boom Boom Satellites: "Moment I Count"
Boom Boom Satellites first surfaced in Europe in 1997. They've taken Japan by storm many times, and have toured with Moby, Underworld, and remixed artists such as Garbage and Josh Wink. Philosophically pursuing the spiritual world, while at the same time having an energy that is physical and untamed, Boom Boom Satellites' sound is a blend between the roughness of rock and meticulously calculated programming. "FULL OF ELEVATING PLEASURES," their first US release in almost 7 years, is a gospel rock 'n roll album that moves beyond the traditional boundaries of electronic music. The throbbing 12-song track list includes "Dive for you," the theme song for the much talked about anime feature film "APPLESEED." It's an album that suggests the unveiling of a new chapter in the history of Boom Boom Satellites.
Boom Boom Satellites: "Dive For You" (anime video)
Boom Boom Satellites first surfaced in Europe in 1997. They've taken Japan by storm many times, and have toured with Moby, Underworld, and remixed artists such as Garbage and Josh Wink. Philosophically pursuing the spiritual world, while at the same time having an energy that is physical and untamed, Boom Boom Satellites' sound is a blend between the roughness of rock and meticulously calculated programming. "FULL OF ELEVATING PLEASURES," their first US release in almost 7 years, is a gospel rock 'n roll album that moves beyond the traditional boundaries of electronic music. The throbbing 12-song track list includes "Dive for you," the theme song for the much talked about anime feature film "APPLESEED." It's an album that suggests the unveiling of a new chapter in the history of Boom Boom Satellites.
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