Travis Shredd and the Good Ol' Homeboys: "My Ex's Lawyer Is the AntiChrist" Video
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Travis Shredd and the Good Ol' Homeboys: "My Ex's Lawyer Is the AntiChrist"
www.travisshredd.com Combining the musical styles of Country, Metal and Rap MAY seem...UNLIKELY...until you've heard Travis Shredd and the Good Ol' Homeboys! From the Travis Shredd and the Good Ol' Homeboys album "668: The Neighbor of the Beast" - Whipsaw transitions between country, metal and rap within the songs demonstrate how compatible these elements are with one another. The band's rave reviews and devoted fans across the country demonstrate how exciting the results are, and support from industry leaders in rock, country, college and alternative formats demonstrate the broad appeal of the most unique sound in contemporary music.
David Carnoy answers your questions about home audio and video.
EA demos 'Spore' on the iPhone
At Apple's official launch for the iPhone software development kit in Cupertino, Calif., Travis Boatman, executive producer of mobile studios for Electronic Arts, demonstrates the company's new Spore game on the device. Spore integrates the iPhone's touch screen and tilt features into the gaming experience.
Fierce Allegiance: "Die Fighting"
Music video from thrash metal band Fierce Allegiance....metal, moshing, fights, blood and pits edits from 30 shows! If you like Metallica, Megadeth, Testament or Slayer, Shadows Fall, The Haunted, Iron Maiden, or Suicidal Tendencies this video is for you! Fierce Allegiance mixes power metal, punk, hXc, death metal and all elements of THRASH METAL! Produced by Ken Olden (Guitarist of Damnation AD, Better than a Thousand, Battery). Bands produced by Ken Olden include: Age of Ruin, Darkest Hour, Weezer, 112, and Good Clean Fun. Fierce Allegiance has played numerous shows since our inception in 2000, with Agnostic Front, God Forbid, Unearth, It Dies Today, Six Feet Under, The Agony Scene, Every Time I Die, Dying Fetus, Deceased, Between the Buried and Me, A Life Once Lost, Evergreen Terrace, Caliban, Cannae, Full Blown Chaos, and many more! Since their inception, Fierce Allegiance has released 2 full-length albums and one vinyl 7-inch. Support the band. Check out "Into the Fire". Visit our website for all details: http://www.fierceallegiance.net or http://www.myspace.com/fierceallegiance
From First To Last: "The Latest Plague"
?It?s one thing to play a certain type of music,? says singer Sonny Moore dismissively, ?but it?s another thing to have no originality.? This is not just another brash quote from a member of one of the only truly punk bands left, From First To Last. It?s actually more of a mantra. Because when the members of From First To Last?Moore, drummer Derek Bloom and guitarists Travis Richter and Matt Good?began recording their highly anticipated second album Heroine, the pursuit, above all things, was originality. Which, as one spin of Heroine attests, is what they?ve achieved. ?We are so pleased,? Moore says. ?Before we started, we all said, ?We?re not going to make this record unless it?s a record we truly love.? And we did. This is the first time I?ve ever been so proud of a piece of art in my life.? This didn?t happen overnight. Formed in 2002 by Richter and Good in their hometown of Orlando, Florida, it wasn?t until FFTL began recording their Epitaph debut Dear Diary, My Teen Angst Has A Body Count that the band?s line-up began to congeal. Living in Los Angeles and half-heartedly playing in another band, the then 15-year-old Moore decided to spend a few weeks with the band in Georgia, where they were recording their debut. His timing couldn?t have been better. Moore arrived just as Good and Richter parted with their original singer and they were in the process of filling in the vocal gap on their own. After hearing Moore singing backups in the studio one day, a decision was made: Moore was in. Perhaps unsurprisingly the remainder of Dear Diary came together almost as quickly. Good and Richter had written the album in two weeks; Moore completed his vocals in the same space. They were barely a band in some senses, but FFTL?s music caught on nonetheless. Due in large part to their constant touring schedule, including three consecutive Warped Tour runs, Dear Diary went onto sell over 100,000 copies. But beyond the album?s success was an often-unnoticed subtext. As Moore puts it on the album?s opening track, with his tongue firmly planted in his cheek, ?I?m glad you?ve graced me with your presence/You?re just in time to see me wrestle with my conscience.? Nevermind your broken heart. This was ?screamo? with wit.
From First To Last: "Note To Self"
?It?s one thing to play a certain type of music,? says singer Sonny Moore dismissively, ?but it?s another thing to have no originality.? This is not just another brash quote from a member of one of the only truly punk bands left, From First To Last. It?s actually more of a mantra. Because when the members of From First To Last?Moore, drummer Derek Bloom and guitarists Travis Richter and Matt Good?began recording their highly anticipated second album Heroine, the pursuit, above all things, was originality. Which, as one spin of Heroine attests, is what they?ve achieved. ?We are so pleased,? Moore says. ?Before we started, we all said, ?We?re not going to make this record unless it?s a record we truly love.? And we did. This is the first time I?ve ever been so proud of a piece of art in my life.? This didn?t happen overnight. Formed in 2002 by Richter and Good in their hometown of Orlando, Florida, it wasn?t until FFTL began recording their Epitaph debut Dear Diary, My Teen Angst Has A Body Count that the band?s line-up began to congeal. Living in Los Angeles and half-heartedly playing in another band, the then 15-year-old Moore decided to spend a few weeks with the band in Georgia, where they were recording their debut. His timing couldn?t have been better. Moore arrived just as Good and Richter parted with their original singer and they were in the process of filling in the vocal gap on their own. After hearing Moore singing backups in the studio one day, a decision was made: Moore was in. Perhaps unsurprisingly the remainder of Dear Diary came together almost as quickly. Good and Richter had written the album in two weeks; Moore completed his vocals in the same space. They were barely a band in some senses, but FFTL?s music caught on nonetheless. Due in large part to their constant touring schedule, including three consecutive Warped Tour runs, Dear Diary went onto sell over 100,000 copies. But beyond the album?s success was an often-unnoticed subtext. As Moore puts it on the album?s opening track, with his tongue firmly planted in his cheek, ?I?m glad you?ve graced me with your presence/You?re just in time to see me wrestle with my conscience.? Nevermind your broken heart. This was ?screamo? with wit.
Madden NFL 10 comes to iPhone, iPod Touch
Travis Boatman of Electronic Arts shows off Madden NFL 10, the first game in the popular franchise to be sold in the Apple App Store.
The Acer H23H has good overall performance but can't quite compare with its contemporary in value.
Robert De Niro stars as the unstable anti-hero, Travis Bickle, in this now legendary story of alienation and urban decay. Also starring Harvey Keitel, Jodie Foster, Peter Boyle, and Cybill Shepherd.
"South Beach Sounds: Miami Music Week, Volume 1"
South Beach Sounds-Miami Music Week Volume 1 is a sensory souvenir of the world's largest dance and electronica event, the Winter Music Conference. Recorded in 2005, the DualDisc (and separate DVD, both released on March 21st via Immergent) captures the magnitude of the weeklong event, where over 10,000 people from 60 different countries came together for round the clock parties, industry panels, and cutting edge technological demonstrations. Electronica fans and professionals alike attend the conference, now in its 21st year. The DualDisc version of South Beach Sounds is dominated by tracks from some the conference's most electrifying acts. Trance master Steve Porter, house duo Murk, the jarring and intense Australian electronica trio Infusion, and the influential British DJ Pete Tong offer a dizzying sample of what the best performances of the conference were like.
