Tour the archives of music mogul Bill Graham Video
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Music business revolutionary Bill Graham's archive is home to rare and never-before heard music from rock's most famous artists. Now, Wolfgang's Vault CEO Bill Sagan takes you through a meticulous collection of rock and roll's rarest memorabilia and how it will be revealed for the first time in the digital era.
Music business revolutionary Bill Graham's archive is home to rare and never-before heard music from rock's most famous artists. Now, Wolfgang's Vault CEO Bill Sagan takes you through a meticulous collection of rock and roll's rarest memorabilia and how it will be revealed for the first time in the digital era.\r\n
Boom Boom Satellites: "Moment I Count"
Boom Boom Satellites first surfaced in Europe in 1997. They've taken Japan by storm many times, and have toured with Moby, Underworld, and remixed artists such as Garbage and Josh Wink. Philosophically pursuing the spiritual world, while at the same time having an energy that is physical and untamed, Boom Boom Satellites' sound is a blend between the roughness of rock and meticulously calculated programming. "FULL OF ELEVATING PLEASURES," their first US release in almost 7 years, is a gospel rock 'n roll album that moves beyond the traditional boundaries of electronic music. The throbbing 12-song track list includes "Dive for you," the theme song for the much talked about anime feature film "APPLESEED." It's an album that suggests the unveiling of a new chapter in the history of Boom Boom Satellites.
Boom Boom Satellites: "Dive For You" (anime video)
Boom Boom Satellites first surfaced in Europe in 1997. They've taken Japan by storm many times, and have toured with Moby, Underworld, and remixed artists such as Garbage and Josh Wink. Philosophically pursuing the spiritual world, while at the same time having an energy that is physical and untamed, Boom Boom Satellites' sound is a blend between the roughness of rock and meticulously calculated programming. "FULL OF ELEVATING PLEASURES," their first US release in almost 7 years, is a gospel rock 'n roll album that moves beyond the traditional boundaries of electronic music. The throbbing 12-song track list includes "Dive for you," the theme song for the much talked about anime feature film "APPLESEED." It's an album that suggests the unveiling of a new chapter in the history of Boom Boom Satellites.
Maximo Park: "Apply Some Pressure"
Big time rock and roll
"The Tomorrow Show: Punk & New Wave" DVD
As the popularity of punk and new wave in the '70s and '80s took flight, the groundbreaking late-night talk program "The Tomorrow Show" (boasting 3 Emmy nominations), hosted by Tom Snyder, welcomed many of the key figures of the genre. Now on DVD for the first time ever, 2 discs worth of explosive live performances and revealing interviews from the forefathers of the punk and new wave movement is available. Disc 1: October 11, 1977 - Joan Jett, Paul Weller, Bill Graham, Kim Fowley and Robert Hilburn in a roundtable discussion on the emergence of punk...February 3, 1981 - Elvis Costello & The Attractions songs: "New Lace Sleeves," "Watch Your Step"...February 12, 1981 - Iggy Pop songs: "Dog Food," "Five Foot One," "TV Eye"...May 20, 1981 - The Plasmatics songs: "Head Banger," "Master Plan"... Disc 2: May 11, 1978 - Patti Smith...June 25, 1980 - John Lydon...May 27, 1981 - The Jam songs: "Pretty Green," "Funeral Pyre"...September 1, 1981 - The Ramones songs: "We Want The Airwaves," "I Wanna Be Sedated," "The KKK Took My Baby Away"
Pop Levi has led what one might describe as a melodic life. From childhood his life has been steeped in music. He took up piano at age 3, joined a gospel choir at 7, and started record collecting at 9 just prior to writing his first song. It was a precocious start for an artist who has proved to be a prodigious talent. This English born, LA based multi-instrumentalist was a founder member of avant-garde rock collective Super Numeri before embarking on a global roller coaster ride as bassist with electro pioneers Ladytron. All the while he?s been perfecting his modern spin on rock and soul, releasing two singles on the ?Trons Invicta Hi-Fi label', and carefully crafting his debut solo album. August 2006 sees the release of his first EP on Counter Records. Drawing inspiration from such luminaries as Van Dyke Parks, Jimi Hendrix, Marvin Gaye and Syd Barrett, Levi creates his own brand of gloriously funky alt-rock, meticulously piecing together his kaleidoscopic sound from recordings he?s compiled over a ten-year period. The roar of a motorcycle and the Bolan-esque swagger of title track Blue Honey, kicks off this five track EP. Track 2 (A Style Called) Crying Chic sees Levi pay tribute to the sun drenched sounds of 60's west coast America before he struts his stuff on the Zeppelin-heavy guitar riffs of Mournin Light. Penultimate song Baby Again (Midnight Version) has a looser, more experimental feel, prior to more close-vocal harmonising and finger clicking beats from Levi on an alternate recording of album track Skip Ghetto (Echo Park version). The album, The Return To Form Black Magick Party, described by Levi as a truly bizarre whirlwind of classic sounds has been mixed by Thom Monahan, Devendra Banhart's producer, and produced by Pop Levi himself. It is due for release in the New Year. Meanwhile Levi and his band have been astounding audiences with their soulful vocals and guitar pyrotechnics both at home and here in the UK and plan a return trip to the UK in August for a clutch of dates to be announced shortly.
Bill Gates delivers CES keynote
On Sunday at CES, Microsoft Chairman Bill Gates discusses the paring down of his role at the company, ponders the next digital decade, and welcomes a rock god on stage.
Lenny Kravitz: "I'll Be Waiting"
In the 18 years that have transpired since Lenny Kravitz first entered the public consciousness, much has happened in the world of music. Yet, through it all, Lenny Kravitz, has persevered, flourishing as one of the great rock musicians of our time. He proves exactly why with his eighth studio album, It Is Time For A Love Revolution, a thunderous and elegant rock 'n roll call-to-arms, due out in February 2008.
?The intensity. The drama. The emotion. The colors. The darkness. The melodies. The anger. The honesty. The drive. The new. All of the above and more.? According to Stone Sour frontman Corey Taylor, those are the things that define Stone Sour?s passionately pulsing second album, Come What(ever) May (Roadrunner). Stone Sour?s first album in four years finds the band firing on all cylinders, and primed to capture the attention and the hearts of the rock ?n roll masses.Stone Sour?s self-titled debut was twice Grammy-nominated and RIAA Certified Gold. It was an eclectic album, propelled by the band?s busy tour schedule, the contemplative smash single ?Bother,? and a series of groovy, melodic metal numbers. In 2002 and 2003, Stone Sour established itself as a multi-faceted hard rock force of nature.While Taylor is one of the most recognized figures in rock music, thanks to his role as the frontman for Slipknot, a Grammy winning, multi-platinum act, Stone Sour is anything but a side project. It?s a full-time band that all members are fiercely dedicated to. Taylor spent much of 2004 and 2005 supporting his other band, but will spend 2006 and 2007 focusing on Stone Sour and Come What(ever) May. Also comprised by guitarist James Root, who does double duty in Slipknot, bassist Shawn Economaki, guitarist Josh Rand and new drummer Roy Mayorga, Stone Sour is armed with an album that expands beyond the palette of its predecessor. The band was afforded more time to craft songs, and it shows. The album, produced by Nick Raskulinecz (Foo Fighters, Velvet Revolver), is tight, crisp, and full of rowdy rockers and melodic numbers.?With Stone Sour, I loosen up and show more of myself,? Taylor reveals. ?As soon as the fans hear this new record, they?ll see it?s different than anything that we have ever done. It gives me a chance to do the singing that I love to do, the type of singing that I do when I?m walking around my house.? Taylor, a self-described extrovert, may be the mouthpiece for Stone Sour, but he insists the band is a truly collaborative effort, and that?s something he thoroughly enjoys. ?I?ve been able to blend into the background if needed, you know? You grow up thinking being recognized all the time will be sweet, but sometimes you just want to be one of the guys. I think I balance it fairly well, without killing people.?Guitarist Josh Rand, who ran 3-5 miles a day during the recording process to clear his mind for each day?s highly creative atmosphere, believes that the diversity of Come What(ever) May, which features guest appearances from The Wallflowers? Rami Jaffee and Godsmack drummer Shannon Larkin, will be what hooks fans, and what keeps them. ?This album?s content will fit any mood you may be in,? the guitarist says. ?If you?ve had a shitty day at work, you could crank ?Hell And Consequences.? If you need a little optimism, you could listen to ?Through Glass.? If you are feeling depressed, you could listen to ?Zzyzx Road.??Obviously, Come What(ever) May is a sensory experience, encompassing a wide spectrum of emotions. ?30/30-150? and ?Reborn? are bruisers that?ll get the blood coursing through listeners? veins, while the first single, ?Through Glass,? takes up real estate in your brain for days at a time, thanks its unforgettable melodic twists and chorus. Try and purge your brain of Come What(ever) May?s melodies, and you?ll fail miserably. Taylor concurs, ?So many bands are so genre-specific these days. No bands cover the middle ground. If they try, it?s lifeless and limp. Our album has such a pulse. The cool thing is that when we write stuff, it turns out catchy whether we want it to or not. It?s just something that we do.? He?s right. Crafting melody and mixing it with metallic maelstrom is definitely something that Stone Sour does better than most.Jim Root, who contends that ?life? itself influenced this album and who claims he consumed nerve-shattering, tooth-staining amounts of coffee during the recording process, sees Come What(ever) May as a necessary evolution in the band?s sound. ?We?re taking every aspect to the next level. As an artist, no matter what you do, you must evolve. That?s very important to me. Some people fear change. I embrace it. This record is a testament to where I am at, musically and spiritually. Life is a learning experience and so is song writing. As with everything I try to improve. I can sit back and listen to these songs and know that I have.?Taylor understands that as his career goes on, he will be less and less understood and he likes it that way. ?I?ve lost a little sleep over the fact that people don?t get what I do and how I do it. I do everything I can to entertain, educate and infuriate the status quo. If I give the mainstream a headache once in a while, that works for me.? It?s that attitude that attracts the disaffected youth, the kids, the anti-conservative thinker, as well as the casual rock fan to Stone Sour. ?I have a conscience,? Taylor says about his songwriting style. ?I have a respect for the music and I have an agenda. I have an individualistic mind to botch the ?product? mentality, and I am not out to further myself in a spotlight that knows no favorites. This could all be gone tomorrow. If all you?re doing is trying to build your Q points, what are you going to do when no one wants to see you anymore? At least I?ll be happy about the music I left behind.?The songs and music on Come What(ever) May ensure that Stone Sour?s legacy will endure for a long time to come.
