Manage updates with the Download AppThe Southern Electrics: "Save You - Live" Video
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The Southern Electrics: "Media Coke Whore - Live"
"Sounds like a bunch of dirty, psychedelic, messed up crazies from "Planet Give-A-F**k" - Clint Boon, DJ / Inspiral Carpets "Coruscating sounds from South London?s psych sucessors to The Creation" - The Guardian "A new hero and sound to supersede Radiohead and Muse" - Glasswerk Watch for The Southern Electrics "Save You", the second single from their critically well-received debut album "Electric Superhighway". They've built a formidable reputation and following, playing regularly at top UK venues including Cargo, The Barfly, 93 Feet East, The Metro Club, South Club (Manchester), along with a headline slot at Beached Festival 2005 and recent dates in Ireland and Germany. Having already received extensive radio airplay, including BBC Radio, RTE2 FM (Ireland), Today FM (Ireland), Totalrock and XFM, in April they recorded a live BBC Television Session with BBC Live Music Director David Amphlett, recording the tracks "Save You" and "Media Coke Whore" (see the footage at www.thesouthernelectrics.com). The Promo Video to the last single "Electric Superhighway" was extensively played on Sky & Cable Television. The b-side to "Save You", "Barcelona Burnout" was written for the documentary film "Barcelona Burnout". TSE provided the music to the film, a road trip documentary film about the 100th Anniversary of the Harley Davidson, produced and directed by Vincent Lewis with Executive Producer Andrew Mark Sewell as an Ignite/B7 Co-Production. "Barcelona Burnout" can currently be seen on digital and satellite TV channel Men and Motors. A special showing of "Barcelona Burnout" with The Southern Electrics Unplugged performing music from the film is taking place at the Greenwich Picturehouse. TSE are recording "Electric Love" at the legendary Battery Studios (Robbie Williams, Joe Strummer, Radiohead) with producer Jaimie Carter (credits include Craig David, The Datsuns, AC/DC, Good Charlotte. A&R and producer for Rondor), the first single from The Southern Electrics' second album due for release in 2006. The single is receiving its debut UK airing on Princess Productions' Jimmy Carr's "The Friday Night Project" on C4.
The Southern Electrics: "Save You - Promo Video"
"Sounds like a bunch of dirty, psychedelic, messed up crazies from 'Planet Give-A-F**k'." - Clint Boon, DJ / Inspiral Carpets "Coruscating sounds from South London's psych sucessors to The Creation" - The Guardian "A new hero and sound to supersede Radiohead and Muse" - Glasswerk "Save You" is the second single from The Southern Electrics critically well-received debut album "Electric Superhighway". They've built a formidable reputation and following, playing regularly at top UK venues including Cargo, The Barfly, 93 Feet East, The Metro Club, South Club (Manchester), along with a headline slot at Beached Festival 2005 and recent dates in Ireland and Germany. Having already received extensive radio airplay, including BBC Radio, RTE2 FM (Ireland), Today FM (Ireland), Totalrock and XFM, in April they recorded a live BBC Television Session with BBC Live Music Director David Amphlett, recording the tracks "Save You" and "Media Coke Whore" (see the footage at www.thesouthernelectrics.com). The Promo Video to the last single "Electric Superhighway" was extensively played on Sky and Cable Television. The b-side to "Save You", "Barcelona Burnout" was written for the documentary film "Barcelona Burnout". TSE provided the music to the film, a road trip documentary film about the 100th Anniversary of the Harley Davidson, produced and directed by Vincent Lewis with Executive Producer Andrew Mark Sewell as an Ignite/B7 Co-Production. "Barcelona Burnout" can currently be seen on digital and satellite TV channel Men and Motors. A special showing of "Barcelona Burnout" with The Southern Electrics Unplugged performing music from the film is taking place at the Greenwich Picturehouse. TSE are recording "Electric Love" at the legendary Battery Studios (Robbie Williams, Joe Strummer, Radiohead) with producer Jaimie Carter (credits include Craig David, The Datsuns, AC/DC, Good Charlotte. A&R and producer for Rondor), the first single from The Southern Electrics' second album. The single is receiving its debut UK airing on Princess Productions' Jimmy Carr's "The Friday Night Project" on C4.
The Southern Electrics: "Electric Superhighway"
"Sounds like a bunch of dirty, psychedelic, messed up crazies from 'Planet Give-A-F**k'." - Clint Boon, DJ / Inspiral Carpets "Coruscating sounds from South London's psych sucessors to The Creation" - The Guardian "A new hero and sound to supersede Radiohead and Muse" - Glasswerk "Electric Superhighway", the first UK single release from The Southern Electrics' debut album, was produced by modern rock maestro and Muse producer Paul Reeve, and was released as a three track CD single and download on April 11th, 2005. The track has already received extensive radio airplay, including BBC Radio, RTE2 FM (Ireland), Today FM (Ireland), Totalrock and XFM. In April they also recorded a live BBC Television Session. To accompany the single, a Video Shoot for "Electric Superhighway" took place at Pinewood Studios, directed by Vincent Lewis from Ignite Productions. Watch for The Southern Electrics' new single "Save You" (MUK015). The debut album "Electric Superhighway (MUK008)" is out now on Mi5 Recordings UK through Universal distribution.
The Early Years: "So Far Gone"
The Early Years David Malkinson, Roger Mackin and Phil Raines (guitar, guitar and drums) ? only formed in late-2004 and not along after, their demo tape received the on-air backing of Huw Stephens and Steve Lamacq on Radio One and John Kennedy on XFM (they were even invited in to record sessions for both stations), Beggars Banquet were alerted to their talent. Less than a year on and their debut album is ready to go. Furthermore, it?s a delight. Both live and on record, the results are stunning; never swaying from their ambition to make inventive, original and accessible music. You might have already been converted to their ?noisy majesty? (Drowned in Sound) at this year?s Tapestry, Truck and Latitude festivals, supporting bands like Electrelane and / or at numerous club nights across the capital. You might even have been turned on to them by seeing them on constant late-night MTV2 rotation or soundtracking a recent Nike World Cup advert. Either way, once their music takes hold, you?ll not be sorry. The Early Years say themselves that they offer a sound that lies somewhere between their joint love for ambient noise, motorik beats, drones, feedback, harmony and melody. Dave cites his influences as Acid Mother?s Temple, The Boredoms and Spiritualized, Roger talks of his love for The 13th Floor Elevators, Julian Cope, The Velvet Underground and Storm in Heaven-era Verve and Phil talks of Can, Neu! and Tortoise as being his major sources of inspiration; all this helps to explain both the bands depth and integrity
The Audiovox XpressR is a full-featured XM radio receiver with a 30-minute recording buffer for pausing and replaying live programming.
"Miles Electric" DVD clip: "Sounds like a voice"
Carlos Santana and others reflect on the sound of Mile Davis' horn. This footage is from the DVD "Miles Electric: A Different Kind of Blue" which features interviews with many musicians who he collaborated with on the later electric records and live footage from his 1970 performance at the Isle of Wight festival.
Hailing from the small town of Moscow, Idaho, Josh Ritter?s songs are a rare gift of natural, intuitive beauty. Born in the late ?70s to two neuroscientists, Josh bought his first guitar from the local K-MART after hearing the Bob Dylan and Johnny Cash classic ?Girl From The North Country.? He began Oberlin College with the intent to follow in his parent?s scientist footsteps, but instead, discovered songwriting and the music of artists like Gillian Welch, Townes Van Zandt, and Leonard Cohen. He graduated and then moved east for its close proximity to historic folk clubs like Club Passim in Boston. On a shoestring budget he recorded his critically acclaimed break through album Golden Age of Radio in 2001 at various tiny, one-room studios on the East Coast. In the fall of that year, Josh pressed up several thousand copies of Golden Age, which quickly sold and funded more touring. A copy found it?s way into the hands of Jim Olsen and Signature Sounds Recordings, and the record was released nationally in the US in January 2002. Critics called the modest album ?stunning,? ?elegant,? and ?damn near perfect,? landing Josh in the pages of Details, the New York Times, and Maxim. ?Come and Find Me,? the modest anthem of Golden Age, was featured over the end-credits of HBO?s uber-hip series Six Feet Under, and several successful tours followed. Meanwhile, at a Boston open mic that spring, Josh met Glen Hansard, the lead singer of The Frames. Hansard invited him to open a string of shows for the band in Ireland. Josh?s career took flight in Ireland, buoyed by the single ?Me & Jiggs,? which entered the Irish Top 40 and helped gain Josh full blown cult status, complete with sold-out headline tours, late-night TV appearances, and his very own cover band in Cork. Josh ran the gamut at the Irish Hot Press Reader?s Poll Awards, landing in the Top 5 for Best International Folk Act, International Male Songwriter, and International Male Singer, putting him in the company of Springsteen, David Gray, and Johnny Cash. Josh would spend much of 2002 splitting his time between the US and Ireland, sharing bills with such eclectic artists as Beth Orton, Liz Phair, Damien Rice, and Joan Baez, as well as a celebrated appearance at the 2002 Newport Folk Festival. In the process, he garnered impressive acclaim not only for Golden Age of Radio but also for his richly textured and intimately engaging live shows. Publications like The Village Voice, The Washington Post, and The Irish Times scrambled to describe what made Josh?s music so ?stunning.? Sold-out shows in New York, Boston, and Dublin, as well as a trip to the Sundance Film Festival kicked off 2003 in style. In February of that year, rested, refreshed, and more than ready to make a new record, Josh entered Black Box studios in rural France with his touring band and Irish producer David Odlum (the Frames, Gemma Hayes) to record Hello Starling. Recorded and mixed in only 14 days in an old dairy barn in the French countryside, the thick stone walls, high ceilings, and vintage gear (much of it Curtis Mayfield?s old equipment), made for a record which sounds conversational and honest and shimmers with a new-found confidence. The 11 songs on Starling retain the feel and flow of another era; these are catch-tunes and earnest lullabies that rekindle the warm glow of a young Springsteen or Leonard Cohen in both their literacy and honest enthusiasm. ?Kathleen,? a summer anthem about waiting around a party to drive a girl home, is a live favorite; ?Rainslicker? moves and sways with all the dust-stained imagery of the Clientele; and the show-stopping beauty of ?Baby That?s Not All? suggests an artist at the peak of his new-found powers. The legendary Joan Baez recently recorded ?Wings,? the haunting ballad at the center of Starling, for inclusion on her new album, placing Josh alongside artists such as Gillian Welch, Steve Earle, and Natalie Merchant. Additionally, Norah Jones nominated Hello Starling for the 2004 Shortlist Music Prize and his song ?Kathleen? won the 2004 Boston Music Award for Song of the Year. During 2004, Josh spent the spring on a U.K. tour that was followed by appearances at summer festivals, including the Cambridge Folk Festival (alongside Gillian Welch) and the V Festival (with The Strokes and the Pixies). In Ireland, Josh played his biggest show to date there, headlining one night of the Heineken Green Energy Festival. In October of 2004, Josh signed with V2 Records. V2 plans to release Hello Starling this February. This fall, Josh toured with Sarah Harmer in Canada. In December, Josh will play a series of East Coast performances. In the spring of 2005, Josh plans to enter the studio again to record another album for V2.
The Roku SoundBridge Radio successfully combines a high-end AM/FM clock radio and a wireless digital audio receiver, but we'd like to see a few more extras at this price.
The Yamaha Disklavier plays live Internet radio, Yahoo and Time consider a merger, Facebook wants tunes, and Scrabulous may yet be saved.
The White Stripes: "Blue Orchid"
get behind me satan -is the white stripes? fifth album -produced by grammy award winning producer jack white -recorded in Detroit at third man studios, mixed in Memphis at ardent studios, mastered in new york city at masterdisk -album contains thirteen original songs -songs were written on piano, acoustic guitar, and marimba -songs are deceivingly orchestrated, some sounding as if they were recorded with a full orchestra when they only have piano and bass on them -none of the songs had been played live before the recording of the album -none of the songs were completely written before the recording of the album -contains the white stripes shortest song to date -only three songs are electric guitar based -the band used their live sound engineer to engineer the recording -their fourth album, elephant was released one year after completion. the first single from get behind me satan, ?blue orchid,? was released two weeks after completion -jack white has described the record as an exploration of ?characters and the ideal of truth? -the band will tour prior to, and continue after, the album?s release but are only playing countries and cities that they?ve never been to before. The band plan to tour the u.s. and Europe afterwards. -a vinyl version of the record will be put on hold pending a unique release. -produced by jack white, engineered by matthew kettle, mixed by jack white, mix engineer john hampton, mastered by howie weinberg, photos by ewen spencer all songs written by jack white album artwork design by the third man artwork layout by arthole graphics
