Sia: "Sunday" Video
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Whether from the recent "Six Feet Under" soundtrack or from her unmistakable vocal work with chill-out champions Zero 7, Sia's star is on the rise. Her song "Breathe Me" has become an instant sensation, setting the stage for her full-length album "Colour The Small One." A mesmerizing collection of heartfelt, deeply personal songs, the album captures Sia's many sides - at once soulful, somber and playful.
Southern California quintet Saosin are one of the fastest-growing headliners in rock – earning mainstage slots on the Vans Warped Tour, selling out clubs in a flash, going out with heavyweights like AFI, Avenged Sevenfold, My Chemical Romance and Taking Back Sunday and garnering an ocean of fans who’ve downloaded their songs from MySpace over five million times – all before they’ve released a full-length album.
While her voice frequently draws comparison to Amy Lee of Evanescence, Lee's own citation of Plumb as a primary vocal influence is further evidence that Plumb is an artist who innovates rather than imitates. With a catalog of her songs already covered by Platinum-selling artists, featured in popular television programs and nearly a dozen major motion pictures, Plumb has put the finishing touches on her fourth album, "Chaotic Resolve" (Curb Records). The result is a refreshing blend of haunting melodies, edgy lyrics, piercing imagery, sublime textures and serious pop hooks. Plumb's "Chaotic Resolve" marks the re-emergence of an unmistakably important voice in pop music.
Vampire Weekend: "Mansard Roof"
The name of this band is Vampire Weekend. They are specialists in the following styles: "Cape Cod Kwassa Kwassa", "Upper West Side Soweto", "Campus", and "Oxford Comma Riddim." Vampire Weekend are Ezra Koenig (vocals / guitar), Rostam Batmanglij (keyboards / vocals), Chris Baio (bass) and Christopher Tomson (drums). They live in New York and met while studying at Columbia University, forming the band in the spring of 2006. In June 2007 the New York Times wrote that "Even without an album, Vampire Weekend have made one of the most impressive debuts of the year." In January 2008 XL Recordings will release Vampire Weekend's first full-length. Their first single "Mansard Roof" will be in shops on October 22, 2007. (October 23 in the US)
Rabbit In The Moon: "Let's Dance"
Rabbit In The Moon is an intense electronic act that combines all dance genres with an unforgettable live stage performance. 10 years in the making, the aptly named "Decade" is their first full-length project that is a CD/DVD combo that features previously unreleased tracks, re-mastered songs and mind tripping music videos.
The production duo behind redCola, Jonathan Paul and Damir Price aka Paul & Price are set to release their newest collaboration, Sounds Like Sex 2 - After Midnight Music. Guest vocalists and collaborators include Angela McCluskey, the voice behind Telepopmusik's "Breathe", and Toddy Ivy, LA's refreshing and inovative chanteuse. "I Adore You", the single featuring Angela McCluskey, was originally written for the Nike campaign featuring Serena Williams which played throughout Europe during Wimbledon and the Olympics. After much anticipation the full-length version finally makes its debut on SLS2. The album is a follow up to Sounds Like Sex 1, the first in the series whose sales continuously rank in the top 3 at CDBaby's Music to Have Sex To. The sound of Paul & Price combines somatic beats with lush orchestration - often provacative and exotic, creating sexy downtempo and intoxicating electronica. Since joining forces in 2002 Paul & Price have released 5 albums and licensed songs for compilations by Hugo Boss, Six Degrees Records and Invisible Records. Paul & Price is the music of the Virgin Airlines Upper First Class and has been featured on MTV, NBC and Fox. Their prestigious clients include Nike, Infiniti, and Cadillac, as well as films such as Mr. & Mrs. Smith, The League Of Extrodinary Gentlemen, Final Destination 2, and The Watcher.
The record, the second long player by Swedish octet The Concretes, is very aptly entitled "In Colour." Although previously and persistently described as making some kind of European glacial pop, "In Colour" sees the band painting their musical canvass with a full rainbow palette. Whereas the eponymously titled debut album was "The Ronettes" lit only by the Northern Lights, "In Colour" makes the leap into glorious widescreen. Recorded in Stockholm and Omaha with Nebraskan producer Mike Mogis, "In Colour" is classic Americana and Southern Soul rerouted via Northern Europe. Evocative of a line of records that veers between Dusty in Memphis and Fleetwood Mac's "Rumours" through to Cat Power's "The Greatest" and Bright Eyes' "I'm Wide Awake It's Morning," The Concretes have effortlessly become one of the most unique and beautiful pop groups in the world, a Swedish national treasure.
Priscilla Hernandez: "I Steal the Leaves"
"I Steal The Leaves," the first song by Priscilla Hernandez. The music video was produced and directed by the artist in the Fall of 2003 in the El Pijaral Forest (Tenerife). With a humble zero-cost production, the video is colourful and almost psychodelic with a magical feeling and celtic air. See the "fairy" in action.
The fifth full-length Nettwerk release from Vancouver-based duo Bill Leeb and Rhys Fulber, Nuages Du Monde (Clouds of the World) continues the evolution of Delerium from creators of predominantly instrumental filmic soundscapes to a fully-fledged vocal group. Featuring an array of renowned singers, Nuages Du Monde neatly combines the more overtly commercial pop of previous album Chimera (2003) with the lush sensual ambience and cloistered harmonies of 1997?s Karma, a meld that bridges the gap between world music, new age electronics and modern classical.
Matthew Dear: "Don and Sherri"
From the album Asa Breed on the Ghostly International label, this video premiered on MTV2's subterranean, 10.22.08. Directors Judy Welfare and Jeremy Hollister capture much of the song's fervent busyness by using a special 5 camera rig splayed out in a semi-circle and attached to the bed of a truck. With Dear literally hanging out over the street, they used mirrors to create a layered effect, similar to the vocals on Don and Sherri, except these shots were achieved for real, in-camera.
