Samuel Edsall: "R E M (Rapid Eye Movement)" Video
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This piece was composed with Acid Pro. Computer animation was done with Bryce 3D. Video editing was done with Sony Vegas. Enjoy. Comments welcome.
SIGNS - Are we alone? This was inspired by the movie of the same name. This movie uses some computer animation and clips of various crop circles. Edited with Sony Vegas.
Squeezeman pops out of a plasticine egg, toothpick in hand, ready to deal with any eventuality in his tiny, shiny plasticine world... except something that no small, squeezy man could ever have expected. 'Squeezemen' is a fun piece, made by Annie and Stephen Gard, who are not a husband and wife team, but cousins. The soundtrack was created from sampled sounds of Annie playing her violin; Annie also made the characters and moved them about the set; Stephen shot each still with a digital camera, and edited the sound and video. Annie also did some editing - the whole project was an experimental, 'holiday' project. Annie Gard is a student at the Sydney Conservatorium of Music High School; Stephen Gard is a composer and video artist.
New video for My People by the Presets. Directed by the one and only Kris Moyes. The Presets are Julian Hamilton (production/vocals/keyboards) and Kimberley Moyes (production/drums/programming). Trained artists in every regard, the pair met studying theory and music performance at Sydney’s esteemed Conservatorium of Music. In a sea of squares, the two stood out like jet black ink blots on a page. Music composition by day, dancing to the Pet Shop Boys, New Order and Acid House by night, they were perfectly primed to create a seamless combination of high and low culture to create a genre all their own. Beams was the answer.
The film consists of mixed 3D-animation, 2D-animation, frame-by-frame animation and still images. Also some self-recorded sounds and some self-composed music, though lots of sound effects and music samples were taken from free internet sources. LightWave3D, Photoshop, After Effects, Acid Pro. The original video-material is saved as 7489 single 1920x1080 PNG frames.
This is a ambient tune... No beats! Think of floating in space but dreaming of home and Earth and gravity.... This video was made using Moray, Povray, Terragen, Swish, Magix Video Deluxe, and Ulead GIF Animator. It took three months to complete. I don't think I'll be trying another one like this without automated animation software. I made each image separately. It took forever. Anyway, the song is available here at CNET in the music section under "Orphic Endeavors" and if you like this video please check out my other videos here and then check out my website at orphicendeavors.com for more music, videos and other stuff. Thanks for watching and listening. -Bonnie
I believe that although we smile, think happy thoughts and all try to get along peacefully, deep down we are hurting for we know the planet, our brothers and sisters, and all of earth's creatures are in serious danger because of global warming and because of the shrinking rainforests. I find I tell myself that I shouldn't care because it's already too late. But that way of thinking is dead wrong. I think we all do care. And it will never be too late to change our behaviors and do what is right. Our nations are democrocies and we should all do everything in our power to create clean air and forests forever. So I guess, this is what "The Rainforest Song" music video is about. It's about hope. It's about change. It's about living on a healthy planet that we can pass on for many generations. Also, the good elves in the video represent humankind's positive aspect, whereas the evil elves represent humankind's negative aspect. Yours, PK SILVER
Want to know what IBM, Palm, and all the other tech biggies will be up to next year? Tom thinks he knows.
Planet CNET: Spins, blurs, and flashing lights
It sounds like a bad acid trip, but on this edition of Planet CNET, we spin in Singapore, get blurred out in France, and witness some mesmerizing flashing lights in the United States.
Helio Sequence: "Everyone Knows Everyone"
Sometimes, the most important revelations come to us when intent is thrown to the wayside. The practice of deliberately rejecting pure deliberation is The Helio Sequence?s newest modus operandi, but it hasn?t always been. 1999?s Accelerated Slow Motion Cinema EP and 2000?s Com Plex (the former self-released and the latter on Portland?s illustrious Cavity Search label) found Helio Sequence in hot pursuit of a very specific kind of sonic perfection?one steeped in amorphous, often ambient sensibilities and punctuated with ethereal, mechanical bursts of energy. The resulting linear compositions, intricately rendered from sonic threads affected by psychedelic and early ?80s wall-of-sound groups, pointed towards what Helio Sequence would accomplish in 2001?s stellar Young Effectuals (also on Cavity Search). Primal in energy and futuristic in tone, the record was, at that point, the band?s neo-psych-dream swan song. ?It was the pinnacle of what we were trying to achieve at that point,? explains calm-voiced vocalist/guitarist Brandon Summers matter-of-factly. After three years, several tours (keyboardist/drummer Benjamin Weikel also lends his percussive skills to Modest Mouse, doubling the tour time), extensive hours of experimentation and afternoons spent ?listening to a lot of pop, Dylan and Can,? the duo has reached a totally different plane of consciousness. Love and Distance is bright, free, and organic?a collection of refreshingly melodious songs that stand in stark contrast to the ?univibe? that Summers asserts their past compositions often possessed. Summers and Weikel had been used to setting up a makeshift studio at the music store they started working at in tenth grade?one room was for tracking, one for mixing. When both parties quit their jobs to tour extensively in 2002, the recording, mixing and production operation moved to Weikel?s parents? bonus room and basement, various rooms in Summers? apartment, and Issac Brock?s garage. ?So many of the takes weren?t meant to stick,? Brandon chuckles. In the familiar, comfortable setting of family and friends? homes, however, something happened?Helio Sequence gained an elevated level of ease that allowed them to throw caution to the wind, expanding on the complex, deep sounds they?d so masterfully crafted years earlier. Their latest album?s strength lies not only in the soft tension created by its disparate elements?the traditional folksy twang of harmonica on ?Harmonica Song?, the fresh, tropical infusions of electronica on ?Looks Good (But You Looked Away)?, the passionate, precise collision of electric and organic percussion throughout?but in its natural flow. Each progression, each track, is part of a gorgeous, hooky whole. Armed with a surprising new instrumentation palette and buoyed by swift pop undercurrents, Helio Sequence finally felt able to construct their voluminous grooves using laissez-faire techniques that weren?t previously a part of their creative process. The result is a band more confident, inspired and inventive than ever before.
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