Radiohead: "Jigsaw" Video
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On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album delivers an emotional punch that proves all other rock stars owe us an apology.New York magazine raved, &Radiohead has made their best music in years, maybe ever. TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.
Beck has confirmed an October 3 U.S. release for his new album, The Information. Three years in the making, The Information is the album Beck began work on with producer Nigel Godrich (Beck's Sea Change, Mutations; Radiohead's OK Computer, Kid A) before last year's Guero. The Information was finally completed earlier this year once extended touring engagements necessitated by Guero's success, as well as Nigel's other commitments, were fulfilled. The Information is comprised of 15 songs and a DVD featuring homemade videos for each of the 15 songs shot in-studio during the actual sessions. The artwork for The Information is either non-existent or infinite, depending on one's point of view: Each copy will come in a blank package with one of four collectible sticker sheets specially designed by American and European artists hand-picked by Beck. In addition to the self-shot videos currently floating around on Beck.com, Beck's MySpace page, Youtube and various other corners of the Internet, Beck recently shot a video for "Cell Phone's Dead," directed by Michel Gondry. In other Beck video news, last year's "Hell Yes" clip will be up for Best Special Effects In A Video when the 2006 MTV Video Music Awards air 8 p.m. August 31. On the live front, Beck will follow his previously announced headlining slot at this year's Download Festival September 30 at San Francisco's Shoreline Amphitheater with a top-billed appearance at the Detour Festival October 7 in downtown Los Angeles.
The record, the second long player by Swedish octet The Concretes, is very aptly entitled "In Colour." Although previously and persistently described as making some kind of European glacial pop, "In Colour" sees the band painting their musical canvass with a full rainbow palette. Whereas the eponymously titled debut album was "The Ronettes" lit only by the Northern Lights, "In Colour" makes the leap into glorious widescreen. Recorded in Stockholm and Omaha with Nebraskan producer Mike Mogis, "In Colour" is classic Americana and Southern Soul rerouted via Northern Europe. Evocative of a line of records that veers between Dusty in Memphis and Fleetwood Mac's "Rumours" through to Cat Power's "The Greatest" and Bright Eyes' "I'm Wide Awake It's Morning," The Concretes have effortlessly become one of the most unique and beautiful pop groups in the world, a Swedish national treasure.
One of Australia's most quietly adored bands, Youth Group, stand ready to roar with 'Skeleton Jar'. Youth Group are at the forefront of an exciting new era in Australian alternative music. Singer/guitarist/songwriter Toby Martin formed the group with drummer Danny Allen in Sydney, Australia and despite several line-up changes since, these two remain at the band's core. After quickly gaining a strong live following the band signed to local independent label Ivy League Records (the same people who manage The Vines and Jet) and released their debut album in May 2001. 'Skeleton Jar' is the band's second album and the first to be released in the US. The talents of singer/songwriter/guitarist Toby Martin shine through on this album like a beacon. Eccentric, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain with his uniquely pure voice. From the haunting singles 'Skeleton Jar' and 'Shadowland' to live favorites "See-Saw" and 'Piece Of Wood", Youth Group present an eclectic feast, with a darker and less poppy approach.
One of Australia's most quietly adored bands, Youth Group, stand ready to roar with 'Skeleton Jar'. Youth Group are at the forefront of an exciting new era in Australian alternative music. Singer/guitarist/songwriter Toby Martin formed the group with drummer Danny Allen in Sydney, Australia and despite several line-up changes since, these two remain at the band's core. After quickly gaining a strong live following the band signed to local independent label Ivy League Records (the same people who manage The Vines and Jet) and released their debut album in May 2001. 'Skeleton Jar' is the band's second album and the first to be released in the US. The talents of singer/songwriter/guitarist Toby Martin shine through on this album like a beacon. Eccentric, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain with his uniquely pure voice. From the haunting singles 'Skeleton Jar' and 'Shadowland' to live favorites "See-Saw" and 'Piece Of Wood", Youth Group present an eclectic feast, with a darker and less poppy approach.
Fresh from the U.K cult success of their debut single 'Gravity's Rainbow' earlier this year, Klaxons (that's Jamie, Simon and James to their local Vicar) are now venturing Stateside with their offerings of post punk sensibilities with their deep love of Rave music described by Jaime as the most short lived genre of all time. It never even existed and classic Pop culture that sticks like knives out of their every chord change. Resulting in an instant mind bending, shoe stomping hit hailed as The most worthy indie dancefloor filler of the year NME Touching down in 2006 from a place undetermined to wrestle the hearts and minds of the nations music lovers from last year's seemingly all-pervading po-faced, post-punk moroseness. The band describes their sound as Josef K-meets-Baby D, with a twinkle in their eye, surely the first to mention those names in the same sentence. American audiences will immediately see the nod towards influential 90's bands such as Happy Mondays and Altern8. Definitions aside, what you hear is post punk psychedelic pop that meets pill popping dance music and it sure works. A trio with heads jam packed with ideas, ideas that layer influences and an imagination with genuine talent. Dazed & Confused Xan Valleys E.P lurches out demonically from a world of distortion and drummatic? madness, stuffing the peaks and breakdowns into moments of a sheer pop meltdown. If ever a band were all about the moment, all about Myspace as a progression of rave cultures underground communication, and all about creating a live experience every bit as exhilarating as their singles, this is the Klaxons signature sound. The opening track Gravity's Rainbow doesn't mess around as it welcomes and steers the listener into an eerie world of pumping psychedelia combined with melodic and romantic vocals blissfully taking you on a pleasantly trippy ride through their wondrous world and another dimension that is Xan Valleys. One listen to Atlantis To Interzone and the several miles of dots between those influences are quickly joined, where screaming sirens and samples straight out of a field in '89 give way to the punked out half-falsetto, half melodic breakneck vocals and drums. Klaxon, a French verb meaning to too certainly alludes to the raving mania of their audiences who frantically get down to the sounds with horns and whistles intact. But also the word's origin is actually a form of tribal drumming, Simon says used to communicate over long distances, pre amplification and telephones. Therefore, these London lads really are practicing the art of channelling a much loved yet equally forgotten musical era now reinvented and given back to us in the form of Klaxons.
Paul McCartney earned three Grammy nominations for his critically acclaimed album, "Chaos And Creation In The Backyard." With nominations for Album Of The Year, Best Male Pop Vocal Performance, for the album's first single "Fine Line," and Best Pop Vocal Album, (as well as a Producer Of The Year nod for Nigel Godrich) McCartney's "Chaos" stands as one of the most nominated albums of the year. "It's always great to be recognized for your work,? said McCartney, who recently completed his sold-out, 37-city, "US Tour" of America. "We're very proud of the album, the reception it's had and I?m chuffed for Nigel. It was a great album to make. And seeing as I've never actually won a Grammy for my post-Wings work, it's pretty exciting..." "Chaos And Creation In The Back Yard" is McCartney?s 20th studio recording since The Beatles. Upon its release, which marked the end to a nearly four year studio hiatus for McCartney, the recording was met with unprecedented universal critical praise. The comparisons to "Chaos," were made at the time, many pointing out similarities to "McCartney," as well as to the Beatles "White Album." "Chaos" was produced by Nigel Godrich (Radiohead, Travis and Beck) and was recorded in London and Los Angeles over the past two years.
Pocket Symphony is their fourth studio album proper and the follow up to 2004?s Talkie Walkie (although if you include their Allessandro Baricco City Reading collaboration, the Virgin Suicides soundtrack and their recent Charlotte Gainsbourg production 5:55 they could claim seven). It?s also the fourth album they have done in conjunction with English producer Nigel Godrich (?he?s so cool, he could be French,? quips Air?s Nicolas).
30 Seconds to Mars: "A Beautiful Lie"
"A Beautiful Lie," the title track and current single from 30 Seconds to Mars' platinum album, marks the first music video ever shot 200 miles north of the Arctic Circle in Greenland. It is the third in a series of short films featuring songs from the band's 2005 album. (The previous two were "The Kill" and "From Yesterday," which was the first American music video shot in the People's Republic of China); both were directed by Bartholomew Cubbins. "A Beautiful Lie" directed by Angakok Panipaq premieres January 30th in an array of countries including the US, Canada, Australia, New Zealand, Japan, Mexico, Brazil, Spain, Sweden and Denmark through a never before seen global Myspace exclusive event. This will be followed by a multi-channel and online media blitz.
Hailing from the small town of Moscow, Idaho, Josh Ritter?s songs are a rare gift of natural, intuitive beauty. Born in the late ?70s to two neuroscientists, Josh bought his first guitar from the local K-MART after hearing the Bob Dylan and Johnny Cash classic ?Girl From The North Country.? He began Oberlin College with the intent to follow in his parent?s scientist footsteps, but instead, discovered songwriting and the music of artists like Gillian Welch, Townes Van Zandt, and Leonard Cohen. He graduated and then moved east for its close proximity to historic folk clubs like Club Passim in Boston. On a shoestring budget he recorded his critically acclaimed break through album Golden Age of Radio in 2001 at various tiny, one-room studios on the East Coast. In the fall of that year, Josh pressed up several thousand copies of Golden Age, which quickly sold and funded more touring. A copy found it?s way into the hands of Jim Olsen and Signature Sounds Recordings, and the record was released nationally in the US in January 2002. Critics called the modest album ?stunning,? ?elegant,? and ?damn near perfect,? landing Josh in the pages of Details, the New York Times, and Maxim. ?Come and Find Me,? the modest anthem of Golden Age, was featured over the end-credits of HBO?s uber-hip series Six Feet Under, and several successful tours followed. Meanwhile, at a Boston open mic that spring, Josh met Glen Hansard, the lead singer of The Frames. Hansard invited him to open a string of shows for the band in Ireland. Josh?s career took flight in Ireland, buoyed by the single ?Me & Jiggs,? which entered the Irish Top 40 and helped gain Josh full blown cult status, complete with sold-out headline tours, late-night TV appearances, and his very own cover band in Cork. Josh ran the gamut at the Irish Hot Press Reader?s Poll Awards, landing in the Top 5 for Best International Folk Act, International Male Songwriter, and International Male Singer, putting him in the company of Springsteen, David Gray, and Johnny Cash. Josh would spend much of 2002 splitting his time between the US and Ireland, sharing bills with such eclectic artists as Beth Orton, Liz Phair, Damien Rice, and Joan Baez, as well as a celebrated appearance at the 2002 Newport Folk Festival. In the process, he garnered impressive acclaim not only for Golden Age of Radio but also for his richly textured and intimately engaging live shows. Publications like The Village Voice, The Washington Post, and The Irish Times scrambled to describe what made Josh?s music so ?stunning.? Sold-out shows in New York, Boston, and Dublin, as well as a trip to the Sundance Film Festival kicked off 2003 in style. In February of that year, rested, refreshed, and more than ready to make a new record, Josh entered Black Box studios in rural France with his touring band and Irish producer David Odlum (the Frames, Gemma Hayes) to record Hello Starling. Recorded and mixed in only 14 days in an old dairy barn in the French countryside, the thick stone walls, high ceilings, and vintage gear (much of it Curtis Mayfield?s old equipment), made for a record which sounds conversational and honest and shimmers with a new-found confidence. The 11 songs on Starling retain the feel and flow of another era; these are catch-tunes and earnest lullabies that rekindle the warm glow of a young Springsteen or Leonard Cohen in both their literacy and honest enthusiasm. ?Kathleen,? a summer anthem about waiting around a party to drive a girl home, is a live favorite; ?Rainslicker? moves and sways with all the dust-stained imagery of the Clientele; and the show-stopping beauty of ?Baby That?s Not All? suggests an artist at the peak of his new-found powers. The legendary Joan Baez recently recorded ?Wings,? the haunting ballad at the center of Starling, for inclusion on her new album, placing Josh alongside artists such as Gillian Welch, Steve Earle, and Natalie Merchant. Additionally, Norah Jones nominated Hello Starling for the 2004 Shortlist Music Prize and his song ?Kathleen? won the 2004 Boston Music Award for Song of the Year. During 2004, Josh spent the spring on a U.K. tour that was followed by appearances at summer festivals, including the Cambridge Folk Festival (alongside Gillian Welch) and the V Festival (with The Strokes and the Pixies). In Ireland, Josh played his biggest show to date there, headlining one night of the Heineken Green Energy Festival. In October of 2004, Josh signed with V2 Records. V2 plans to release Hello Starling this February. This fall, Josh toured with Sarah Harmer in Canada. In December, Josh will play a series of East Coast performances. In the spring of 2005, Josh plans to enter the studio again to record another album for V2.
