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Prefuse 73, Robert Plant & Alison Krauss, Cool Kids
Crossfade TV this week checks out the latest hip-hop/funk/chop-rock smarts from Prefuse 73, new music from indie-rap duo Cool Kids, and the great new collaboration between bluegrass chanteuse Alison Krauss and Led Zeppelin vocalist Robert Plant.
Touring behind his new album, the former Beatle Paul McCartney talks with CNN's Daryn Kagan about aging and loss. (September 21)
Paul Oakenfold featuring Brittany Murphy: "Faster Kill Pussycat"
A Lively Mind is Paul Oakenfold's second artist album and his second for Perfecto Records. Of course, every single one of his mix albums and projects have involved a high level of artistry, so perhaps a little explanation is in order... Paul Oakenfold has long been one of the most important--if not the most important--name in modern club culture. People who don't know that much about DJ culture or the music itself are familiar with Oakenfold's name and what he represents. Of course, many people who think they're unfamiliar with Oakenfolds music actually may have heard it often, thanks to appearances globally on the radio and TV featured in commercials supports mega brands such as Coca-Cola, Toyota, Motorola and Saab all which ran throughout 2005, not to mention his contributions to hit films such as Swordfish (which Oakenfold scored), The Matrix Reloaded and Michael Manns Collateral. In fact, when the superstar DJ sold out the Hollywood Bowl a couple of years ago, many pundits viewed the events as definitive proof that dance culture had finally arrived in America--a force as powerful as any other in modern pop music. Still, when he works as a DJ and/or as a remixer and releases mix CDs it's not a total expression of this Grammy Nominated artists musical creativity. Thus, A Lively Mind features 12 new songs composed and created by Paul Oakenfold. A work of love and passion, its been three years in the making. Bunkka, his debut artist album featuring the hits Ready Steady Go and Starry Eyed Surprise, was released in 2002, sold over a million copies worldwide and went Gold. "I'm an infant in the 'artist' world, weaned and ready to blossom," jokes the composer. "I still primarily believe that songs are the way to move forward in my musical world, which has always been very instrumentally-based. So coming up with great songs takes time. And, naturally, I'd jump from making the record to working on cues for films or doing a couple of remixes and then I'd get inspired and jump back into it. Some of the tracks have been reworked many times over to find a comfortable arena for me. "Plus, even though there are 12 tracks on the CD, I've recorded quite a few more. It wasn't a process of seeing what I could come up with and that's what's ended up on the album. There was a lot of tooing and froing until I was happy with the record". By his own admission, however, Oakenfold is not a singer. Bunkka featured such guest vocalists as Perry Farrell, Ice Cube, Tricky, Nelly Furtado, and--in what would turn out to be his final recorded appearance--Dr. Hunter S. Thompson. A Lively Mind continues the tradition of employing unique vocalists. "Faster Kill Pussycat," the kickoff track and first single, is perhaps the most unique and somewhat shocking of the album when it comes to guest singers. The song--which started life as a rock tune but now might best be described as reminiscent of a young Madonna at her very best--features the astounding singing talents of... Brittany Murphy. Yes, that Brittany MurphyEminems girlfriend in 8 Mile. The femme fatale in Sin City. The actress-turned-diva was recommended to Oakenfold by a mutual friend Oakenfold claims, by the way, to be totally unfamiliar with Russ Meyer's cult classic film, Faster, Pussycat, Kill Kill. "I was looking for a different genre and a different feel and something just original for me," explains Oakenfold. "I knew I wanted a girl vocalist but also someone who's not known as a singer. It had to be someone from a completely different world than mine. It ultimately seemed that film was the right place to look because I was venturing more and more into that world. But even more importantly, I needed someone who could sing--who could really, really sing--and Brittany Murphy fit the bill." The world of film--or at least of Hollywood--influenced another of the albums stand out tracks, this one featuring vocals by modern hip-hop great Pharrell Williams. Inspired by the four years the London-Raised Oakenfold has called L.A. "home," the track is titled "Sex 'N Money." "It was actually an idea I came up for my last record that didn't make it because it was to hip-hop back then and I already had enough hip-hop songs on that album," says the writer. "So I shelved it and then later came across it while hunting for some old stuff. I liked the lyrical connotations of sex and money, thinking if anything, it's more relevant to today. "It's a song about how soulless the Hollywood party scene can be. Ive been in situations where people are introduced to me and then they spot a celebrity, standing nearby, and they disappear, literally mid sentence. So the track is really Hollywood in a nutshell for me--it's all sex and money. We deconstructed our original track and rewrote it for Pharrell, in a way that's melodic and hypnotic and just keeps coming back at you in waves." Other vocalists include two artists signed to Oakenfold's long-running Perfecto custom label--Spitfire (who performs on "No Compromise" and "Feed Your Mind") and Ashley of the rock band Bad Apples (who adds his vocal talents to "Vulnerable"). And then theres one who can only be described as a true living legend. Grandmaster Flash, the man who gave birth to the whole hip-hop movement in the early '80s with his classic "The Message," joins Oakenfold on "Set It Off." "Flash and I have long talked about making a track together hes the godfather! So it was truly an honor to work with him. I don't think there's another DJ I would actually make a record with but I really liked the idea of the guy who arguably started the whole DJ thing being on my record. And I liked the idea of our worlds colliding and our sounds clashing. That's why the track is a little more electronic than some of the others. It's a perfect blend of both our elements." A perfect blend could also be the perfect phrase to describe the cohesiveness of A Lively Mind a title which means an active person, says its creator. Balance was the key on this one, and the artist believes that this album may strike with a larger audience than Bunkka, an album that tended to alienate a small portion of his large audience. "What I set out to do on my last record was probably one step ahead of the game," he says in retrospect. "The dance world or electronic world was expecting more of a DJ record and I wanted to make a record that was more out there. Direction is hugely important to me--to have a balance. And I felt like maybe I'd lost a bit of balance on Bunkka. So this record is a lot more up-tempo, a lot more focused, and a lot more comfortable in the electronic world than the last record was and yet it still has a variety of flavors." In fact, some of the titles and themes on the album have a direct correlation to that electronic and dance world, both lyrically and title-wise. "Save The Last Trance For Me" is, of course, a play on words from the Drifters' classic "Save The Last Dance For Me." His critics get their comeuppance in "No Compromise." And the instrumental "Amsterdam" pays tribute to a city that plays host to the biggest dance scene in Europe. Of course, on some levels, it seems almost absurd to think of Paul Oakenfold needing to get "more comfortable" in anything involving the electronic world. After all, the guy helped invent that world. His mark can be seen and heard in everything from the early rise of hip-hop to the birth of the "Madchester" scene. Oakenfolds career began in London, when he began DJing in small clubs around the West End. His rising reputation led to a job as an A&R rep at the UK-based Champion label, where his first signing was Will Smith (still part of Jazzy Jeff & The Fresh Prince). His second? Salt N' Peppa. Not bad for a novice record exec. After stints at Profile and Def Jam (where he perfected the talent scouting skills that would eventually lead him to start his own Perfecto label in 1991), he returned to DJing. Oakenfold changed European youth culture throughout the late '80s and early '90s. He was one of the first DJ's to have a residency on the Island of Ibiza, leading to both a new sound and a yearly festival. He also started regular "Balearic" club nights in London, attracting a crossover audience and remixed legendary bands such as The Stone Roses and the Happy Mondays (whose Pills 'N' Thrills and Bellyaches album was produced by Oakenfold and his production partner Steve Osborne, becoming the biggest album of the band's career). His pivotal role in the Manchester scene was Oakenfold's visa into the rock world. Over the next several years, he, along with Osborne, remixed tracks by legendary bands New Order, The Cure and Massive Attack. In 1991, he first worked with U2 remixing "Even Better Than the Real Thing" and "Mysterious Ways" from their Achtung Baby album. It was the start of a long partnership with that band. He was the DJ on their historic ZOO TV tour and later remixed the band's "Beautiful Day," a number one hit for U2 on the U.S. and U.K. dance charts. Over the years, he's remixed tracks for everyone from Madonna to Elvis Presley to Justin Timberlake to Moby to Snoop Doggy Dog. He's the first electronic artist ever to be in the Guinness Book of World Records--for being the biggest DJ in the world. He's the only DJ to have a display case in the Hard Rock Cafe's Rock & Roll Museum. 2003 also saw Paul perform a concert on the Great Wall of China. That same year, not only was he honored with the UK's "Pioneer of Dance Music" award, which was presented by Queen Elizabeth herself at the "Pioneers of the Nation" celebration," shortly after Oakenfold had played the Nelson Mandela-organized South African AIDS benefit concert alongside Bono, Peter Gabriel and Beyonce Knowles. Oakenfolds mix compilation Another World (Perfecto) sold over 500,000 in the U.S. alone making it the biggest selling DJ compilation. He's also one helluva cook, having graduated from culinary school before beginning his journey in the music world. Now comes A Lively Mind, a totally new and fresh venture and perspective, musically speaking, for the artist. The album is just the beginning of an amazing 2006 that will find Oakenfold working on the scores of at least three new films--as well as remixing a number of singles including Madonnas new record Confessions of a Dance Floor and a track from the legendary Burning Spear. At the same time, the Perfecto label is releasing debut albums by the aforementioned Spitfire (who Oakenfold compares to a young Anthony Kiedis) and the London-by-way-of-Los Angeles Bad Apples. Then there's the U.S. and European tour that will follow the new albums release.
Natalie Walker. Urban Angel. Biography. Born and raised in Indiana, vocalist Natalie Walker is an artist whose lilting, melodic voice and lyrical reveries reflect a life journey of determination and self-discovery. With musical influences ranging from Alison Krauss to Portishead, Jewel to Lauryn Hill, Beth Orton to Bjork, the former lead singer of downtempo electronic group Daughter Darling now delivers her own unique, haunting sonic landscape that is at once organic, ethereal, elegant and entrancing. ?Creating music is my outlet,? says Natalie. ?I was born to sing. When I don?t, I feel empty. When I do, I feel fulfilled. It?s that simple.? Urban Angel, her solo album debut, was co-written by Natalie and two-man production team Stuhr. ?I worked with two really great producers out of Brooklyn, Dan Chen and Nate Greenberg. They?d send me the rough copy of a song and the music would just evoke emotion,? she explains. ?Its like fitting pieces of a puzzle together. When you?re in the studio recording its all very raw and real. I try to make a song new each time I sing it. I want it to be unforgettable. My producers are amazing. They forced me to develop my real voice. I?ve improved my vibrato and my tone. Stuhr delivered exactly what I asked of them. It couldn?t have happened more perfectly.?
Taken from the album "Youth Must Dare" and filmed at the studio during the actual recording of the track. Find Whoremoan on music.download.com and find the album on Ebay & CDBaby.
The Southern Electrics: "Electric Superhighway"
"Sounds like a bunch of dirty, psychedelic, messed up crazies from 'Planet Give-A-F**k'." - Clint Boon, DJ / Inspiral Carpets "Coruscating sounds from South London's psych sucessors to The Creation" - The Guardian "A new hero and sound to supersede Radiohead and Muse" - Glasswerk "Electric Superhighway", the first UK single release from The Southern Electrics' debut album, was produced by modern rock maestro and Muse producer Paul Reeve, and was released as a three track CD single and download on April 11th, 2005. The track has already received extensive radio airplay, including BBC Radio, RTE2 FM (Ireland), Today FM (Ireland), Totalrock and XFM. In April they also recorded a live BBC Television Session. To accompany the single, a Video Shoot for "Electric Superhighway" took place at Pinewood Studios, directed by Vincent Lewis from Ignite Productions. Watch for The Southern Electrics' new single "Save You" (MUK015). The debut album "Electric Superhighway (MUK008)" is out now on Mi5 Recordings UK through Universal distribution.
Morcheeba: "Everybody Loves a Loser"
The brothers Godfrey (Paul and Ross) and talented vocalist Daisy Martey are back with the latest incarnation of Morcheeba. Here, the magically travel the globe in a surreal, Pythonesque animated video.
Roger O'Donnell, long known as the man behind the keys for legendary bands like the Cure and earlier for The Psychedelic Furs, steps out on his own with his beautiful new album The Truth in Me. A collection of songs composed and recorded using a single instrument, the Moog Voyager. An instrument with it's own cult following, the Moog is generally not known for the very warm and undeniably human sounds that become immediately apparent upon listening to this fascinating work. Always an artist of unique vision, Roger O'Donnell's playing and songwriting can be found on era defining records and he has performed on some of the biggest tours and festivals all over the world. His contributions have always had an amazing influence on the bands he played and wrote with. Following the inclusion of his song "Another Year Away" on the soundtrack for the Moog Documentary, Roger was encouraged by one of the film's producers to do an entire album orchestrated with a Moog Voyager. Since Roger had enjoyed working with the Voyager on the soundtrack, the idea appealed to him: "My initial idea (for the soundtrack) was to try and write a song and record it using only a Moog and that's what happened. I knew from my early days that I could orchestrate using mono analogue synths so in a way I was revisiting my roots." "Definitely not a concept album, more of an album concept, it was a re-visiting of my early days of composing using limited instrumentation. Consciously un-compromised or commercial, it's a mainly instrumental journey through my musical influences and where I am now (vocalist Erin Lang sings 3 songs). I was also inspired by Bjork's use of a single instrument, the voice, on her record Medulla. I found the Voyager really easy to work with and thought that maybe I had found my own voice and could do something that was entirely original. Finally, music that I am satisfied with and that satisfies me, The Truth In Me says what I have been trying to say for a long time." The Truth In Me has inspired a number of musicians to join Roger in his exploration. Remixes have already been done of a number of the album's tracks by such luminaries as Jimmy Tamborello of The Postal Service/Dntel/Figurine, Kieran Hebden of FourTet, The Notwist/Console, and Jimmy LaValle of The Album Leaf. Roger O'Donnell will be touring the US through the Fall of '06 and beyond with an appearance at this years CMJ festival in New York. "...a collection of songs that shows the sensuous and moody side of the Voyager." Electronic Musician
The first music video from Jane-Finch.com..."Soldier" is the first video collaboration between director Paul Nguyen and rapper Chuckie Akenz. The video was shot on Thursday, March 25, 2004. The walking scene was filmed along Yewtree Blvd and Driftwood Ave. "Soldier" was actually made as a school project for York University professor John McCullough. Due to the tremendous feedback and response Paul Nguyen received, "Soldier" was uploaded online to Jane-Finch.com and started a new generation of rap video productions.
The White Stripes: "Blue Orchid"
get behind me satan -is the white stripes? fifth album -produced by grammy award winning producer jack white -recorded in Detroit at third man studios, mixed in Memphis at ardent studios, mastered in new york city at masterdisk -album contains thirteen original songs -songs were written on piano, acoustic guitar, and marimba -songs are deceivingly orchestrated, some sounding as if they were recorded with a full orchestra when they only have piano and bass on them -none of the songs had been played live before the recording of the album -none of the songs were completely written before the recording of the album -contains the white stripes shortest song to date -only three songs are electric guitar based -the band used their live sound engineer to engineer the recording -their fourth album, elephant was released one year after completion. the first single from get behind me satan, ?blue orchid,? was released two weeks after completion -jack white has described the record as an exploration of ?characters and the ideal of truth? -the band will tour prior to, and continue after, the album?s release but are only playing countries and cities that they?ve never been to before. The band plan to tour the u.s. and Europe afterwards. -a vinyl version of the record will be put on hold pending a unique release. -produced by jack white, engineered by matthew kettle, mixed by jack white, mix engineer john hampton, mastered by howie weinberg, photos by ewen spencer all songs written by jack white album artwork design by the third man artwork layout by arthole graphics
