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If you're looking for a camera that's not quite as big as a dSLR but doesn't skimp on hardware controls or features like an articulated LCD, EVF and stereo full HD video, the G3 is a great option. But performance is hit-and-miss for shooting action, so you may end up having to go with something just a bit bigger, anyway.
The rugged Panasonic Lumix DMC-TS4
While it doesn't offer much from upgraders, the Panasonic Lumix DMC-TS4 is still a very good rugged camera.
Though we still really like Panasonic's GF series, there are several trade-offs to take into account before you buy the Panasonic Lumix DMC-GF2. Its raw-format images look extremely good, but JPEG shooters looking for best-possible photo quality may get frustrated by image artifacts. And while lots of photographers will appreciate its relatively compact but functional design and zippy performance--though still not for action shooting--there's nothing special about its feature set, including underpowered video capture.
As long as you don't want much in the way of manual features, the Panasonic Lumix DMC-ZS3 is a very nice camera that can handle a variety of shooting situations.
Get a first look at Panasonic's new digital camera in action.
Get a first look at Panasonic's new digital camera in action.
Hobbyists and enthusiasts who want a megazoom camera with a lot of control over final results should strongly consider the Panasonic Lumix DMC-FZ150.
At PMA 2006, we take a look at Panasonic's prototype of its first digital SLR camera.
The Panasonic Lumix DMC-FZ47's is a very good megazoom for the money, but if you want more control over results--especially in low light--you'll want to step up to the Lumix FZ150.
The Panasonic Lumix DMC-FS15 is a well-appointed snapshot camera for the money with the mixed performance and photo quality typical of its class.
