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Watermelon Nights: The Meth Minute 39
'Watermelon Nights' is the 11th episode of the Meth Minute 39 cartoon series. Director Dan Meth takes the animation out into the real world with a full-length stop motion music video for this summer anthem by underground musician John Crave. It's one of the 'sweetest' short films ever made. To download the Watermelon Nights mp3, visit John Crave's Myspace More Meth Minute at http:///www.methminute39.com. More John Crave at http://www.johncrave.com. Directed by Dan Meth song written and performed by John Crave (featuring Curt Battles); Assistant Director: Lee Rubenstein;
Best Boy:Josh Weisbrod; Dialogue: Lee Rubenstein, Jared Roessler.
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This is a documentary which touches on many aspects of file sharing and piracy. We took a good deal of effort to remain neutral. Music provided by the Sound Scientists (http://music.download.com/SoundScientists) This project was made from strictly public domain (archive.org) and original material.
C-mon and Kypski: "Bumpy Road"
It may be hip-hop, C-Mon & Kypski are, more than anything, all about adventure, freedom and fantasy. A recent journey to Morocco is a good example. After two years of intensive touring (from Amsterdam to Istanbul, South by Southwest to Eurosonic), the guys of C-Mon & Kypski (Simon Akkermans, Thomas Elbers, Daniel Rose en Jori Collignon) decided to give their fantasy a helping hand. With unshaven beards they left with a camper van full of ideas and recording equipment to Morocco. Over a period of four weeks they created what is now their third and latest album 'Where the wild things are'. The album title, 'Where the wild things are', which is refers to the famous children book from 1963, written by Maurice Sendak. The most concrete product of their journey is the new single' Bumpy Road', which recieved it's name from the circumstances of the recordings. It is by far the happiest C-Mon & Kypski song till now, and irresistibly invites it's listener to explore the wide world yourself. No wonder the music of C&K does not have any musical borders. At first the group made it easy for themselves to be put under the genre of hiphop/turntablism, but not any more. C-Mon: "it really is a C-Mon & Kypski album, but some influences have decreased, some added. Especially rock plays a big part whereas we didn't use guitars before. Most important, we don't cut and paste anymore, we used less samples for this album and played a lot more instruments ourselves. We've grown in creating a sound." And so C-Mon & Kypski unite a whole lot of genres into their own sound, from afrobeat to electro, a psychedelic dreamtrack that is coverted to a pumping rocksong. Where do you find klezmer and tango seamless united into one song? Of course, C-Mon & Kypski.Until now C-Mon & Kypski did every dirty job on the album themselves, but on their new album they thankfully make use of the services of rappers Sadat X (Brand Nubian, USA) Pete Philly and Kain (The Last Poets, USA) saxophone player Benjamin Herman (New Cool Collective) The Amsterdam Klezmer Band and the rockers of Voicst also collaborated on the album.
With one foot in the early roots of her career as a "dance artist" and the other foot planted firmly into the sound of "future disco", Madonna returned to the clubs with a vengeance when CONFESSIONS ON A DANCE FLOOR was released by Warner Bros. Records on November 15, 2005.
Recorded in London, Confessions features songs primarily co-written and co-produced by Madonna and Stuart Price, producer, mixer and DJ-supreme ( Les Rythmes Digitales, Jaques Le Cont). Price was Madonna's musical director on her 2002 Drowned World Tour and last summer's Reinvention Tour. Additional producers and co-writers include Henrik Jonback, Grammy Award-winning team Bloodshy & Avant, and Anders Bagge + Peer Astrom from Murlyn Music collective. In addition Mirwais Ahmadzai, the producer of Madonna's last two albums American Life and Music, contributed two songs and co-produced one track. The song "Jump" was co written by previous Madonna collaborator, artist, and producer Joe Henry (Don't Tell Me).
British Sea Power: "No Lucifer"
Do You Like Rock Music? was made in Montreal, the Czech Republic and Fort Tregantle - a 19th Century fortification in Cornwall, on England’s south-west coast. It was recorded by a band unafraid to embrace the far poles of arts and entertainment. BSP have toured with and been praised by David Bowie, The Flaming Lips, Lou Reed, Radiohead and Jarvis Cocker. But they’ve also been invited to play in celebration of the life and times of Sir John Betjeman, the late UK Poet Laureate, born in 1906. And they’ve played shows with The Copper Family, a clan of Sussex folk singers who’ve been going for two hundred years.
Produced, written & performed by Kaysha Directed by Kitsuney for Sushiraw films from the album "African Bohemian" http://www.kaysha.com/kaysha
Hailing from the small town of Moscow, Idaho, Josh Ritter?s songs are a rare gift of natural, intuitive beauty. Born in the late ?70s to two neuroscientists, Josh bought his first guitar from the local K-MART after hearing the Bob Dylan and Johnny Cash classic ?Girl From The North Country.? He began Oberlin College with the intent to follow in his parent?s scientist footsteps, but instead, discovered songwriting and the music of artists like Gillian Welch, Townes Van Zandt, and Leonard Cohen. He graduated and then moved east for its close proximity to historic folk clubs like Club Passim in Boston. On a shoestring budget he recorded his critically acclaimed break through album Golden Age of Radio in 2001 at various tiny, one-room studios on the East Coast. In the fall of that year, Josh pressed up several thousand copies of Golden Age, which quickly sold and funded more touring. A copy found it?s way into the hands of Jim Olsen and Signature Sounds Recordings, and the record was released nationally in the US in January 2002. Critics called the modest album ?stunning,? ?elegant,? and ?damn near perfect,? landing Josh in the pages of Details, the New York Times, and Maxim. ?Come and Find Me,? the modest anthem of Golden Age, was featured over the end-credits of HBO?s uber-hip series Six Feet Under, and several successful tours followed. Meanwhile, at a Boston open mic that spring, Josh met Glen Hansard, the lead singer of The Frames. Hansard invited him to open a string of shows for the band in Ireland. Josh?s career took flight in Ireland, buoyed by the single ?Me & Jiggs,? which entered the Irish Top 40 and helped gain Josh full blown cult status, complete with sold-out headline tours, late-night TV appearances, and his very own cover band in Cork. Josh ran the gamut at the Irish Hot Press Reader?s Poll Awards, landing in the Top 5 for Best International Folk Act, International Male Songwriter, and International Male Singer, putting him in the company of Springsteen, David Gray, and Johnny Cash. Josh would spend much of 2002 splitting his time between the US and Ireland, sharing bills with such eclectic artists as Beth Orton, Liz Phair, Damien Rice, and Joan Baez, as well as a celebrated appearance at the 2002 Newport Folk Festival. In the process, he garnered impressive acclaim not only for Golden Age of Radio but also for his richly textured and intimately engaging live shows. Publications like The Village Voice, The Washington Post, and The Irish Times scrambled to describe what made Josh?s music so ?stunning.? Sold-out shows in New York, Boston, and Dublin, as well as a trip to the Sundance Film Festival kicked off 2003 in style. In February of that year, rested, refreshed, and more than ready to make a new record, Josh entered Black Box studios in rural France with his touring band and Irish producer David Odlum (the Frames, Gemma Hayes) to record Hello Starling. Recorded and mixed in only 14 days in an old dairy barn in the French countryside, the thick stone walls, high ceilings, and vintage gear (much of it Curtis Mayfield?s old equipment), made for a record which sounds conversational and honest and shimmers with a new-found confidence. The 11 songs on Starling retain the feel and flow of another era; these are catch-tunes and earnest lullabies that rekindle the warm glow of a young Springsteen or Leonard Cohen in both their literacy and honest enthusiasm. ?Kathleen,? a summer anthem about waiting around a party to drive a girl home, is a live favorite; ?Rainslicker? moves and sways with all the dust-stained imagery of the Clientele; and the show-stopping beauty of ?Baby That?s Not All? suggests an artist at the peak of his new-found powers. The legendary Joan Baez recently recorded ?Wings,? the haunting ballad at the center of Starling, for inclusion on her new album, placing Josh alongside artists such as Gillian Welch, Steve Earle, and Natalie Merchant. Additionally, Norah Jones nominated Hello Starling for the 2004 Shortlist Music Prize and his song ?Kathleen? won the 2004 Boston Music Award for Song of the Year. During 2004, Josh spent the spring on a U.K. tour that was followed by appearances at summer festivals, including the Cambridge Folk Festival (alongside Gillian Welch) and the V Festival (with The Strokes and the Pixies). In Ireland, Josh played his biggest show to date there, headlining one night of the Heineken Green Energy Festival. In October of 2004, Josh signed with V2 Records. V2 plans to release Hello Starling this February. This fall, Josh toured with Sarah Harmer in Canada. In December, Josh will play a series of East Coast performances. In the spring of 2005, Josh plans to enter the studio again to record another album for V2.
Official Braza - "Welcome to Brasil" Music Video. http://www.brazamusica.com Gringo Louco 2006 edited by Alex Moulton produced by DiscoD Phrustration Media and Marketing - http://phrustration.net
Iron and Wine: "Naked as We Came"
Miami's Sam Beam makes music under the name Iron and Wine and September, 2002 saw the release of his debut album, The Creek Drank the Cradle. That record was/is hushed, literate, intimate, melodic: a quiet treasure which, with its unaffected candor and depth, found fans all over. (Entertainment Weekly: "Based in Miami, of all places, [Beam] invests these songs with hypnotic beauty and sparkling melody, making them as accessible as they are affecting.") Our Endless Numbered Days is the second full-length album from Iron and Wine and it was recorded both at Sam's Miami home and in Chicago's Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.) On it, Sam is aided and abetted by regular touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki, and Jonathon Bradley. Listening to Our Endless Numbered Days makes plain Sam's deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless.
Watch the all new music video of "This World" by Seeing Blind. Visit their website at http://seeingblind.efilmm.com Seeing Blind is an alternative rock band located in Akron, Ohio. They are currently working on recording their EP, The Motion of Sound, which they plan to release in early 2006.
