Number One Common: "Oceans" Video
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Number One Common create a fresh style of hard rock by throwing heavy grooves, alternative rock melodies, punk rock attitude, and metal guitar solos all into the same blender and then spit it out into your face with an intense live show that bleeds with hunger and passion.
Number One Common: "Miss Subliminal"
Number One Common create a fresh style of hard rock by throwing heavy grooves, alternative rock melodies, punk rock attitude and metal guitar solos all into the same blender and spitting it out right into your face with an intense live show that bleeds with hunger and passion. "Miss Subliminal" is from Number One Common's cd "The Second Coming".
?The intensity. The drama. The emotion. The colors. The darkness. The melodies. The anger. The honesty. The drive. The new. All of the above and more.? According to Stone Sour frontman Corey Taylor, those are the things that define Stone Sour?s passionately pulsing second album, Come What(ever) May (Roadrunner). Stone Sour?s first album in four years finds the band firing on all cylinders, and primed to capture the attention and the hearts of the rock ?n roll masses.Stone Sour?s self-titled debut was twice Grammy-nominated and RIAA Certified Gold. It was an eclectic album, propelled by the band?s busy tour schedule, the contemplative smash single ?Bother,? and a series of groovy, melodic metal numbers. In 2002 and 2003, Stone Sour established itself as a multi-faceted hard rock force of nature.While Taylor is one of the most recognized figures in rock music, thanks to his role as the frontman for Slipknot, a Grammy winning, multi-platinum act, Stone Sour is anything but a side project. It?s a full-time band that all members are fiercely dedicated to. Taylor spent much of 2004 and 2005 supporting his other band, but will spend 2006 and 2007 focusing on Stone Sour and Come What(ever) May. Also comprised by guitarist James Root, who does double duty in Slipknot, bassist Shawn Economaki, guitarist Josh Rand and new drummer Roy Mayorga, Stone Sour is armed with an album that expands beyond the palette of its predecessor. The band was afforded more time to craft songs, and it shows. The album, produced by Nick Raskulinecz (Foo Fighters, Velvet Revolver), is tight, crisp, and full of rowdy rockers and melodic numbers.?With Stone Sour, I loosen up and show more of myself,? Taylor reveals. ?As soon as the fans hear this new record, they?ll see it?s different than anything that we have ever done. It gives me a chance to do the singing that I love to do, the type of singing that I do when I?m walking around my house.? Taylor, a self-described extrovert, may be the mouthpiece for Stone Sour, but he insists the band is a truly collaborative effort, and that?s something he thoroughly enjoys. ?I?ve been able to blend into the background if needed, you know? You grow up thinking being recognized all the time will be sweet, but sometimes you just want to be one of the guys. I think I balance it fairly well, without killing people.?Guitarist Josh Rand, who ran 3-5 miles a day during the recording process to clear his mind for each day?s highly creative atmosphere, believes that the diversity of Come What(ever) May, which features guest appearances from The Wallflowers? Rami Jaffee and Godsmack drummer Shannon Larkin, will be what hooks fans, and what keeps them. ?This album?s content will fit any mood you may be in,? the guitarist says. ?If you?ve had a shitty day at work, you could crank ?Hell And Consequences.? If you need a little optimism, you could listen to ?Through Glass.? If you are feeling depressed, you could listen to ?Zzyzx Road.??Obviously, Come What(ever) May is a sensory experience, encompassing a wide spectrum of emotions. ?30/30-150? and ?Reborn? are bruisers that?ll get the blood coursing through listeners? veins, while the first single, ?Through Glass,? takes up real estate in your brain for days at a time, thanks its unforgettable melodic twists and chorus. Try and purge your brain of Come What(ever) May?s melodies, and you?ll fail miserably. Taylor concurs, ?So many bands are so genre-specific these days. No bands cover the middle ground. If they try, it?s lifeless and limp. Our album has such a pulse. The cool thing is that when we write stuff, it turns out catchy whether we want it to or not. It?s just something that we do.? He?s right. Crafting melody and mixing it with metallic maelstrom is definitely something that Stone Sour does better than most.Jim Root, who contends that ?life? itself influenced this album and who claims he consumed nerve-shattering, tooth-staining amounts of coffee during the recording process, sees Come What(ever) May as a necessary evolution in the band?s sound. ?We?re taking every aspect to the next level. As an artist, no matter what you do, you must evolve. That?s very important to me. Some people fear change. I embrace it. This record is a testament to where I am at, musically and spiritually. Life is a learning experience and so is song writing. As with everything I try to improve. I can sit back and listen to these songs and know that I have.?Taylor understands that as his career goes on, he will be less and less understood and he likes it that way. ?I?ve lost a little sleep over the fact that people don?t get what I do and how I do it. I do everything I can to entertain, educate and infuriate the status quo. If I give the mainstream a headache once in a while, that works for me.? It?s that attitude that attracts the disaffected youth, the kids, the anti-conservative thinker, as well as the casual rock fan to Stone Sour. ?I have a conscience,? Taylor says about his songwriting style. ?I have a respect for the music and I have an agenda. I have an individualistic mind to botch the ?product? mentality, and I am not out to further myself in a spotlight that knows no favorites. This could all be gone tomorrow. If all you?re doing is trying to build your Q points, what are you going to do when no one wants to see you anymore? At least I?ll be happy about the music I left behind.?The songs and music on Come What(ever) May ensure that Stone Sour?s legacy will endure for a long time to come.
Unfinished Sympathy: "Your Weight on my Shoulders"
Heavy Spanish rock.
Spanish alternative rock
Pop punk outfit Mae loves rocking in the barn.
Submerged in Dirt: "Sterile Room" (practice)
"Here's the funny thing about death metal: at a certain speed and intensity, it turns into sonic abstraction and enters the world of post rock through the back door. That's certainly the case with Tulsa's Submerged in Dirt, whose flesh-eating intensity can't hide the fact that their sound is stealthily smart." - Editors, Download.com Submerged in Dirt is a band that developed from the outskirts of Tulsa, OK. In an area known to many as the "Bible Belt" we have successfully transcended the limitations put on us by our surroundings, and have created? some of the most brutal music ever conceived. Our style relies heavily on dynamics and key progressions (two things that our genre have long forgotten) while at the same time we utilize extremely powerful vocals. Our fan base is ever growing and we have set out to make a name for ourselves among the greatest metal bands ever. This video is practice footage of our latest song Sterile Room. By the way, Submerged in Dirt are Gods!!!
Michael Schenker Group: "Lights Out"
Guitar godhead Michael Schenker lets loose on this classic rock number, with loads of guitar-shredding goodness. This is from the DVD "Michael Schenker Group - World Wide Live 2004".
Octavia Sperati: "Hunting Eye"
All female metal acts are hard to come by these days, but that is definitely not the primary reason why you should give this one a listen. Octavia is a relatively new six-piece, but have already been out supporting the mighty Enslaved and are now releasing their first album, a five-track EP. Initially somewhat reminiscent of bands like Nightwish and The 3rd and the Mortal, Octavia tackle their theatrical and progressive symfo-metal with more of a standard-rock approach than either of those. Silje Wergeland's vocals are exploring and inventive, leaving a unique and memorable imprint on the songs, while the music is churning and riff-heavy, repetitive at times, yet always opening up to new layers ands nuances of sounds. The two guitars in particular do tend to blur a bit, seemingly playing the same lines on top of each other, and it would probably be a good idea for Octavia to explore their limits and instrumental boundaries a bit more. However, the inventive and heavy bass playing of Trine C. Johansen along with Hege S. Larsen's effective and propelling drumming do add some welcomed tension and progressive momentum to proceedings. With songs like "Nebula" and "Guilty, Am I," Octavia prove they have some interesting stories to tell, and their folk-infused and melodic progressive metal are delivered with engaging energy and passion. A welcome surprise, this, and a forthcoming full-length album could prove to be a real winner.
They play DISCO. But not so much mixing it with (Post) Punk and New Wave like so many other bands right now. WhoMadeWho use lot more influences: from Surfrock to Folk to 70ies Funk. And sometimes it feels like the guys heard a dose of Italodisco and Cosmic tapes before recording. One of the interesting things about WhoMadeWho is the fact that all the three members have totally different backgrounds. Tomas Barfod the drummer is known as one of Skandinavia's best electronic DJ's and has published acclaimed records on Get Physical, Kitsune and Gomma under his moniker TOMBOY. Jeppe Kjellberg , guitar player, used to live in NYC where he was established in the local Avantgarde Jazz scene. He even recorded an album with former Lounge Lizzard guitar player DAVIS TRONZO. And Tomas Hoeffding (the bass player) is also member of Danish garage rock band Garbo.. The band released only three singles in the last year - but these 12inches caused a good buzz and heavy rotations with DJ's all over the place. Especially the single SPACE FOR RENT (and The Rapture's remix of it) is currently getting a huge response (Leftfield single of the issue in DJ mag), and their cover version of Benny Benassi's Satisfaction is still a hit in many clubs. The album?s second single OUT THE DOOR was remixed by French producers IN FLAGRANTI and SUPERDISCOUNT and has been getting good exposure in clubs worldwide. Pete Tongfeatured it in his Radio One Essential charts and 2 MANY DJ?s featured a few WhoMadeWho Songs in their latest Radio One mix. MTV in France and Italy and MTV in UK put the video on rotation. The 2 MANY DJ'S/ SOULWAX guys are such huge fans of WhoMadeWho that they invited the band to do their live support on their big UK tour in autumn 2005. Same with MYLO who invited the band to support them on their tours. UK Press quotes: "Brilliant!"(NME) "...focused and brilliant." (iD sept 2005) "while the record is super fun, the band is even better live!" (Dazed & Confused) "Should coax even the shyest of floors back from the death!"(DJ mag) NME about WHOMADEWHO's Remix of MUNK's Kick out the chairs!:One of our favorite dance tracks of the year!
