Number One Common: "Locust" Video
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Number One Common create a fresh style of hard rock by throwing heavy grooves, alternative rock melodies, punk rock attitude and metal guitar solos all into the same blender and spitting it out right into your face with an intense live show that bleeds with hunger and passion. "Oceans" is from Number One Common's cd "The Second Coming".
Number One Common: "Miss Subliminal"
Number One Common create a fresh style of hard rock by throwing heavy grooves, alternative rock melodies, punk rock attitude and metal guitar solos all into the same blender and spitting it out right into your face with an intense live show that bleeds with hunger and passion. "Miss Subliminal" is from Number One Common's cd "The Second Coming".
?The intensity. The drama. The emotion. The colors. The darkness. The melodies. The anger. The honesty. The drive. The new. All of the above and more.? According to Stone Sour frontman Corey Taylor, those are the things that define Stone Sour?s passionately pulsing second album, Come What(ever) May (Roadrunner). Stone Sour?s first album in four years finds the band firing on all cylinders, and primed to capture the attention and the hearts of the rock ?n roll masses.Stone Sour?s self-titled debut was twice Grammy-nominated and RIAA Certified Gold. It was an eclectic album, propelled by the band?s busy tour schedule, the contemplative smash single ?Bother,? and a series of groovy, melodic metal numbers. In 2002 and 2003, Stone Sour established itself as a multi-faceted hard rock force of nature.While Taylor is one of the most recognized figures in rock music, thanks to his role as the frontman for Slipknot, a Grammy winning, multi-platinum act, Stone Sour is anything but a side project. It?s a full-time band that all members are fiercely dedicated to. Taylor spent much of 2004 and 2005 supporting his other band, but will spend 2006 and 2007 focusing on Stone Sour and Come What(ever) May. Also comprised by guitarist James Root, who does double duty in Slipknot, bassist Shawn Economaki, guitarist Josh Rand and new drummer Roy Mayorga, Stone Sour is armed with an album that expands beyond the palette of its predecessor. The band was afforded more time to craft songs, and it shows. The album, produced by Nick Raskulinecz (Foo Fighters, Velvet Revolver), is tight, crisp, and full of rowdy rockers and melodic numbers.?With Stone Sour, I loosen up and show more of myself,? Taylor reveals. ?As soon as the fans hear this new record, they?ll see it?s different than anything that we have ever done. It gives me a chance to do the singing that I love to do, the type of singing that I do when I?m walking around my house.? Taylor, a self-described extrovert, may be the mouthpiece for Stone Sour, but he insists the band is a truly collaborative effort, and that?s something he thoroughly enjoys. ?I?ve been able to blend into the background if needed, you know? You grow up thinking being recognized all the time will be sweet, but sometimes you just want to be one of the guys. I think I balance it fairly well, without killing people.?Guitarist Josh Rand, who ran 3-5 miles a day during the recording process to clear his mind for each day?s highly creative atmosphere, believes that the diversity of Come What(ever) May, which features guest appearances from The Wallflowers? Rami Jaffee and Godsmack drummer Shannon Larkin, will be what hooks fans, and what keeps them. ?This album?s content will fit any mood you may be in,? the guitarist says. ?If you?ve had a shitty day at work, you could crank ?Hell And Consequences.? If you need a little optimism, you could listen to ?Through Glass.? If you are feeling depressed, you could listen to ?Zzyzx Road.??Obviously, Come What(ever) May is a sensory experience, encompassing a wide spectrum of emotions. ?30/30-150? and ?Reborn? are bruisers that?ll get the blood coursing through listeners? veins, while the first single, ?Through Glass,? takes up real estate in your brain for days at a time, thanks its unforgettable melodic twists and chorus. Try and purge your brain of Come What(ever) May?s melodies, and you?ll fail miserably. Taylor concurs, ?So many bands are so genre-specific these days. No bands cover the middle ground. If they try, it?s lifeless and limp. Our album has such a pulse. The cool thing is that when we write stuff, it turns out catchy whether we want it to or not. It?s just something that we do.? He?s right. Crafting melody and mixing it with metallic maelstrom is definitely something that Stone Sour does better than most.Jim Root, who contends that ?life? itself influenced this album and who claims he consumed nerve-shattering, tooth-staining amounts of coffee during the recording process, sees Come What(ever) May as a necessary evolution in the band?s sound. ?We?re taking every aspect to the next level. As an artist, no matter what you do, you must evolve. That?s very important to me. Some people fear change. I embrace it. This record is a testament to where I am at, musically and spiritually. Life is a learning experience and so is song writing. As with everything I try to improve. I can sit back and listen to these songs and know that I have.?Taylor understands that as his career goes on, he will be less and less understood and he likes it that way. ?I?ve lost a little sleep over the fact that people don?t get what I do and how I do it. I do everything I can to entertain, educate and infuriate the status quo. If I give the mainstream a headache once in a while, that works for me.? It?s that attitude that attracts the disaffected youth, the kids, the anti-conservative thinker, as well as the casual rock fan to Stone Sour. ?I have a conscience,? Taylor says about his songwriting style. ?I have a respect for the music and I have an agenda. I have an individualistic mind to botch the ?product? mentality, and I am not out to further myself in a spotlight that knows no favorites. This could all be gone tomorrow. If all you?re doing is trying to build your Q points, what are you going to do when no one wants to see you anymore? At least I?ll be happy about the music I left behind.?The songs and music on Come What(ever) May ensure that Stone Sour?s legacy will endure for a long time to come.
Octavia Sperati: "Hunting Eye"
All female metal acts are hard to come by these days, but that is definitely not the primary reason why you should give this one a listen. Octavia is a relatively new six-piece, but have already been out supporting the mighty Enslaved and are now releasing their first album, a five-track EP. Initially somewhat reminiscent of bands like Nightwish and The 3rd and the Mortal, Octavia tackle their theatrical and progressive symfo-metal with more of a standard-rock approach than either of those. Silje Wergeland's vocals are exploring and inventive, leaving a unique and memorable imprint on the songs, while the music is churning and riff-heavy, repetitive at times, yet always opening up to new layers ands nuances of sounds. The two guitars in particular do tend to blur a bit, seemingly playing the same lines on top of each other, and it would probably be a good idea for Octavia to explore their limits and instrumental boundaries a bit more. However, the inventive and heavy bass playing of Trine C. Johansen along with Hege S. Larsen's effective and propelling drumming do add some welcomed tension and progressive momentum to proceedings. With songs like "Nebula" and "Guilty, Am I," Octavia prove they have some interesting stories to tell, and their folk-infused and melodic progressive metal are delivered with engaging energy and passion. A welcome surprise, this, and a forthcoming full-length album could prove to be a real winner.
Unfinished Sympathy: "Your Weight on my Shoulders"
Heavy Spanish rock.
Spanish alternative rock
Pop punk outfit Mae loves rocking in the barn.
Submerged in Dirt: "Sterile Room" (practice)
"Here's the funny thing about death metal: at a certain speed and intensity, it turns into sonic abstraction and enters the world of post rock through the back door. That's certainly the case with Tulsa's Submerged in Dirt, whose flesh-eating intensity can't hide the fact that their sound is stealthily smart." - Editors, Download.com Submerged in Dirt is a band that developed from the outskirts of Tulsa, OK. In an area known to many as the "Bible Belt" we have successfully transcended the limitations put on us by our surroundings, and have created? some of the most brutal music ever conceived. Our style relies heavily on dynamics and key progressions (two things that our genre have long forgotten) while at the same time we utilize extremely powerful vocals. Our fan base is ever growing and we have set out to make a name for ourselves among the greatest metal bands ever. This video is practice footage of our latest song Sterile Room. By the way, Submerged in Dirt are Gods!!!
The Battles are almost a traditional rock set up. They deliver mind boggling poly rhythms, complicated time signatures and abstraction that crosses electronic and guitar band lines with intense and captivating power and force!
In 1955, a tough skinny guitar-slinger who called himself J.R. Cash walked into the soon-to-be-famous Sun Studios in Memphis. It was a moment that would have an indelible effect on American culture. With his driving freight-train chords, steel-eyed intensity and a voice as deep and black as night, Cash sang blistering songs of heartache and survival that were gutsy, full of real life and unlike anything heard before.
That day kicked off the electrifying early career of Johnny Cash. As he pioneered a fiercely original sound that blazed a trail for rock, country, punk, folk and rap stars to come, Cash began a rough-and-tumble journey of personal transformation. In the most volatile period of his life, he evolved from a self-destructive pop star into the iconic "Man in Black" - facing down his demons, fighting for the love that would raise him up, and learning how to walk the razor-thin line between destruction and redemption.
The story of the young Johnny Cash and his incendiary love affair with June Carter Cash comes to life in "Walk the Line," directed by James Mangold from a script by Mangold and Gill Dennis, based on Cash's books "Man in Black" and "Cash the Autobiography". Joaquin Phoenix plays Johnny Cash and Reese Witherspoon is June Carter. Phoenix and Witherspoon sing every note of their roles themselves in live performances that capture the spirit of the music that drove Johnny and June's relationship.
At the film's core is the passionate and revved-up music that knocked the complacency out of popular culture in the 1950's, which Mangold felt could only be captured in its most emotional and authentic from by having the principal cast perform many of the film's songs live. "The early fifties were the height of the smooth post-war sound, Doris Day and 'easy listening,'" says Mangold. "Musak was invented the year John released his first singles; even country music of the early fifties was highly produced, the edges smoothed for greater 'appeal'. One of the things I wanted the music in the film to convey was the startling roughness, the good humor, the cockiness, the urgency, heat and fire that shook people when these boys first played to crowds."
This movie was nominated for numerous Academy Awards. Click here to see videos of other Oscar nominees on Download.com.
