Neon Neon: "I Lust U" Video
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Check out the video "Neon Beanbag," directed by Julian House.
Super Furry Animals: "The Gift That Keeps On Giving"
On the way to diversifying their sound, Super Furry Animals have found a new focus. After calling off the search for meaning, they stumbled upon it by intuition and the power of magic. Of course, when a band has played together for 10 years there is bound to be an unspoken shared aesthetic, and this time around they've communed over decadence. As you'll see, Love Kraft is the sound of SFA maturation, with not a monsteriffic yeti, tank, or inflatable bear in sight.
Despite a few quirks, the LG Neon is a good simple messaging phone from AT&T.
Sally Shapiro: "Jackie Jackie"
Sally Shapiro?s debut 2007 release ?Disco Romance? is set to be one of this years head turning, ear popping albums, written and produced by Johan Agebjorn and released by North America?s very own, Paper Bag Records. Shapiro?s sound is one that fuses exaggerated electro beats reminiscent of a neon, bygone era whilst preserving an understated innocence, elegance and light. Shapiro?s 2007 release marks the beginning of a journey into the depths of the cool, hollow sounds of an isolated and detached dance floor, wrapped in an abundance of warmth and character that cannot be compared.
Good musicians express themselves through music. Great ones push themselves beyond the limits of what they have done before. And that's exactly what the Los Angeles-based Living Legends member The Grouch has done on his stunning new record, Show You The World.
Lavender Diamond: "Open Your Heart"
The debut album from Los Angeles-based Lavender Diamond is a tour-de-force of gorgeous melody and uplifting sentiment.
The LG Neon has a QWERTY keyboard for messaging, plus a unique touch screen only for dialing. Nicole Lee checks it out at CTIA 2009.
The fifth full-length Nettwerk release from Vancouver-based duo Bill Leeb and Rhys Fulber, Nuages Du Monde (Clouds of the World) continues the evolution of Delerium from creators of predominantly instrumental filmic soundscapes to a fully-fledged vocal group. Featuring an array of renowned singers, Nuages Du Monde neatly combines the more overtly commercial pop of previous album Chimera (2003) with the lush sensual ambience and cloistered harmonies of 1997?s Karma, a meld that bridges the gap between world music, new age electronics and modern classical.
Felix da Housecat: "Silverscreen"
Felix's last album, 2004's Devin Dazzle & The Neon Fever, had its fair share of magical moments, but circumstances beyond his control meant he couldn't build on the runaway success of 2001's Kittenz And Thee Glitz. That album, its Miss Kittin-voiced lead single "Silver Screen (Shower Scene)" in particular, unwittingly sparked off electroclash and propelled Felix into the mainstream on the crest of a champagne wave. After a decade of underground acclaim and jetset DJing, Felix found himself in fashion, much to his amusement. "When Kittenz And Thee Glitz came out, I was living the glitz, I was wilding out, partying, you name it, man," recalls Felix. "I was kicking it with everybody in the industry, from L.A. to New York, I was out there, I was gone! But I burnt myself out from partying, man."
Natalie Walker. Urban Angel. Biography. Born and raised in Indiana, vocalist Natalie Walker is an artist whose lilting, melodic voice and lyrical reveries reflect a life journey of determination and self-discovery. With musical influences ranging from Alison Krauss to Portishead, Jewel to Lauryn Hill, Beth Orton to Bjork, the former lead singer of downtempo electronic group Daughter Darling now delivers her own unique, haunting sonic landscape that is at once organic, ethereal, elegant and entrancing. ?Creating music is my outlet,? says Natalie. ?I was born to sing. When I don?t, I feel empty. When I do, I feel fulfilled. It?s that simple.? Urban Angel, her solo album debut, was co-written by Natalie and two-man production team Stuhr. ?I worked with two really great producers out of Brooklyn, Dan Chen and Nate Greenberg. They?d send me the rough copy of a song and the music would just evoke emotion,? she explains. ?Its like fitting pieces of a puzzle together. When you?re in the studio recording its all very raw and real. I try to make a song new each time I sing it. I want it to be unforgettable. My producers are amazing. They forced me to develop my real voice. I?ve improved my vibrato and my tone. Stuhr delivered exactly what I asked of them. It couldn?t have happened more perfectly.?
