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Morrissey: "You Have Killed Me"
Ringleader of the Tormentors is a savagely alive record. Recorded at Forum Music Village in Rome with long-term hero Tony Visconti (who produced favorite records for T-Rex and David Bowie, during their most creative periods of the 60s and 70s), the album positively crackles with fire. It is, for instance, a far more direct and rocking record than Quarry, which aside from Irish Blood, English Heart, was a self-consciously beautiful, and largely symphonic, record.
Over the past decade Placebo have slowly but surely grown into one of the biggest and best rock bands on the globe. Meds is Placebo?s first studio album since 2003?s Sleeping With Ghosts, which went Top 10 in the UK, sold 1.4 million copies worldwide and firmly re-established the band's foothold in the USA. In that time Placebo have gone from strength to strength selling out arena dates all over the world including the 18,000 capacity Bercy in Paris (comparable in size to Madison Square Garden). Like other darkly romantic acts that speak directly to the scorched human soul - The Cure, Depeche Mode, Morrissey, REM - theirs has been a steady, cultish global explosion. But when Brian Molko, Stefan Olsdal and Steve Hewitt sold out Wembley Arena in 2004 during a triumphant homecoming jaunt to promote that year?s Singles package Once More With Feeling, with Robert Smith as special guest, the lid was blown on rock?s worst kept secret: for ten years Placebo had been creeping up on superstardom, now here they were taking their place on the podium. Placebo have taken the world, now they?re coming for you. Be blissfully afraid.
Celebrated London psychiatrist Dr. Michael Glass (David Morrissey) is at the top of his game. Charismatic and successful, he has a thriving practice and is higly repsected by his peers. When Detective Superintendent Roy Washburn (David Thewlis) asks Glass to evaluate a beautiful and captivating woman who has been linked to the mysterious death of a famous sports star, his entie world is turned upside down. The woman in question is Catherine Trammell (Sharon Stone), a best-selling American crime novelist whose grisly fictional crimes take place in real life with alarming frequency. The magnetism between the two is immediate and Glass is intrigued by Catherine both mentally and physically. Quickly sucked into her web of lies and seduction, Glass' own "basic instincts" are uncovered as professional boundaries are oblitterated. As people around him are murdered one by one, a deadly battle of wits ensues between Glass and Tramell, leading to a startling climax that will change both of their lives forever. A slick psychological thriller, "Basic Instinct 2" explores what happens when the darker side of human nature is uncovered.
This versatile DVD/HDD recorder outdoes the competition in features yet somehow remains easy to use.
Kinky: "A Donde Van Los Muertos"
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Dolores O' Riordan: "Ordinary Day"
Taking her time after the demise of The Cranberries (who sold 40 million records worldwide), Dolores O'Riordan retreated to real life with her husband. She had three children and wrote over 30 songs. She never rushed. And when she was ready, she whittled those 30 songs down to the terrific 12 tracks that make up "Are You Listening". A logical successor to The Cranberries, but a knowingly more mature effort, "Are You Listening" takes the listener on a journey of the heart. From the rage of "Black Widow," to the sweet romance of "Apple of my Eye" to the joy of first single "Ordinary Day," O'Riordan always was - and remains - one of the few vocalists that can capture emotion in a song.
Ensuring a sporty videographers' happy holiday
CNET's Neha Tiwari talks to Aaron Novak, marketing manager of camcorders at Samsung, about an extreme athlete's dream: the lightweight, weatherproof, cordless 1GB SC-X210WL camcorder. Novak also shows off a less daring but equally interesting DVD camera, the SC-DC564. This 40-minute dual-layer DVD camcorder allows double the recording time of a standard, recordable DVD-camcorder.
Ep. 1111: Facebook is depressing
Why the long Face...book? A woman battling depression put some pictures of herself having fun privately on Facebook. Somehow the insurance company found them and cut off her benefits saying she looked happy enough and must be cured. Really? We also get further impressions on Google's Chrome OSD now that we've had more time with it, and YouTube pulls a Hulu, but not in the good way.
From First To Last: "Note To Self"
?It?s one thing to play a certain type of music,? says singer Sonny Moore dismissively, ?but it?s another thing to have no originality.? This is not just another brash quote from a member of one of the only truly punk bands left, From First To Last. It?s actually more of a mantra. Because when the members of From First To Last?Moore, drummer Derek Bloom and guitarists Travis Richter and Matt Good?began recording their highly anticipated second album Heroine, the pursuit, above all things, was originality. Which, as one spin of Heroine attests, is what they?ve achieved. ?We are so pleased,? Moore says. ?Before we started, we all said, ?We?re not going to make this record unless it?s a record we truly love.? And we did. This is the first time I?ve ever been so proud of a piece of art in my life.? This didn?t happen overnight. Formed in 2002 by Richter and Good in their hometown of Orlando, Florida, it wasn?t until FFTL began recording their Epitaph debut Dear Diary, My Teen Angst Has A Body Count that the band?s line-up began to congeal. Living in Los Angeles and half-heartedly playing in another band, the then 15-year-old Moore decided to spend a few weeks with the band in Georgia, where they were recording their debut. His timing couldn?t have been better. Moore arrived just as Good and Richter parted with their original singer and they were in the process of filling in the vocal gap on their own. After hearing Moore singing backups in the studio one day, a decision was made: Moore was in. Perhaps unsurprisingly the remainder of Dear Diary came together almost as quickly. Good and Richter had written the album in two weeks; Moore completed his vocals in the same space. They were barely a band in some senses, but FFTL?s music caught on nonetheless. Due in large part to their constant touring schedule, including three consecutive Warped Tour runs, Dear Diary went onto sell over 100,000 copies. But beyond the album?s success was an often-unnoticed subtext. As Moore puts it on the album?s opening track, with his tongue firmly planted in his cheek, ?I?m glad you?ve graced me with your presence/You?re just in time to see me wrestle with my conscience.? Nevermind your broken heart. This was ?screamo? with wit.
