Mochipet: "Get Your Whistle Wet" Video
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"Revenous" is from the death-metal band Arch Enemy.
Fierce Allegiance: "Die Fighting"
Music video from thrash metal band Fierce Allegiance....metal, moshing, fights, blood and pits edits from 30 shows! If you like Metallica, Megadeth, Testament or Slayer, Shadows Fall, The Haunted, Iron Maiden, or Suicidal Tendencies this video is for you! Fierce Allegiance mixes power metal, punk, hXc, death metal and all elements of THRASH METAL! Produced by Ken Olden (Guitarist of Damnation AD, Better than a Thousand, Battery). Bands produced by Ken Olden include: Age of Ruin, Darkest Hour, Weezer, 112, and Good Clean Fun. Fierce Allegiance has played numerous shows since our inception in 2000, with Agnostic Front, God Forbid, Unearth, It Dies Today, Six Feet Under, The Agony Scene, Every Time I Die, Dying Fetus, Deceased, Between the Buried and Me, A Life Once Lost, Evergreen Terrace, Caliban, Cannae, Full Blown Chaos, and many more! Since their inception, Fierce Allegiance has released 2 full-length albums and one vinyl 7-inch. Support the band. Check out "Into the Fire". Visit our website for all details: http://www.fierceallegiance.net or http://www.myspace.com/fierceallegiance
THE ADORED combine elements of discopunk, new wave, and pure power pop to create an intelligent yet catchy, different yet danceable sound. Inspired by the likes of The Clash, The Jam, and Blur, scenepointblank.com calls them Garagey, catchy, and as much as I hate the word, sassy. The Adored were born when four best friends and bon vivants joined up to make spiky party music. What came out draws from the more angular elements of early punk & postpunk and the less pompous elements of fin-de-siecle Britpop. Ryan (vocals) and Nat (drums) met in the mid-90s in NorCal and both played with a locally legendary punk band before moving southward. Max (bass) and Drew (guitar) met as students in Boston, studying media, all the while dreaming of a Los Angeles pop life. The four finally came together in LA and never looked back. So far, their adventures as Hollywood golden boys have included shows with eclectic artists new and old like Supergrass, The Zombies, Ima Robot, Bow Wow Wow, The Futureheads and Les Sav Fav. The Adored have also performed at parties hosted by members of buzz bands Mount Sims, Interpol and the Moving Units. The band has also appeared in clips on the UK?s Channel Four and Southern California?s Fox 11 ---as the current LA ?it band?! With mentions in the NME, the California press, and a grassroots network of blogs and webzines have all helped build an international fan base for the Adored. Again and again, they have performed in San Francisco, Las Vegas and Californias beach counties, bringing their music to grateful, music starved suburban scenesters and leaving their mark on the West Coast. The boys finished a successful 4-night mini-tour to New York City this spring and a weekly residency at Sunset Strips KEY CLUB. Following a 4-song demo in 2003, the Adored recorded a 5-song EP for V2 Records in fall 2004, with producer Dave Trumfio and a special guest vocalist friend and mutual fan Pete Shelley [Buzzcocks]. Due in stores January 2005. These 2004 LA WEEKLY MUSIC AWARDS BEST DANCE ARTIST nominees deceptively simple lineup of guitars, drums and three vocals help the four lovely lads produce a rhythm unique to the California scene -- the first stage in their plan to induce global simultaneous Adorgasm.
Funki Porcini: "What Are You Looking At?"
Funki Porcini produced and directed the video for this spacey tune, which takes a close look at natural symmetries. This video is from "Zen TV," a collection of videos from Ninja Tune that includes some of the biggest figures in electronic
music, paired with some of the most creative directors in the world.
Since the mid-nineties and the groundbreaking Stealth parties at the Blue Note in Hoxton Square, Ninja has been almost as well
respected for its engagement with visuals as it has for its audio. Now at last, the two come together on this massive
retrospective of almost a decade of experiment, innovation, humour and weirdness.
Let's get the spec out of the way first.
The ZenTV DVD has twice the capacity of a normal DVD, containing as it does 35 promo videos from the label, a fifteen minute
audiovisual mix and a 30 minutes audio mix from Hexstatic. And as if that wasn't enough, the DVD has a state-of-the-art menu
system which means you can watch the videos either in the order we intended, randomly, or chronologically from the oldest to the
newest or the newest to the oldest. You can also look up any specific act and check out their videos and album art. Or just leave
a gallery of some of Ninja's finest covers running in the corner of the room as a kind of ambient art installation dahlink? Mwah.
But that just scratches the surface, really, cos after all, in the kingdom of the blind content is king. Or something like that.
You know the music is going to be good (we hope you know the music is going to be good), but what about the visuals?
Well, one advantage with not having hit records (Coldcut's "Beats & Pieces" remains our one top forty for 12 years work) is that
you don't have to worry about getting your promos shown on daytime MTV or TOTP or any of those hellholes of visual mediocrity
where all the bands have to look fabulous and if they don't, well you better make sure you put some models in there who do? So
instead, you can be (whisper it) creative.
Which is why some of the top up-and-coming names in video direction and animation have worked for Ninja in the last few years.
Because they know that if they pitch an interesting, visually striking, innovative idea, they will be left to get on with it
without interference. Established directors like Alexander Rutterford (Amon Tobin, now working for Radiohead) Sam Arthur (DJ
Vadim) as well as young turks like Conkerko (Bonobo). Fizzy Eye made their first music video for Wagon Christ (the truly
excellent "Receiver") and have since gone on to do commercials for Honda, proving that a track record with Ninja doesn't ruin
your business prospects.
Beyond this, artists like Kid Koala and Jaga Jazzist often even commission their own videos, working with close associates to
find the perfect match between their sound and the director's vision. As if that wasn't enough, there are artists on the label
who are intimately involved in the creation of their own videos, whether it's the Scruff cartoons that make up the basis of his
Cosgrove Hall-animated "Sweet Smoke," the pioneering audiovisual cut-ups of Hexstatic and Coldcut, Funki Porcini's satires of
adverts or his weird, otherworldly concrete moving abstracts.
Overall, since those early audiovisual mash-ups, the driving force behind all of Ninja's visual work has been that the video is
not merely an unrelated promo item to sell a single but should be intimately related to the sounds it represents. The budgets may
be small, some results may be more effective than others, but there's no denying that the attempts to realise this ideal are
never less than interesting.
Are you sitting comfortably?
Click here for the rest of the exciting videos from this collection.
"Heroic Three and the Invasion of the Invader" trailer
The newly found superhero team "Heroic Three" find themselves in a world in which crime and hate have been abolished. Since world-peace has put them out of work, they start investigating the situation and realize that a strange professor who they had saved sometime back may have something to do with it all.
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Kinky: "A Donde Van Los Muertos"
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Check out the music video for "Love No" from the French indie pop band, The Teenagers. The past twelve months have seen few Europeans garner more fevered hype than these three Parisian dreamboats, proving once and for all that style and substance needn't be mutually exclusive. At a time when far too many seemed to be sat waiting for the next novelty bandwagon to jump onboard, this trio of hipper-than-thou ne'r-do-wells have reignited the imaginations of clued-up music lovers across the globe with a curve ball of pervy wit, classic synth-work, and sunshine strumming.
Hands-on with The Beatles: Rock Band
Classic-rock fans will have a chance to strap on a plastic guitar and jam along with the biggest act in popular music history with the September 9 release of The Beatles: Rock Band.
Dri has spent her music career lending her vocal and keyboard chops to bands like the much missed first wave emo-band The Anniversary, and Saddle Creek's Art In Manila. Her sultry debut "Smoke Rings" is a collection of kisses (and kiss-offs) blown to past and present loves; a swirl of stoned immediacy with feelings and melodies coming to life in loose perfection. A departure in sound from her previous work "Smoke Rings" is a diverse soulful affair taking influence from the classic sounds of Motown and Stax as well as modern R&B.
