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Epic is like a wandering dream in which we contemplate life and death.
About me: I am a natural born psychic with thirty years of experience in this giving field. Between the age?s of seven and eight I started to experience dreams that would later come to pass and by the time I was ten years old I was having visions in a waking state...that would also come to pass. By the time I was thirteen years of age I could see the energy of those who have already crossed over, and in the following year I could hear their voices and communicate with them. In 1986 I started Darrah?s Magic Productions, providing magic shows for parties and special events. Over the years I have traveled the United States. In 2004 I decided to go back to doing what I knew best and love...I have spent a lifetime helping and guiding people along their journey.
Hot House: Hidden whole house media
We hunt down the hidden tech in a media mecca where sound and vision are everywhere, but the gear is truly out of sight!
I love to work on my HP laptop while sipping a cup of Joe. Sometimes, I dream of what my life would be like if I were in a movie and wonder if dreams do come true.
Rachel White: "Cinderella's Playing Out (Badgirl Remix)"
Artist: Rachel White Mix: Badgirl Remix Remix Producer: Garry A. Cagle Credits: Aardvark Records / Creative Entertainment / Import Sound & Vision
Visual-effects the Madagascar way
At the DreamWorks press junket for Madagascar in San Francisco, we spoke to the visual effect supervisor of Madagascar, Philippe Gluckman, and learned about the complexities of animation within the jungle setting--from 4 million leaves on 14,000 plants to crowds of dancing lemurs.
For many, this is a dream collaboration between two of the most cherished artists in hip-hop, pitting the dusty, wig-twisting originality of Madlib's smoked out sounds capes against DOOM's nostalgic, visual rhyme style. Brothers from another mother, DOOM and Madlib have long admired each others work, first meeting face-to-face in Southern California in summer 2002, and since then they've shared a whole bunch of Cali-green, run through countless bottles of Grey Goose vodka and Heineken (well, that would be DOOM) and assembled over twenty tracks into a superb psychedelic romp of the highest caliber. The closest one can come to describing this beautiful chaos is a sublime companion piece to Madlib's previous evil adventure, Quasimoto's "The Unseen." But, as DOOM himself would ask anyone asking for a description: "He's the villain, so what about it?" In recent years the metal-faced maniac has released albums under the aliases of Viktor Vaughn, King Gheedora and Monster Island Czars. But rewind to 1993: DOOM (then Zev Love X) made his debut with the groundbreaking album 'Mr. Hood' as part of the group KMD, which has since achieved critical acclaim and cited as a key record in hip-hop's "Golden Age." Zev Love X, Subroc, and Onyx had just finished work on the follow up, "Bl_ck B_st_rds", a politicized commentary on the portrayal of race by the media, when their label Elektra decide to shelve the album over the controversial cover art which depicts a 'blackface sambo' character hanging from a gallows. Shortly after KMD were dropped and Zev Love X's brother Subroc was killed in a car crash. Like true-life story from the pages of a comic book, Zev Love X disappeared completely from public view, going back to the lab and fashioning new beats and lyrics, only to reemerge as the masked MF DOOM with the now classic "Operation Doomsday" in 1999. "Zev Luv X still exists, DOOM is a character, neither one of them is really me, they're a fa?ade I use to voice a certain view," Explains the MC behind the mask, Daniel Dumile. "Zev was like you're average nerd cat, might drop a jewel here and there, might tell you something you don't now, humble and modest. Whereas the DOOM character is more aggressive, on some real take over shit, but still trying to play likes he's a good guy. It's not so much I changed; I just took on another character." A string of creatively inspired singles on the influential Fondle 'Em label in the late 90's heralded DOOM's return. "Being from the underground, there's not so much bureaucracy, you can come out how you wanna come out. It's music straight up and down, if you're good you're good." DOOM sees himself as a conduit for his music. "I try not to tamper with it too much, I'm like the narrator or the spokesman. My music is raw, yet at the same time it can be easy listening." The spontaneity in DOOM's working process whether writing lyrics or building beats, calls to mind the spontaneous prose of Kerouac or the 'cut up' techniques of William Burroughs, in its praise of the purity of the original thought. Nostalgia is a central theme for DOOM: "I love cartoons, I still watch them to this day. I have an 8 year old son, he comes home and we just watch them together," smiles DOOM. "Dexter Laboratory, and of course all the Japanese shit, Dragonball Z, all them ill." DOOM's music harnesses the instinctive, inherent power of childlike thought; "There's no in-between with kids, they're so pure they can feel something if it's fat. As you get older you lose that innocence and purity of the original thought, so called 'growing up'," DOOM ponders. "I mean - you gotta keep that, that's the essence right there." Using his music to test the limits of his mind, DOOM finds creative inspiration in everything he does: "Any artistic genre feeds what I do as a musician, I do paintings, but music inspires my painting, and paintings or art inspires my music. Creativity and imagination is the key to what everybody's trying to figure out on Earth, it's the one thing that bridges everything together. It can solve a lot of problems with all this war and retarded shit that's going on." From the mellow keys of 'Accordion' with Madlib's deft tinkling to the bumping bass groove of 'America's Most Blunted' and the soulful beats of 'Fancy Clown' under his Viktor Vaughan guise, Madvillain sees Madlib on top form providing the freshest, most blunted foils for DOOM's ill flows. "Music is a universal language and I'm trying to show that all of us laugh at the same things, I'm trying to bring us all to more of an understanding. We need to bring this whole thing together," explains DOOM. With their Madvillain double-team, MF DOOM and Madlib have made a sure-fire classic sure to take the world by storm - will anyone dare step try and stop them?
The worlds of this Mira Calix video are sketchy and fantastical, and they change with every whim of the ambient sound that accompanies them. From the "WarpVision: The Videos 1989 - 2004" DVD compilation.
"South Beach Sounds: Miami Music Week, Volume 1"
South Beach Sounds-Miami Music Week Volume 1 is a sensory souvenir of the world's largest dance and electronica event, the Winter Music Conference. Recorded in 2005, the DualDisc (and separate DVD, both released on March 21st via Immergent) captures the magnitude of the weeklong event, where over 10,000 people from 60 different countries came together for round the clock parties, industry panels, and cutting edge technological demonstrations. Electronica fans and professionals alike attend the conference, now in its 21st year. The DualDisc version of South Beach Sounds is dominated by tracks from some the conference's most electrifying acts. Trance master Steve Porter, house duo Murk, the jarring and intense Australian electronica trio Infusion, and the influential British DJ Pete Tong offer a dizzying sample of what the best performances of the conference were like.
The iPod Classic is just like the Video iPod, only slimmer, tougher, and injected with a more visually rich graphic user interface.
