Marco Esu: "Primo risveglio parte 3" Video
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Marco Esu: "Coda in Re minore"
Marco Esu was born in Sardinia. He began to study guitar at 8 years old. Marco quickly rose to distinction at his school with numerous compositions being well received. Marco's style is a blend of Pat Metheny crossed with Antio Carlos Jobim ... and then and blended with the style of Marco's own brand of music. In 1994 Marco won the best solo guitarist category at the " Sardinia Contest of Music" for his version of Joe Satriani's " Midnight". Marco has played with many leading Italian artists including Slamina; Wizard and Axioma. Marco is busy preparing his new album and working on various film scores with the Blue Pie team. Please feel free to visit Marco's website, and download the recent live SOLO performance of Marco at the Sardinia Fashion show. We look forward to a long and successful association with Marco.
Marco Esu was born in Sardinia. He began to study guitar at 8 years old. Marco quickly rose to distinction at his school with numerous compositions being well received. Marco's style is a blend of Pat Metheny crossed with Antio Carlos Jobim ... and then and blended with the style of Marco's own brand of music. In 1994 Marco won the best solo guitarist category at the " Sardinia Contest of Music" for his version of Joe Satriani's " Midnight". Marco has played with many leading Italian artists including Slamina, Wizard and Axioma. Marco is busy preparing his new album and working on various film scores with the Blue Pie team. Please feel free to visit Marco's website, and download the recent live SOLO performance of Marco at the Sardinia Fashion show. We look forward to a long and successful association with Marco.
Jennifer Gentle: "I Do Dream You"
Hailing from Padova, Italy, Jennifer Gentle is not a girl. Jennifer Gentle is, in fact, a band made up of singer/guitarist Marco Fasolo and drummer Alessio Gastaldello (joined by various accomplices when they play live). Valende is their third full-length, and first for Sub Pop (their first two albums, I Am You Are and Funny Creatures Lane were released individually on Italy's Sillyboy Entertainment, and together as a double CD under the name Ectoplasmic Garden Party by Australia's Lexicon Devil label). The record was, like its predecessors, home-recorded by Marco and Alessio and it's a psych pop charmer, drawing on the band's own brand of musical dementia: an almost impossible-to-describe melting pot of whacked experimentation, deep fried eccentricity and acoustic beauty, drawing judiciously on the band's long-term fascination with Syd Barrett, 13th Floor Elevators, and Joe Meek production techniques. Jennifer Gentle is also the first Italian band Sub Pop has ever signed (such is our deep affection for the band). But, again, Jennifer Gentle is not a girl.
Kelley Polar's music video for "Chrysanthemum" is from the Chrysanthemum EP released on Environ Records--environrecords.com. Directed and produced by Marco Cibola for Nove Studio: novestudio.com. The track "Chrysanthemum" is written, produced and arranged by Kelley Polar (kelleypolar.com).
Marcos Hernandez: "If You Were Mine"
Pop sensation Marcos Hernandez is no stranger to the recording industry. Born in Phoenix and raised in the Dallas/Ft. Worth area, this 23 year-old vocal powerhouse caught the attention of many in the industry at the age of 18 as a member of the Dallas-based group Sons of Harmony. C About Me is his debut TVT album release.
Ellen Allien & Apparat: "Way Out"
"Way Out" is the hypnotizing electro-beat hit from Ellen Allien & Apparat's album "Orchestra of Bubbles" (Marco Testoni).
Marco Polo feat. Masta Ace: "Nostalgia"
Marco Polo feat. Masta Ace "Nostalgia" from the upcoming album Port Authority.
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Kinky: "A Donde Van Los Muertos"
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Bassnectar takes another step forward in his genre-bending blend of musical styles and emotions, combining the visceral melodic presence of modern listening music, with the force and volume of sound system dance floor devastation.
