Lily Allen: "Smile" Video
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This song is the first single from EP "Come Down To Our Heaven".
The Rapture: "Woo Alright, Yeah Uh-Hu"
"Pieces of the People We Love is a fiercely honed album of impassioned wailing; sharp, needling guitars; and herky-jerky beats-the sound of an accomplished band perfecting their craft and engadging their detractors by ignoring them." - New York Magazine "The Rapture have a time-tested prescription for making the white boys dance: jagged guitar, stealth sax, and bass lines so heavy they aid digestion." Details "You can effin? dance to The Rapture. But you can also dig their whole album front-to-back, which is the best reason for highest praises." URB
As Kelly Willis planned to go into the studio last fall, she really didn't know what to expect. She had spent the four years since co-producing her 2002 album, the lovely, laid-back Easy, on family matters: her oldest son Deral, born in 2001, got three siblings -- twins Abby and Ben born in 2004 and baby Joseph, whose birth followed in early 2006. "This time around, I had absolutely no time or energy to be involved in the producer role at all," Willis recalls. So she called a guy "who lives and breathes music," whose instincts she loved and who she felt "really comfortable around": Chuck Prophet, the edgy singer-songwriter who contributed guitar to both Easy and 1999's acclaimed What I Deserve. Together, they would create the most sonically adventurous album of Kelly Willis' seventeen-plus-year recording career, "Translated From Love."
Lucinda Williams: "Are You Alright"
From Lucinda's 2007 album "West," released by Lost Highway.
London-based electronic rock band Temposhark was formed in December 2004 by singer/songwriter Rob Diament and producer Luke Busby.
Motion City Soundtrack: "Everything Is Alright"
The way it works, everyone likes the first record better. You're a music fan, presumably, so you probably understand the idea here that, when placed in historical context, a band's initial statement to the world is often seen as its most lasting. Motion City Soundtrack began in Minneapolis in 1999. Two years ago, they released their first album, I Am The Movie, crawled inside a van for seemingly the end of eternity and shot a video with their friends back home for "The Future Freaks Me Out," a loud and instantly enjoyable anthem that has become such an undeniable apex at the band's live shows that it is no longer sung by singer/guitarist Justin Pierre as much as it is sung back at him. But as ubiquitous as it became, the song perfectly captured Motion City's allure. Irresistible and unhinged, "The Future Freaks Me Out" was a reference point for what was to come with Commit This To Memory, ironic considering they wrote the song in mere hours and it almost didn't even make it onto their debut. "Two weeks before we went in, [guitarist Joshua Cain] played the part and I sang those words and that's what came out," Pierre says now in amazement. "It was completely random. But that's how we work. It's funny when there's talk about how this record could 'make or break us.'" He laughs. "This band has always gone on its gut instinct."
"No Direction Home: Bob Dylan" DVD trailer
The film, which focuses on the singer-songwriter's life and music from 1961-66, includes never-seen performance footage and interviews with artists and musicians whose lives intertwined with Dylan's during that time. Dylan talks openly and extensively about this critical period in his career, detailing the journey from his hometown of Hibbing, Minnesota, to Greenwich Village, New York, where he became the center of a musical and cultural upheaval, the effects of which are still felt today. For the first time, The Bob Dylan Archives has made available rare treasures from its film, tape and stills collection, including footage from Murray Lerner's film Festival documenting performances at the 1963, 1964 and 1965 Newport Folk Festivals, previously unreleased outtakes from D.A. Pennebaker's famed 1967 documentary "Don't Look Back", and interviews with Allen Ginsberg, Pete Seeger, Joan Baez, Maria Muldaur, and many others. In anticipation of the film, members of Dylan's worldwide community of fans also contributed rarities from their own collections.
The Constantines: "Nightime/Anytime, It's Alright"
When the Constantines headlined the Sub Pop showcase at the 2004 SXSW Festival in Austin, Texas; the band's show concluded with them standing on the speaker stacks clapping and keeping time for the audience as the room sang the band's recent set closer (Lou Reed's "Temporary Thing") back at them. This scene lasted a full five minutes, five minutes of finale without the band playing a single note and thus the increasingly impatient promoters, fearful of running over their strict Texan curfew, couldn't even unplug the band to get them off the stage. But then the purpose of the stage is constantly called into question at Constantines shows. Bryan and Steve will regularly move their mic stands into the crowd and Doug frequently hands out percussion to the faithful gathered together near the band. The greatest rock and roll is always transformative, a concept that the Constantines grasped from their inception and one which was so readily on display at this show. The boundary between band and crowd is blurred; inhibitions are lost, along with voices, and ultimately you feel more alive than you did before the band took the stage, before you stopped noticing the stage.
The Chemical Brothers: "Do It Again"
The duo returns with their new album We Are The Night which push their sonic mastercraft and songwriting to a new level. The first single off the album is the innovative dancefloor beat destroyer "Do It Again" with vocals by up-and-coming Londoner Ali Lov
Getting things done, David Allen's way
Webware's Rafe Needleman gets Allen interview doneDek: At the Under the Radar confab in Silicon Valley on March 26, 'Getting Things Done' author David Allen gave CNET a dollop of his time. He explained the importance of list management for those who want
