"Larry the Cable Guy": "Big Balls" clip Video
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"Larry the Cable Guy: Health Inspector" trailer
Larry the Cable Guy plays a restaurant health inspector who doesn't quite fit in at the various fancy and ethnic eateries he inspects.
In "Starsky & Hutch," the origins of the charismatic crime-fighting duo David Starsky and Ken "Hutch" Hutchinson are explored when these undercover Bay City detectives are partnered for their very first assignment. Ben Stiller plays the tightly wound Detective David Starsky who is thrown together with Owen Wilson?s easygoing Detective Ken Hutchinson on a high-stakes case. Platinum-selling rapper and actor Snoop Dogg plays their savvy street informant Huggy Bear. Vince Vaughn also joins the cast as Reese Feldman, a smooth-talking entrepreneur with an eye towards the future.
High-tech sound system lets restaurant control noise level
Loud restaurants are a major turn-off for many diners. But a new sound system -- disguised as art and controlled by an iPad -- is helping one Berkeley restaurant control the noise of those annoying background conversations.
"Larry the Cable Guy": "Boulder Holders" clip
Sporting a cut-off flannel shirt and armed with a truckload of one-liners, Larry the Cable Guy is America?s reigning king of blue-collar comedy. Now, after two #1 comedy tours (out-selling both Jerry Seinfeld and Chris Rock), two hit concert films, a best-selling book, two chart-topping comedy albums and a multi-platinum DVD special, Larry makes his feature film debut in the outrageous Lionsgate comedy, "Larry The Cable Guy: Health Inspector."
"Larry the Cable Guy": "Fist Party of Five" clip
A hilarious comedy in the vein of "Something About Mary" and "Dumb and Dumber" and chock-full of Larry the Cable Guy?s trademark, take-no-prisoners humor, "Larry The Cable Guy: Health Inspector" marks the arrival of a new low-brow hero. The film is directed by Trent Cooper, and also stars Joe Pantoliano, Joanna Cassidy, Tom Wilson and Tony Hale.
LEGO City: Undercover (trailer)
The LEGO franchise makes its debut on the Wii U console in LEGO City: Undercover.
"The Honeymooners," a feature-length comedy, is the story of two best friends, bus driver Ralph Kramden (Cedric The Entertainer) and sewer worker Ed NOrton (mike Epps) who hatch a get-rich-quick scheme to get them out of Brooklyn and onto easy street. Standing by their husbands are devoted wives Alice (Gabrielle Union) and Trixie (Regina Hall), who help their guys make ends meet by waitressing at a neighborhood diner.
Change is unquestionably a constant in life. When Matchbook Romance began in 2001, the idea of playing music for a living felt like a dream, a romantic fantasy that dwelled in each member of the band?s imagination. And, for years, anyway, it seemed like it would remain that way. ?We never thought it was something that could actually come true for us,? says vocalist/guitarist Andrew Jordan who, at the time, was living at home and working as a waiter at a local restaurant. ?We had seen so many other bands try and reach for that place in the world only to fall short. We always thought, ?What are our chances??? Still, people believed in the band?their friends, families and peers?and they encouraged Matchbook Romance?s just-stepping-into-the-world rank and file to drop their impending classes at various community colleges in and around Poughkeepsie, NY that fall, in order to concentrate on the band. Which, they did. Thankfully, for us, they did. Matchbook Romance spent the next six months recording a group of demos that would attract the attention of Epitaph president Brett Gurewitz?a man who would later sign the relatively green band (literally the day before stepping on a plane to finalize contracts with the longstanding punk label, the band?s then-18-year-old drummer Aaron Stern graduated from high school). Gurewitz also produced their first real recording, the West For Wishing EP, in 2003, but it was Matchbook Romance?s debut, Stories And Alibis, that the world would really take to. The album?s list of successes now speaks for itself: following its late 2003 release came the video for ?My Eyes Burn,? a run on the cover of scene bible Alternative Press and a slot headlining the first-ever Epitaph Tour. In between, Stories And Alibis sold over 200,000 copies and the band absolutely lived on the road in support of it. As Matchbook Romance began writing the initial version of what would become their second album, VOICES, they began to take their musical ideas to a variety of new levels. The band was writing constantly. If you were to have walked into the back lounge during one of the many tours behind Stories And Alibis chances are the mirrored walls in their tour bus would have been covered with ideas for lyrics and ideas for new songs. Matchbook Romance knew their next record would have to stand apart and the material they had begun self-recording while out on the road behind Stories And Alibis?all of it decidedly more sparse, moody and meditative?was significantly removed from the sound they honed on their debut. One significant factor, as Jordan puts it poetically, is that they ?declared war on power chords.?
Change is unquestionably a constant in life. When Matchbook Romance began in 2001, the idea of playing music for a living felt like a dream, a romantic fantasy that dwelled in each member of the band?s imagination. And, for years, anyway, it seemed like it would remain that way. ?We never thought it was something that could actually come true for us,? says vocalist/guitarist Andrew Jordan who, at the time, was living at home and working as a waiter at a local restaurant. ?We had seen so many other bands try and reach for that place in the world only to fall short. We always thought, ?What are our chances??? Still, people believed in the band?their friends, families and peers?and they encouraged Matchbook Romance?s just-stepping-into-the-world rank and file to drop their impending classes at various community colleges in and around Poughkeepsie, NY that fall, in order to concentrate on the band. Which, they did. Thankfully, for us, they did. Matchbook Romance spent the next six months recording a group of demos that would attract the attention of Epitaph president Brett Gurewitz?a man who would later sign the relatively green band (literally the day before stepping on a plane to finalize contracts with the longstanding punk label, the band?s then-18-year-old drummer Aaron Stern graduated from high school). Gurewitz also produced their first real recording, the West For Wishing EP, in 2003, but it was Matchbook Romance?s debut, Stories And Alibis, that the world would really take to. The album?s list of successes now speaks for itself: following its late 2003 release came the video for ?My Eyes Burn,? a run on the cover of scene bible Alternative Press and a slot headlining the first-ever Epitaph Tour. In between, Stories And Alibis sold over 200,000 copies and the band absolutely lived on the road in support of it. As Matchbook Romance began writing the initial version of what would become their second album, VOICES, they began to take their musical ideas to a variety of new levels. The band was writing constantly. If you were to have walked into the back lounge during one of the many tours behind Stories And Alibis chances are the mirrored walls in their tour bus would have been covered with ideas for lyrics and ideas for new songs. Matchbook Romance knew their next record would have to stand apart and the material they had begun self-recording while out on the road behind Stories And Alibis?all of it decidedly more sparse, moody and meditative?was significantly removed from the sound they honed on their debut. One significant factor, as Jordan puts it poetically, is that they ?declared war on power chords.?
Matchbook Romance: "My Eyes Burn"
Change is unquestionably a constant in life. When Matchbook Romance began in 2001, the idea of playing music for a living felt like a dream, a romantic fantasy that dwelled in each member of the band?s imagination. And, for years, anyway, it seemed like it would remain that way. ?We never thought it was something that could actually come true for us,? says vocalist/guitarist Andrew Jordan who, at the time, was living at home and working as a waiter at a local restaurant. ?We had seen so many other bands try and reach for that place in the world only to fall short. We always thought, ?What are our chances??? Still, people believed in the band?their friends, families and peers?and they encouraged Matchbook Romance?s just-stepping-into-the-world rank and file to drop their impending classes at various community colleges in and around Poughkeepsie, NY that fall, in order to concentrate on the band. Which, they did. Thankfully, for us, they did. Matchbook Romance spent the next six months recording a group of demos that would attract the attention of Epitaph president Brett Gurewitz?a man who would later sign the relatively green band (literally the day before stepping on a plane to finalize contracts with the longstanding punk label, the band?s then-18-year-old drummer Aaron Stern graduated from high school). Gurewitz also produced their first real recording, the West For Wishing EP, in 2003, but it was Matchbook Romance?s debut, Stories And Alibis, that the world would really take to. The album?s list of successes now speaks for itself: following its late 2003 release came the video for ?My Eyes Burn,? a run on the cover of scene bible Alternative Press and a slot headlining the first-ever Epitaph Tour. In between, Stories And Alibis sold over 200,000 copies and the band absolutely lived on the road in support of it. As Matchbook Romance began writing the initial version of what would become their second album, VOICES, they began to take their musical ideas to a variety of new levels. The band was writing constantly. If you were to have walked into the back lounge during one of the many tours behind Stories And Alibis chances are the mirrored walls in their tour bus would have been covered with ideas for lyrics and ideas for new songs. Matchbook Romance knew their next record would have to stand apart and the material they had begun self-recording while out on the road behind Stories And Alibis?all of it decidedly more sparse, moody and meditative?was significantly removed from the sound they honed on their debut. One significant factor, as Jordan puts it poetically, is that they ?declared war on power chords.?
