The Knife: "Silent Shout" Video
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Keyshia Cole, John Ralston, Shout Out Louds
This week on Crossfade TV, the Download Music crew takes a listen to new releases from R&B powerhouse Keyshia Cole, singer-songwriter John Ralston, and Swedish indie-pop band the Shout Out Louds.
The first video single from Selfmeyi (Self-Me-I) debut album, "Self-Titled".
The record, the second long player by Swedish octet The Concretes, is very aptly entitled "In Colour." Although previously and persistently described as making some kind of European glacial pop, "In Colour" sees the band painting their musical canvass with a full rainbow palette. Whereas the eponymously titled debut album was "The Ronettes" lit only by the Northern Lights, "In Colour" makes the leap into glorious widescreen. Recorded in Stockholm and Omaha with Nebraskan producer Mike Mogis, "In Colour" is classic Americana and Southern Soul rerouted via Northern Europe. Evocative of a line of records that veers between Dusty in Memphis and Fleetwood Mac's "Rumours" through to Cat Power's "The Greatest" and Bright Eyes' "I'm Wide Awake It's Morning," The Concretes have effortlessly become one of the most unique and beautiful pop groups in the world, a Swedish national treasure.
Bloc Party: "I Still Remember"
Kele sings, 'tonight make me unstoppable,' on 'The Prayer' from the forthcoming Bloc Party record, A Weekend In the City, but it's pretty clear he already is. After so many tours behind their debut record Silent Alarm, through the release of Silent Alarm Remixed and the God Bless Bloc Party DVD, a kick-ass new record full of epic, thumping, pumping, dark and hopeful songs was the only possible next step. On February 6 A Weekend In the City will be in stores. If you're one of the first 1000 people to PRE-ORDER A Weekend in the City from Insound you'll receive a limited edition Bloc Party 7 inch featuring 'I Still Remember' and the exclusive b-side 'We Were Lovers.'
'Anytime Soon' is the first single from the debut self-titled album from London-based Marshmallow (Storm Music). For more information, please visit www.marshmallowmusic.com
An escalating drum roll opens Our Ill Wills, the sophomore album from Shout Out Louds… and rightly so. It's been a few years since the release of their first full-length record, the critically acclaimed, Howl Howl Gaff Gaff, and anticipation is great. But the band's been anything but idle. These last years have seen their passports fill up with stamps and their photo albums with snap shots from all corners of the world. They've done their own headline tours as well as being the support act of choice for bands such as The Strokes, The Magic Numbers and Kings Of Leon. Being on the road means you have plenty of time to think, to drink, to reminisce on the past. To play computer games. To miss loved ones. To get lost in new towns. To misbehave and to get your priorities in order. It's all there, on Our Ill Wills, out September 11th on Merge Records. Well, maybe not the computer games so much.
Formed by Kristin Hersh in 2003, 50 Foot Wave released a self-titled mini album last year - 6 blistering songs whose electrifying energy astonished anyone who encountered them. Now the band follow that up with "Golden Ocean", their full-length debut. 50 Foot Wave is Hersh's first new band since she founded the influential Throwing Muses, and it's a harder, faster, more direct experience than anything she has recorded before. Kristin sums up her vision for 50 Foot Wave thus : "What could be more fun that turning everything up to 10 and screaming your head off for an hour every night?"
Pinback: "From Nothing to Nowhere"
"Autumn of the Seraphs", pushes forward and upward. Its melodies are more dynamic and aggressive, while still gently pulling you back in again and again. While entirely recorded in the band's home studios once again, this record is tighter, the drumming more immediate and crisp. Those duties were shared by Mario Rubalcaba (Rocket from the Crypt) and Chris Prescott (No Knife), and it's a marked difference from Pinback's previous releases Good to Sea is the jam of Indian summer. Walters saunters its way to a buzzy guitar breakdown while Subbing for Eden works steadily toward each climactic chorus. Autumn of the Seraphs is for both rabbits and people, for good days and for ones where you should have stayed in bed. It's Pinback's best yet, and it's going to take you over.
Stateless are one of Leeds' most exciting bands, currently on course to explode all over the music world. The band fuses a conventional band set-up of vocals (Chris James), bass (Justin Percival) and drums (David Levin) with the electronic mesh of turntables (Kidkanevil) and live programming (Rod). Stateless recently finished recording their self-titled debut album with producer Jim Abbiss (Arctic Monkeys, Kasabian), who passed on some tracks to the mighty DJ Shadow. Immediately a fan, Shadow enlisted Chris to co write and sing on two songs on his new album The Outsider. Check out Stateless on http://music.download.com/stateless
The first single from Swedish electronic act "missing sound". Taken from their debut album.
