June Carter Cash: "Keep on the Sunny Side" Video
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Cece Balle began singing at four. Her musical training expands from down home gospel to opera. In production with producer/director Johnny Digital, Balle combines neo-soul with a classic R&B smoothness.
"Red Hot + Blue: A Tribute To Cole Porter" DVD clip: "Debbie Harry and Iggy Pop"
In this clip, Debbie Harry and Iggy Pop sing "Well Did You Evah?" DVD description: "Red Hot + Blue: A Tribute To Cole Porter" is an eclectic homage to the legendary songwriter benefiting AIDS research and relief. It features artistic videos addressing the effect of AIDS on society from such acclaimed directors as Jonathan Demme (The Manchurian Candidate, Silence of the Lambs), Wim Wenders (Buena Vista Social Club, U2: The Best of 1990-2000), Neil Jordan (The Crying Game) and Jim Jarmusch (Broken Flowers, Mystery Train). As a bonus, the DVD includes a live performance by Annie Lennox with Herbie Hancock and Ron Carter of ?Everytime We Say Goodbye? from the 1995 VH1 Honors Awards. Also presented on the DVD are interviews with Roland Gift, Richard Gere and John Malkovich culled from the 1991 Red Hot + Blue TV special.
Hailing from Martha's Vineyard, MA, Mason is all of 20 years old and already an extraordinarily accomplished singer-songwriter. Mixing the blues, folk and country traditions of John Lee Hooker, Hank Williams, Woody Guthrie and Johnny Cash with the spirit of politicized punk rock, Mason forges a sound all his own, at once incisive, ramshackle and timeless.
In 1955, a tough skinny guitar-slinger who called himself J.R. Cash walked into the soon-to-be-famous Sun Studios in Memphis. It was a moment that would have an indelible effect on American culture. With his driving freight-train chords, steel-eyed intensity and a voice as deep and black as night, Cash sang blistering songs of heartache and survival that were gutsy, full of real life and unlike anything heard before.
That day kicked off the electrifying early career of Johnny Cash. As he pioneered a fiercely original sound that blazed a trail for rock, country, punk, folk and rap stars to come, Cash began a rough-and-tumble journey of personal transformation. In the most volatile period of his life, he evolved from a self-destructive pop star into the iconic "Man in Black" - facing down his demons, fighting for the love that would raise him up, and learning how to walk the razor-thin line between destruction and redemption.
The story of the young Johnny Cash and his incendiary love affair with June Carter Cash comes to life in "Walk the Line," directed by James Mangold from a script by Mangold and Gill Dennis, based on Cash's books "Man in Black" and "Cash the Autobiography". Joaquin Phoenix plays Johnny Cash and Reese Witherspoon is June Carter. Phoenix and Witherspoon sing every note of their roles themselves in live performances that capture the spirit of the music that drove Johnny and June's relationship.
At the film's core is the passionate and revved-up music that knocked the complacency out of popular culture in the 1950's, which Mangold felt could only be captured in its most emotional and authentic from by having the principal cast perform many of the film's songs live. "The early fifties were the height of the smooth post-war sound, Doris Day and 'easy listening,'" says Mangold. "Musak was invented the year John released his first singles; even country music of the early fifties was highly produced, the edges smoothed for greater 'appeal'. One of the things I wanted the music in the film to convey was the startling roughness, the good humor, the cockiness, the urgency, heat and fire that shook people when these boys first played to crowds."
This movie was nominated for numerous Academy Awards. Click here to see videos of other Oscar nominees on Download.com.
Hailing from the small town of Moscow, Idaho, Josh Ritter?s songs are a rare gift of natural, intuitive beauty. Born in the late ?70s to two neuroscientists, Josh bought his first guitar from the local K-MART after hearing the Bob Dylan and Johnny Cash classic ?Girl From The North Country.? He began Oberlin College with the intent to follow in his parent?s scientist footsteps, but instead, discovered songwriting and the music of artists like Gillian Welch, Townes Van Zandt, and Leonard Cohen. He graduated and then moved east for its close proximity to historic folk clubs like Club Passim in Boston. On a shoestring budget he recorded his critically acclaimed break through album Golden Age of Radio in 2001 at various tiny, one-room studios on the East Coast. In the fall of that year, Josh pressed up several thousand copies of Golden Age, which quickly sold and funded more touring. A copy found it?s way into the hands of Jim Olsen and Signature Sounds Recordings, and the record was released nationally in the US in January 2002. Critics called the modest album ?stunning,? ?elegant,? and ?damn near perfect,? landing Josh in the pages of Details, the New York Times, and Maxim. ?Come and Find Me,? the modest anthem of Golden Age, was featured over the end-credits of HBO?s uber-hip series Six Feet Under, and several successful tours followed. Meanwhile, at a Boston open mic that spring, Josh met Glen Hansard, the lead singer of The Frames. Hansard invited him to open a string of shows for the band in Ireland. Josh?s career took flight in Ireland, buoyed by the single ?Me & Jiggs,? which entered the Irish Top 40 and helped gain Josh full blown cult status, complete with sold-out headline tours, late-night TV appearances, and his very own cover band in Cork. Josh ran the gamut at the Irish Hot Press Reader?s Poll Awards, landing in the Top 5 for Best International Folk Act, International Male Songwriter, and International Male Singer, putting him in the company of Springsteen, David Gray, and Johnny Cash. Josh would spend much of 2002 splitting his time between the US and Ireland, sharing bills with such eclectic artists as Beth Orton, Liz Phair, Damien Rice, and Joan Baez, as well as a celebrated appearance at the 2002 Newport Folk Festival. In the process, he garnered impressive acclaim not only for Golden Age of Radio but also for his richly textured and intimately engaging live shows. Publications like The Village Voice, The Washington Post, and The Irish Times scrambled to describe what made Josh?s music so ?stunning.? Sold-out shows in New York, Boston, and Dublin, as well as a trip to the Sundance Film Festival kicked off 2003 in style. In February of that year, rested, refreshed, and more than ready to make a new record, Josh entered Black Box studios in rural France with his touring band and Irish producer David Odlum (the Frames, Gemma Hayes) to record Hello Starling. Recorded and mixed in only 14 days in an old dairy barn in the French countryside, the thick stone walls, high ceilings, and vintage gear (much of it Curtis Mayfield?s old equipment), made for a record which sounds conversational and honest and shimmers with a new-found confidence. The 11 songs on Starling retain the feel and flow of another era; these are catch-tunes and earnest lullabies that rekindle the warm glow of a young Springsteen or Leonard Cohen in both their literacy and honest enthusiasm. ?Kathleen,? a summer anthem about waiting around a party to drive a girl home, is a live favorite; ?Rainslicker? moves and sways with all the dust-stained imagery of the Clientele; and the show-stopping beauty of ?Baby That?s Not All? suggests an artist at the peak of his new-found powers. The legendary Joan Baez recently recorded ?Wings,? the haunting ballad at the center of Starling, for inclusion on her new album, placing Josh alongside artists such as Gillian Welch, Steve Earle, and Natalie Merchant. Additionally, Norah Jones nominated Hello Starling for the 2004 Shortlist Music Prize and his song ?Kathleen? won the 2004 Boston Music Award for Song of the Year. During 2004, Josh spent the spring on a U.K. tour that was followed by appearances at summer festivals, including the Cambridge Folk Festival (alongside Gillian Welch) and the V Festival (with The Strokes and the Pixies). In Ireland, Josh played his biggest show to date there, headlining one night of the Heineken Green Energy Festival. In October of 2004, Josh signed with V2 Records. V2 plans to release Hello Starling this February. This fall, Josh toured with Sarah Harmer in Canada. In December, Josh will play a series of East Coast performances. In the spring of 2005, Josh plans to enter the studio again to record another album for V2.
Sheryl Crow treats us to a well-covered country classic, accompanied by an in-studio video.
This footage, and many other of the band's classic hits are available on the DVD "The Who: Live at the Isle of Wight Festival 1970". This great footage from 1970 finds Daltrey, Entwistle, Townshend, and Moon in peak form and truly lives up to the band's legendary reputation for mind-blowing live shows.
Johnny Cash: "Live at San Quentin"
After nearly four decades, their full-length, unedited hour-and-a-half concert is now officially available over-the-counter, as Johnny Cash At San Quentin: Legacy Edition, a deluxe three-disc display book box set package (a la the recent Bruce Springsteen Born To Run 30th Anniversary Edition) arrives in stores November 14th on Columbia/Legacy, a division of Sony Bmg Music Entertainment. The complete 31-track concert, the longest Johnny Cash live performance on record containing 13 previously un-issued tracks, four of them featuring Johnny will be complemented by Johnny Cash In San Quentin. This one-hour DVD documentary film, produced by Englands Granada TV, chronicled the event with numerous performances as well as graphic one-on-one interviews with prison guards and inmates discussing their experiences behind bars.
Meet the guitar playin', hard drinking cousin of Johnny Knoxville. This short film follows the songwriter through the recording process, where he sings about wild women, hard liquor, and something called "poontang". User discretion is advised.
Chicago-based multi-instrumentalist and lyricist Andrew Bird picked up his first violin at the age of 4. Actually, it was a Cracker Jack box with a ruler taped to it, and the first of his many Suzuki music lessons involved simply bowing to the teacher and going home. He spent his formative years soaking up classical repertoire completely by ear so when it came time for a restless teen-ager to make the jump to Hungarian Gypsy music, early jazz, country blues, south Indian etc., it wasn't such a giant leap. It's fitting that now, though classically trained, he has instead opted to play his violin in a most unconventional manner, accompanying himself on glockenspiel and guitar, adding singing and whistling to the equation, and becoming a pop songwriter in the process.
