Jerry Lee Lewis and Kid Rock: "Honky Tonk Woman" Video
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Toots and the Maytals (featuring Shaggy): "Bam Bam"
Toots is one of the true architects of reggae - so much so that "Do the Reggay," a 1968 single by Toots and his group, the Maytals, is credited with giving the genre its name. Classic songs written and recorded by Toots and the Maytals have been covered by the likes of the Clash and the Specials, and the group was featured in reggae's greatest breakthrough event - "The Harder They Come," the 1972 film that became an international sensation. The all-star guests on TRUE LOVE range from legends like Keith Richards, Eric Clapton, and Bonnie Raitt to younger stars including No Doubt, the Roots, and Phish's Trey Anastasio. The caliber of these collaborators reveals the impact that Toots has had on several generations of rockers and rappers, while appearances from reggae icons Bunny Wailer and Marcia Griffiths show the respect granted to the man who might be the music's greatest living vocalist. At the heart of it all is that voice - drenched in soul, rooted in gospel, and still breathtakingly powerful after almost four decades in the spotlight.
Toots and the Maytals: "Get Up, Stand Up: Live"
Toots is one of the true architects of reggae - so much so that "Do the Reggay," a 1968 single by Toots and his group, the Maytals, is credited with giving the genre its name. Classic songs written and recorded by Toots and the Maytals have been covered by the likes of the Clash and the Specials, and the group was featured in reggae's greatest breakthrough event - "The Harder They Come," the 1972 film that became an international sensation. The all-star guests on TRUE LOVE range from legends like Keith Richards, Eric Clapton, and Bonnie Raitt to younger stars including No Doubt, the Roots, and Phish's Trey Anastasio. The caliber of these collaborators reveals the impact that Toots has had on several generations of rockers and rappers, while appearances from reggae icons Bunny Wailer and Marcia Griffiths show the respect granted to the man who might be the music's greatest living vocalist. At the heart of it all is that voice - drenched in soul, rooted in gospel, and still breathtakingly powerful after almost four decades in the spotlight.
Miss Behavin': "Twistin' Jack"
This is a Honky Tonk music video from Dusseldorf, Germany. An ironically danceable tune about a guy who refused to cut the rug.
Charlie Brown, Sufjan Stevens, Merle Haggard
It's holiday week on Crossfade TV, as the crew listens to old favorites from Vince Guraldi ("A Charlie Brown Christmas"), new treats courtesy of prolific singer-songwriter Sufjan Stevens ("Song for Christmas"), and a reissue of a 1973 honky-tonk holiday gem from Merle Haggard ("Hag's Christmas").
Interview with the man who made it happen: Steven Van Zandt
Concert organizer, Soprano cast-member, and rock-'n'-roll legend Steven Van Zandt lets the people know what the real issues are surrounding CBGB's battle to survive.
The star-studded talent set to take the BACARDI B-LIVE stage includes world renowned DJ Paul Oakenfold, accompanied by members of the Florida Classical Orchestra; and Camp Freddy, a rock superstar band including Dave Navarro and Chris Chaney of Jane's Addiction, Scott Weiland of Stone Temple Pilots and Velvet Revolver, Matt Sorum of Guns and Roses, Donovan Leitch and Billy Morrison of The Cult, who will be joined by special guests Mark McGrath, Jerry Cantrell, Duff McKagen and Billy Duffy. Fans will also be able to watch the celebrity spinner DJ AM collaborating with punk rock drummer Travis Barker. Miami's own DJ Le Spam and The Spam Allstars will open the show, playing their innovative blend of improvisational electronic mix of Latin, funk, hip hop and dub.
The star-studded talent set to take the BACARDI B-LIVE stage includes world renowned DJ Paul Oakenfold, accompanied by members of the Florida Classical Orchestra; and Camp Freddy, a rock superstar band including Dave Navarro and Chris Chaney of Jane's Addiction, Scott Weiland of Stone Temple Pilots and Velvet Revolver, Matt Sorum of Guns and Roses, Donovan Leitch and Billy Morrison of The Cult, who will be joined by special guests Mark McGrath, Jerry Cantrell, Duff McKagen and Billy Duffy. Fans will also be able to watch the celebrity spinner DJ AM collaborating with punk rock drummer Travis Barker. Miami's own DJ Le Spam and The Spam Allstars will open the show, playing their innovative blend of improvisational electronic mix of Latin, funk, hip hop and dub.
Tom Meighan / Sergio Pizzorno / Chris Edwards / Ian Matthews Stardate: Summer 2006. As these words are being written, Kasabian are jetlagged, but happy. Three days ago, they returned from Mexico City, where a disused supermarket full of saucer-eyed devotees treated them like returning heroes. "They even sang along to the keyboards in Processed Beats," exclaims Serge Pizzorno. And then when we did the new stuff. It was..." Pizzorno is rarely lost for words. When he is though, here's Tom Meighan to pick up the baton "...legendary. I've never felt a force like it." Can a record be legendary before it has even come out? You might think you know Kasabian. After all, the dissolute Glimmer Twins of the post-Britpop firmament made no secret of their sources on that eponymous first album. A couple of years after Meighan and Pizzorno met in Leicester, aged 11, it was 1993 and Oasis were making the rock'n'roll dream seem like a goal attainable to a generation of schoolkids. Recorded at the now-mythical farm where they arrived for a party and never got around to leaving, Kasabian's eponymous debut bypassed most critics and connected dramatically with an audience that recognised them as one of their own just as Oasis had done with Meighan and Pizzorno in 1993. Kasabian sold over 700,000 in the UK and the band were the undisputed victors of last year's festivals, putting in bristling performances at Glastonbury, Reading/Leeds and T In The Park. But if a debut album is all about showing your influences, this is the point where Kasabian truly show us who they are. The first thing you'll notice about Empire is that no other band in the world could have created it. The confidence is perhaps understandable given the lack of fanfare with which they managed to instantly shift 8000 tickets for their Ally Pally show last year. But the scale of its vision though is something else entirely. Asked a while back to describe the album's eponymous opener, Meighan's instant response was, "Marc Bolan smoking crack with Dr Who." "No other band apart from Radiohead would have the balls to put in a tempo change like that," adds Pizzorno. Under the circumstances, you decide it's impolite to tell him that Radiohead didn't get actually around to it until their third album. This time around the demonic amyl throb of Serge's electronic soundscapes feed into the very core of Kasabian's music. The flood of ideas is unstoppable. Propelled along by handclaps and Ian Matthews' inspired Studio 54 style drum fills, the filthy analogue glambience of Shoot The Runner will be inescapable between now and Christmas. Last Trip, appropriately, comes on like a postcard from the furthermost outpost of a 4am bender Meighan's brittle, anxious exhortations leading the way over an arrangement which recalls a beefier version of Suicide's primitive electro-pulse. Three songs in and Empire already sounds like an index of rock'n'roll possibilities. When it comes to taking the credit for their music, Kasabian rarely need to be encouraged. In this case though, they're swift to acknowledge the invaluable input of producer Jim Abbiss who, according to Meighan, "was very good at dealing with situations in the studio." Was that necessary? One imagines that when a double act like Meighan and Pizzorno disagree, they must really disagree. "Actually, we bicker," says Meighan, "But it's only ever when we're drunk. You know that Hot Chocolate song, It Started With A Kiss? Well, with us, it ends with a kiss, but starts with a bottle. But Jim kept our heads clear, so that there was no anxiety, like 'what the fuck are we gonna do next?'"
Jerry Lee Lewis: "Pink Cadillac feat. Bruce Sprinsteen"
Lewis' critically acclaimed album debuted at #1 on the Billboard Top Independent Album Chart, at #4 on the Billboard Top Country Album Chart and at #26 on the Billboard Top 200 Album Chart in the first week of its release. The star-studded album, which features 15 members of the Rock 'n' Roll Hall of Fame including Lewis himself, has shipped over 175 thousand units and hit #6 on the Americana Radio Charts. This 71 year-old founding father of rock 'n' roll known as The Killer is back.
The Loved Ones are a rock n roll outfit based loosely out of Philadelphia. Born in late 2003 singer/guitarist Dave Hause and his fellow cohorts DC based bassist Michael "Spider" Cotterman and drummer Mike Sneeringer are deeply steeped in their hometown lineage having initially offered up their talents as players in Kid Dynamite, The Curse, Trial By Fire, and for a time Paint It Black; where Hause handled axeman duties before leaving to front The Loved Ones. So while the three-piece is definitely a departure from the members past endeavors, the punk sensibilities, and organic approach to playing still remain paramount. Owing as much to Bruce Springsteen as say Dillinger Four, the end result mixes killer riffs and raspy vocals to explosive ends. Expect big things, as heartfelt hometown sing-alongs simply don't get any better than this.
