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Paul Hone: "Every Time I Close My Eyes"
a song about the dreams , relationships, the struggles with day to day life, love and war...and Desire, and what ever else one can feel...A song for all who dream and wake up!!
David Schwimmer stars as "Duane Hopwood," a down-on-his-luck divorced father who works the night shift as a pit boss at Caesars Palace in Atlantic City. Heartsick about the demise of his marriage to Linda (Janeane Garofolo), Duane does nothing much in his daily life but work and drink. When his visitation rights are threatened after he's caught driving while intoxicated with his daughter in the backseat, Duane confronts the realization that the time has come to get his life back on track before he loses everything. A moving and humorous look at the limits of unconditional love, what defines a family, and how we're all responsible for our own happiness, "Duane Hopwood" was written and directed by Matt Mulhern.
Set in the cold, windswept world of an Atlantic City November, "Duane Hopwood" also stars Judah Friedlander as Anthony, a lonely slot machine repairman who dreams of comedy stardom, and Susan Lynch as Gina, a bartender who befriends Duane. Rich in the details of daily life, wistful and wise, "Duane Hopwood" is the story of a man who comes back from the brink, and is finally able to celebrate life in all its imperfections.
Matchbook Romance: "My Eyes Burn"
Change is unquestionably a constant in life. When Matchbook Romance began in 2001, the idea of playing music for a living felt like a dream, a romantic fantasy that dwelled in each member of the band?s imagination. And, for years, anyway, it seemed like it would remain that way. ?We never thought it was something that could actually come true for us,? says vocalist/guitarist Andrew Jordan who, at the time, was living at home and working as a waiter at a local restaurant. ?We had seen so many other bands try and reach for that place in the world only to fall short. We always thought, ?What are our chances??? Still, people believed in the band?their friends, families and peers?and they encouraged Matchbook Romance?s just-stepping-into-the-world rank and file to drop their impending classes at various community colleges in and around Poughkeepsie, NY that fall, in order to concentrate on the band. Which, they did. Thankfully, for us, they did. Matchbook Romance spent the next six months recording a group of demos that would attract the attention of Epitaph president Brett Gurewitz?a man who would later sign the relatively green band (literally the day before stepping on a plane to finalize contracts with the longstanding punk label, the band?s then-18-year-old drummer Aaron Stern graduated from high school). Gurewitz also produced their first real recording, the West For Wishing EP, in 2003, but it was Matchbook Romance?s debut, Stories And Alibis, that the world would really take to. The album?s list of successes now speaks for itself: following its late 2003 release came the video for ?My Eyes Burn,? a run on the cover of scene bible Alternative Press and a slot headlining the first-ever Epitaph Tour. In between, Stories And Alibis sold over 200,000 copies and the band absolutely lived on the road in support of it. As Matchbook Romance began writing the initial version of what would become their second album, VOICES, they began to take their musical ideas to a variety of new levels. The band was writing constantly. If you were to have walked into the back lounge during one of the many tours behind Stories And Alibis chances are the mirrored walls in their tour bus would have been covered with ideas for lyrics and ideas for new songs. Matchbook Romance knew their next record would have to stand apart and the material they had begun self-recording while out on the road behind Stories And Alibis?all of it decidedly more sparse, moody and meditative?was significantly removed from the sound they honed on their debut. One significant factor, as Jordan puts it poetically, is that they ?declared war on power chords.?
Change is unquestionably a constant in life. When Matchbook Romance began in 2001, the idea of playing music for a living felt like a dream, a romantic fantasy that dwelled in each member of the band?s imagination. And, for years, anyway, it seemed like it would remain that way. ?We never thought it was something that could actually come true for us,? says vocalist/guitarist Andrew Jordan who, at the time, was living at home and working as a waiter at a local restaurant. ?We had seen so many other bands try and reach for that place in the world only to fall short. We always thought, ?What are our chances??? Still, people believed in the band?their friends, families and peers?and they encouraged Matchbook Romance?s just-stepping-into-the-world rank and file to drop their impending classes at various community colleges in and around Poughkeepsie, NY that fall, in order to concentrate on the band. Which, they did. Thankfully, for us, they did. Matchbook Romance spent the next six months recording a group of demos that would attract the attention of Epitaph president Brett Gurewitz?a man who would later sign the relatively green band (literally the day before stepping on a plane to finalize contracts with the longstanding punk label, the band?s then-18-year-old drummer Aaron Stern graduated from high school). Gurewitz also produced their first real recording, the West For Wishing EP, in 2003, but it was Matchbook Romance?s debut, Stories And Alibis, that the world would really take to. The album?s list of successes now speaks for itself: following its late 2003 release came the video for ?My Eyes Burn,? a run on the cover of scene bible Alternative Press and a slot headlining the first-ever Epitaph Tour. In between, Stories And Alibis sold over 200,000 copies and the band absolutely lived on the road in support of it. As Matchbook Romance began writing the initial version of what would become their second album, VOICES, they began to take their musical ideas to a variety of new levels. The band was writing constantly. If you were to have walked into the back lounge during one of the many tours behind Stories And Alibis chances are the mirrored walls in their tour bus would have been covered with ideas for lyrics and ideas for new songs. Matchbook Romance knew their next record would have to stand apart and the material they had begun self-recording while out on the road behind Stories And Alibis?all of it decidedly more sparse, moody and meditative?was significantly removed from the sound they honed on their debut. One significant factor, as Jordan puts it poetically, is that they ?declared war on power chords.?
Change is unquestionably a constant in life. When Matchbook Romance began in 2001, the idea of playing music for a living felt like a dream, a romantic fantasy that dwelled in each member of the band?s imagination. And, for years, anyway, it seemed like it would remain that way. ?We never thought it was something that could actually come true for us,? says vocalist/guitarist Andrew Jordan who, at the time, was living at home and working as a waiter at a local restaurant. ?We had seen so many other bands try and reach for that place in the world only to fall short. We always thought, ?What are our chances??? Still, people believed in the band?their friends, families and peers?and they encouraged Matchbook Romance?s just-stepping-into-the-world rank and file to drop their impending classes at various community colleges in and around Poughkeepsie, NY that fall, in order to concentrate on the band. Which, they did. Thankfully, for us, they did. Matchbook Romance spent the next six months recording a group of demos that would attract the attention of Epitaph president Brett Gurewitz?a man who would later sign the relatively green band (literally the day before stepping on a plane to finalize contracts with the longstanding punk label, the band?s then-18-year-old drummer Aaron Stern graduated from high school). Gurewitz also produced their first real recording, the West For Wishing EP, in 2003, but it was Matchbook Romance?s debut, Stories And Alibis, that the world would really take to. The album?s list of successes now speaks for itself: following its late 2003 release came the video for ?My Eyes Burn,? a run on the cover of scene bible Alternative Press and a slot headlining the first-ever Epitaph Tour. In between, Stories And Alibis sold over 200,000 copies and the band absolutely lived on the road in support of it. As Matchbook Romance began writing the initial version of what would become their second album, VOICES, they began to take their musical ideas to a variety of new levels. The band was writing constantly. If you were to have walked into the back lounge during one of the many tours behind Stories And Alibis chances are the mirrored walls in their tour bus would have been covered with ideas for lyrics and ideas for new songs. Matchbook Romance knew their next record would have to stand apart and the material they had begun self-recording while out on the road behind Stories And Alibis?all of it decidedly more sparse, moody and meditative?was significantly removed from the sound they honed on their debut. One significant factor, as Jordan puts it poetically, is that they ?declared war on power chords.?
Academy Award winners Russell Crowe and Renee Zellweger star in this triumphant, powerfully inspiring true story. In a time when America needed a champion, an unlikely hero would arise, proving how hard a man would fight to win a second chance for his family and himself. Suddenly thrust into the national spotlight, boxer Jim Braddock would defy the odds against him and stun the world with one of the greatest comebacks in history. Driven by love for his family, he willed an impossible dream to come true.
Epic is like a wandering dream in which we contemplate life and death.
While Wi-Fi hot spots are springing up like technological toadstools, finding one that you can connect is sometimes hit or miss. This week, we show you how to go online with a laptop and a Bluetooth-enabled cell phone.
The One. The Only. The Legend. The Chair. In July 2005, in the depths of the English countryside, four boys had a dream. They saw a Chair, and wondered: 'What If?'. This is the fruit of their labours. Many thanks to all on the NSSO course, especially those who helped me with the movie.
Buzz Out Loud 735: Indiana Jones
Paramount is dropping sounds out of your movies, Canadian customs guards might be rifling through your laptop for ripped CDs, and aliens are real. See, now, it sounds like today's show is all made-up stories, but the first two things are true, and the last one is ... well, I don't know, I guess it might be true. There's a guy in Denver who says he's got a video. YouTube it!
