Hurra Torpedo: "Total Eclipse of the Heart" Video
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Norwegian rockers Hurra Torpedo know how to make kids happy. They show up to play in a school gym and bang out a song on an old stove, to the delight of everyone in the room. The jubilation jumps right off the screen.
popSiren: Spy vs. Spy in the kitchen
Post songs to Twitter, spy on your neighbors with kitchen utensils, plus a creepy tribute to David Duchovny.
The moon turned a shade of red Wednesday evening as the Earth's shadow completely eclipsed it. If you missed it, watch CNET News.com's Kara Tsuboi's recap video. Or you can wait until December 10, 2010, the date of the next total lunar eclipse.
Corrosion of Conformity: "Stone Breaker"
We really try hard to be true to what our hearts tell us to do," says New Orleans-bred Pepper Keenan, guitarist and songwriter for the band. "We do what we feel and we don't want to get caught up in any '90s-style production bullshit, 'cause when we look back at what we've done we want it to sound timeless. So many bands are gonna laugh at themselves in ten years. We don't want that." COC has been hurtling towards a "timeless" rock sound since their humble-but-turbulent beginning as a hardcore band way back in 1982. Back then, the band -- guitarist Woody Weatherman, bassist Mike Dean and drummer Reed Mullin (Keenan didn't join until 1990) -- searched desperately for a voice, an identifiable way to vent the spleen that has continued to haunt them through a full six records: 1983's vociferous Eye For An Eye, '85's phlegmatic rant Animosity, '87's drop D-tuned barrage Technocracy, '91's awesome, menacing Blind, and the album that serves as WISEBLOOD's most direct sonic ancestor: '94's breakthrough platter, Deliverance. "We began carving our niche with Deliverance," says Keenan with a hint of the South in his voice. "Now that we have that niche we should stay in it. I often wonder what makes good bands take sudden left turns. Why would you work hard to develop a sound and then just abandon it? It makes no sense." "We've always tried to make albums that have highs and lows and midpoints," says Keenan, "records that you can listen to from beginning to end. We've got no interest in ramming ten songs in the same key down your throat.
KT Tunstall: "Black Horse and The Cherry Tree"
KT Tunstall is a sparkling new songwriter with Chinese blood, a Scottish heart, great legwarmers and a cool name ? ?well, it?s got a bit more attitude than Kate which just says farmer?s daughter to me,? she laughs. KT celebrates classic singer-songwriting in the tradition of Rikki Lee Jones, Carol Kingand Fleetwood Mac with an articulate, accessible, immediate brew of rootsy sass, wistful quandary and after-hours atmosphere. The latest in a line of outstanding contemporary Scottish songwriters including Texas, Fran Healy, Teenage Fanclub and The Beta Band, KT?s unique perspective offers a rare emotionally connecting intensity through it?s gripping lyrical bite and heartfelt melody. Her debut album ?Eye To The Telescope? is the creative consequence of that inquiring imagination. ?My songs examine and explore little specific emotions or situations or stories,? she explains. ?They?re kitchen table songs, like a conversation between me and one other person. It?s almost like an alien has been sent to get emotional samples from human beings and put it all together on a record.? Since completing ?Eye To The Telescope?, life has been a blur of gigs, first as support to Joss Stone, then a tour of Europe, singing with ?klezmer hip-hop? band Oi Va Voi, who ignited the Avalon Stage at Glastonbury. ?It was blazing sunshine and I went on in a turquoise neck muff, glamorous dress and muddy boots and just had the best gig, really emotional. I?ve had emails from people saying that they cried. They promised it wasn?t the drugs.? Now KT is raring to channel all her infectious energies into her own music. ?I?m not exactly sure what has driven me so hard,? she says. ?I?ve never questioned it. I?ve never had a back-up plan. I was never going to do anything else.?
The Making of the "Killer Diller" movie
Arrested for violating his parole, guitar-playing car thief, Wesley Benfield, is sentenced to a half-way house in the middle of the Bible-Belt. Ned Sears (Fred Willard), who runs the house, is an eccentric zealot, currently forming his own hymn-playing band, who recruits young felons based on their musical talents. Now, all they have to do is breakl the law one more time. Based on the novel by Clyde Edgerton, "Killer Diller" was written for the screen and directed by Tricia Brock. The film also stars Lucas Black, W. Earl Brown, Niki J. Crawford, Clyde Edgerton, Rosemary Garris, Ashley Johnson, RonReaco Lee, Lawrence Lowe, Davenia McFadden, Mary Kay Place, Bonnie Root, William Lee Scott, Jared Tyler, and Robert Wisdom. Blues legend Taj Mahal opens the movie and the score features Grammy winner Keb' Mo'.
CHHS Percussion Ensemble: "Stinking Garbage"
The awesome CHHS percussion ensemble beating their brains out.
A Rubik's Cube from the future
Bonnie's back, and this week she brings the Samsung Omnia and the Mio Knight Rider GPS system to the set. There's a new Rubik's Cube...on the block. Plus, Brian hates heart-shaped mice, and we give Bonnie a surprise!
The Constantines: "Nightime/Anytime, It's Alright"
When the Constantines headlined the Sub Pop showcase at the 2004 SXSW Festival in Austin, Texas; the band's show concluded with them standing on the speaker stacks clapping and keeping time for the audience as the room sang the band's recent set closer (Lou Reed's "Temporary Thing") back at them. This scene lasted a full five minutes, five minutes of finale without the band playing a single note and thus the increasingly impatient promoters, fearful of running over their strict Texan curfew, couldn't even unplug the band to get them off the stage. But then the purpose of the stage is constantly called into question at Constantines shows. Bryan and Steve will regularly move their mic stands into the crowd and Doug frequently hands out percussion to the faithful gathered together near the band. The greatest rock and roll is always transformative, a concept that the Constantines grasped from their inception and one which was so readily on display at this show. The boundary between band and crowd is blurred; inhibitions are lost, along with voices, and ultimately you feel more alive than you did before the band took the stage, before you stopped noticing the stage.
Toots and the Maytals (featuring Shaggy): "Bam Bam"
Toots is one of the true architects of reggae - so much so that "Do the Reggay," a 1968 single by Toots and his group, the Maytals, is credited with giving the genre its name. Classic songs written and recorded by Toots and the Maytals have been covered by the likes of the Clash and the Specials, and the group was featured in reggae's greatest breakthrough event - "The Harder They Come," the 1972 film that became an international sensation. The all-star guests on TRUE LOVE range from legends like Keith Richards, Eric Clapton, and Bonnie Raitt to younger stars including No Doubt, the Roots, and Phish's Trey Anastasio. The caliber of these collaborators reveals the impact that Toots has had on several generations of rockers and rappers, while appearances from reggae icons Bunny Wailer and Marcia Griffiths show the respect granted to the man who might be the music's greatest living vocalist. At the heart of it all is that voice - drenched in soul, rooted in gospel, and still breathtakingly powerful after almost four decades in the spotlight.
