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The Rapture: "Get Myself Into It"
The Rapture was formed in early 1998 by drummer Vito Roccoforte and guitarist/vocalist Luke Jenner. The whimsical indie group had extensive touring behind them by the time they recorded 1999's Mirror for Gravity. More touring ensued -- with the likes of Sunny Day Real Estate and Nuzzle -- and the band eventually relocated to New York City. They lost their original bassist and found a new one in Matt Safer, who had recently moved from Washington, D.C. After some more touring, the band recorded the six-song Out of the Races and Onto the Tracks EP and had it released by Sub Pop in 2001. Thanks to their sloppy brand of scratchy post-post-punk, the Rapture was hailed as a forerunner of the post-punk revival that was taking place in the early 2000s. Their profile increased significantly with 2002's "House of Jealous Lovers" 12"; that same year, they added multi-instrumentalist Gabriel Andruzzi to the fold. The full-length Echoes followed for Gary Gersh's Strummer label in late 2003. The follow-up, Pieces of the People We Love, was released three years later by Mercury.
THE ADORED combine elements of discopunk, new wave, and pure power pop to create an intelligent yet catchy, different yet danceable sound. Inspired by the likes of The Clash, The Jam, and Blur, scenepointblank.com calls them Garagey, catchy, and as much as I hate the word, sassy. The Adored were born when four best friends and bon vivants joined up to make spiky party music. What came out draws from the more angular elements of early punk & postpunk and the less pompous elements of fin-de-siecle Britpop. Ryan (vocals) and Nat (drums) met in the mid-90s in NorCal and both played with a locally legendary punk band before moving southward. Max (bass) and Drew (guitar) met as students in Boston, studying media, all the while dreaming of a Los Angeles pop life. The four finally came together in LA and never looked back. So far, their adventures as Hollywood golden boys have included shows with eclectic artists new and old like Supergrass, The Zombies, Ima Robot, Bow Wow Wow, The Futureheads and Les Sav Fav. The Adored have also performed at parties hosted by members of buzz bands Mount Sims, Interpol and the Moving Units. The band has also appeared in clips on the UK?s Channel Four and Southern California?s Fox 11 ---as the current LA ?it band?! With mentions in the NME, the California press, and a grassroots network of blogs and webzines have all helped build an international fan base for the Adored. Again and again, they have performed in San Francisco, Las Vegas and Californias beach counties, bringing their music to grateful, music starved suburban scenesters and leaving their mark on the West Coast. The boys finished a successful 4-night mini-tour to New York City this spring and a weekly residency at Sunset Strips KEY CLUB. Following a 4-song demo in 2003, the Adored recorded a 5-song EP for V2 Records in fall 2004, with producer Dave Trumfio and a special guest vocalist friend and mutual fan Pete Shelley [Buzzcocks]. Due in stores January 2005. These 2004 LA WEEKLY MUSIC AWARDS BEST DANCE ARTIST nominees deceptively simple lineup of guitars, drums and three vocals help the four lovely lads produce a rhythm unique to the California scene -- the first stage in their plan to induce global simultaneous Adorgasm.
The Juan Maclean: "Give Me Every Little Thing"
"It's been a bit of a sore spot," laughs Juan Maclean, "sitting on this album and seeing this robot stuff pop up all over the place. I have serious robot credentials that go back years and years. Like, a decade! But Daft Punk beat me to the punch." He may be joking, but the man's right. If anyone's earned the right to call their debut album "Less Than Human" and imagine a love triangle consisting of a man, a woman and the man's gay robot friend (as in "Shining Skinned Friend"), it's Maclean. He was guitarist and synth player with acclaimed but obscure, gonzo electro-punk band Six Finger Satellite, who began formulating their blend of rigidly mechanised disco beats, oddly sumptuous synth melodies and razor-shredded guitar work in the early 90s. The brutish but groovy result suggested a cross between Devo, Kraftwerk and Big Black. Then, America was mired in grunge, the famous French robots were still in short pants and the "punk-funk revival" was in the unimaginable future. Six Finger Satellite were just too far ahead of their time and perished accordingly. With "Less Than Human" Maclean has created a precision-tuned rekindling of his love affair with everything from Kraftwerk to Juan Atkins and Derrick May, Funkadelic to Giorgio Moroder and Lipps Inc, DAF to Talking Heads and Frankie Goes To Hollywood. It's full of tics (sin drums, cow bells, Bootsy Collins bass lines, Moog Liberation motifs) borrowed from dance music history, but refuses to engage with retroism, nostalgia or any notion of "the classic." Opener "AD2003" tracks back to Kraftwerk via Orbital, buoyed up by bubbles of percolating glitch. "Give Me Every Little Thing" rewinds through Underworld and Talking Heads en route to Studio 54. "Tito's Way" contrasts acid-house synth squelches and rave whistles with clattering, tribal percussion. There's a constant, though. Even the LP's euphoric epic "Dance With Me," is poignantly subdued, touched by a melancholy that reflects Maclean's own world view. "It doesn't seem incongruous to me to have a lot of that stuff in there," he says of the album's sadness, "because I made a big effort to make an album, rather than a collection of tunes with just one good track that everybody knows. So I never really set out to say, "this is a song that will played for the dance floor," or whatever. "When I started on it, I don't think I had any pre-conceived notions at all, except that I knew I'd always be operating under the same aesthetic principles that I'd held in making music my whole life."
LCD Soundsystem: "North American Scum"
'Sound Of Silver' is the second album from New York's king of cool, James Murphy and his LCD Soundsystem. A consummate punk-funk workout that expands on the sound of their eponymous debut without losing any of that record's inherent coolness, this is dance music for people to think to, and will appeal to fans of The Rapture and Radio 4. Includes the single 'North American Scum'.
They play DISCO. But not so much mixing it with (Post) Punk and New Wave like so many other bands right now. WhoMadeWho use lot more influences: from Surfrock to Folk to 70ies Funk. And sometimes it feels like the guys heard a dose of Italodisco and Cosmic tapes before recording. One of the interesting things about WhoMadeWho is the fact that all the three members have totally different backgrounds. Tomas Barfod the drummer is known as one of Skandinavia's best electronic DJ's and has published acclaimed records on Get Physical, Kitsune and Gomma under his moniker TOMBOY. Jeppe Kjellberg , guitar player, used to live in NYC where he was established in the local Avantgarde Jazz scene. He even recorded an album with former Lounge Lizzard guitar player DAVIS TRONZO. And Tomas Hoeffding (the bass player) is also member of Danish garage rock band Garbo.. The band released only three singles in the last year - but these 12inches caused a good buzz and heavy rotations with DJ's all over the place. Especially the single SPACE FOR RENT (and The Rapture's remix of it) is currently getting a huge response (Leftfield single of the issue in DJ mag), and their cover version of Benny Benassi's Satisfaction is still a hit in many clubs. The album?s second single OUT THE DOOR was remixed by French producers IN FLAGRANTI and SUPERDISCOUNT and has been getting good exposure in clubs worldwide. Pete Tongfeatured it in his Radio One Essential charts and 2 MANY DJ?s featured a few WhoMadeWho Songs in their latest Radio One mix. MTV in France and Italy and MTV in UK put the video on rotation. The 2 MANY DJ'S/ SOULWAX guys are such huge fans of WhoMadeWho that they invited the band to do their live support on their big UK tour in autumn 2005. Same with MYLO who invited the band to support them on their tours. UK Press quotes: "Brilliant!"(NME) "...focused and brilliant." (iD sept 2005) "while the record is super fun, the band is even better live!" (Dazed & Confused) "Should coax even the shyest of floors back from the death!"(DJ mag) NME about WHOMADEWHO's Remix of MUNK's Kick out the chairs!:One of our favorite dance tracks of the year!
NobbyNormalSuperstar: "noLife(WannaBeMe?)"
Don`t Worship False Idols!!! Punk Rock video in a humorous style? Elements of Misfits musically but other than that i have no comparisons of my own. You tell me...
Exclusive Interview with director Wim Wenders (complete version)
Download.com's Dave Kapoor interviews director Wim Wenders about his new film "Don't Come Knocking."
The acclaimed director speaks about story, the writing process, visuals and locations, the rehearsal process, directing actors, music and soundtrack, editing and postproduction, budgets, shooting on digital versus shooting on film, distribution, DVDs, and the digital lifestyle.
Wenders' latest film, "Don't Come Knocking," opens in theaters March 24, 2006. Check out the movie trailer here.
Click here for additional exclusive interview clips with Wim Wenders.
Recorded live at the E Werk Stadium, Cologne on March 28th, 2005, this performance was filmed during THE ERASURE SHOW, Erasure's tour for their most recent album, 'Nightbird'. This sensational performance, recorded in 5.1 surround sound, features Erasure's Andy Bell in several costumes, including giant white angel wings and a black Elvis-esque jumpsuit. This package also contains footage from a 2003 Copenhagen concert, a short film on the making of the tour, an interview with Andy Bell & Vince Clarke and videos for 3 tracks from 'Nightbird': "Breathe", "Don't Say You Love Me" and "All This Time Still Falling Out Of Love". DVD Features: 5.1 Surround Sound TRACKLISTING Intro/Rock-A-Bye-Baby No Doubt Hideaway Victim Of Love Knocking On Your Door The Circus Breathe Ship Of Fools Drama! All This Time Still Falling Out Of Love Stop! Rapture Ave Maria Breath Of Life A Little Respect I Broke It All In Two Chains Of Love Chorus Love To Hate You Blue Savannah Always Who Needs Love (Like That) Oh L'Amour I Bet You're Mad At Me Sometimes BONUS MATERIAL Live in Copenhagen 9/06/2003 In My Arms Make Me Smile (Come Up And See Me) Piano Song Making Of Live In Cologne Interview With Andy And Vince The Live In Cologne Time Lapse Promotional Videos From 'Nightbird' Breathe Don't Say You Love Me All This Time Still Falling Out Of Love
Erasure: "I Bet You're Mad At Me" live
Recorded live at the E Werk Stadium, Cologne on March 28th, 2005, this performance was filmed during THE ERASURE SHOW, Erasure's tour for their most recent album, 'Nightbird'. This sensational performance, recorded in 5.1 surround sound, features Erasure's Andy Bell in several costumes, including giant white angel wings and a black Elvis-esque jumpsuit. This package also contains footage from a 2003 Copenhagen concert, a short film on the making of the tour, an interview with Andy Bell & Vince Clarke and videos for 3 tracks from 'Nightbird': "Breathe", "Don't Say You Love Me" and "All This Time Still Falling Out Of Love". DVD Features: 5.1 Surround Sound TRACKLISTING Intro/Rock-A-Bye-Baby No Doubt Hideaway Victim Of Love Knocking On Your Door The Circus Breathe Ship Of Fools Drama! All This Time Still Falling Out Of Love Stop! Rapture Ave Maria Breath Of Life A Little Respect I Broke It All In Two Chains Of Love Chorus Love To Hate You Blue Savannah Always Who Needs Love (Like That) Oh L'Amour I Bet You're Mad At Me Sometimes
Para One is one of the leaders of the French new school. Known for his killer track "Dun Dun" (remixed from MSTRKRFT) and remixes of Agoria, Krazy Baldhead, Ellen Alien (with Tacteel) and Daft Punk, among others. His musics been played by a wide array of the dance floors elite from Feadz, Erol Alkan, Diplo, Modeselektor and Justice to Laurent Garnier, DJ/Rupture, Team Shadetek and Michael Mayer. "Dun Dun" is both the hardest, most ruthless and loveliest, most idyllic techno track in a long time. These tracks are tailor-made for the club, the dancefloor, the moment when the world dissolves into strobes, heat and sound, when the dancers move whether they like it or not, barely breathing machines operated by way of drugs, snares and synths.
