Flesh Eating Foundation vs. Kenji Siratori: "Spiral World" Video
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Let Captain Petey be your guide through the wonderful, rarely-seen adult world of lighthouses. From vomiting down a spiral staircase to the simple pleasures of getting drunk on the beach, Captain Petey shares memories you won't easily forget. Created by Francis DiPietro, author of over a dozen novels. They all contain both mature and immature content. Mr. DiPietro's current whereabouts are unknown, due to a faulty tracking tag.
New Young Pony Club: "Ice Cream"
Hot on the heals of previous limited 7" single "The Get Go" New Young Pony Club (NYPC) return with Ice Cream, a sparsely minimal punk funk jerkout that sounds like a distaff version excursion on disco-era Rolling Stones fronted by the Slits' Ari Up and produced by David Byrne and Brian Eno. Partly inspired by LCD Soundsystem and a chance meeting of like-minded band members intent on establishing something potent, Andy and Tahita formed NYPC in 2005. A five-piece comprising of Tahita (vocals), Andy (guitar), Igor (bass) Lou (keyboards) and Sarah (drums), they provide the kind of tight and bass-heavy future discoid noise currently setting hairs on end up and down the country. Ice Cream, their first single on Modular, is already causing a stir online with fans creating myspace pages with lyrics taken from the provocative song. ?A lot of [the lyrics are] about the perceived idea of how women are supposed to be, and putting my twist on it.? Says Tahita. NYPC have quietly set their world alight with a swell blend of disco, pop and punk which they are currently distilling into a debut album for Modular. Undoubtedly, one of THE bands to watch for 2007.
Flesh Eating Foundation: "The Dead"
A promo video for the Flesh Eating Foundation song "The Dead." Created using output from the game "The Movies," by Chris Hall and Jon Zero.
With sirens wailing, I shot this video of a tornado outside our home/work site. My wife can be heard worried that we are in danger, unaware that I have the tornado in sight. I especially like the way the tornado spirals back into the clouds before it causes any real damage.
My God, My God have you just left me? Behind the Music: For me this album came at a very difficult time in my life. A time where I was forced to face my failures. This was a time where my breaths were shallow and each morning my dreams would end to stare cold hard reality in the face. This was a time where I needed God and the raw, eternal hope in his promises found in the words he has spoken through mortals. I turned to the Psalms and found David venting his own times of being caught between a rock and hard place, expressing his fear, his doubt, his hope in God and his promises amidst the struggles of his life. Then I ran across Psalm 22, a vivid prophetic scriptural account of Christ when he is hanging on the cross. A moment in eternity where I feel Christ most relates to my own humanity... and when God turned his face away. A place where I find myself feeling like I've fallen out of fellowship with Jesus. For me this recording chronicles the struggle, the doubt, the scratching and stretching for hope, for truth, for salvation. Welcome to my side of the journey we call Village Thrift. Lyrics:: My God, My God have you just left me? Why are you so far, so far from helping me? My God, I cry I Cry in the daytime, but do you hear? And in the night, I am not silent, but do you hear? I?ll cry out to you, but will you deliver? If I trusted you, would you take care of me? Would you care for me? My God, my God why have you left me? Why are you so far, so far from helping me? My God, I cry, I cry in the daytime, but do you hear? I?ll cry out to you, but will you deliver? If I trusted you, would you take care of me? I?ll cry out to you, but will you deliver? If I trusted you, would you take care of me? Would you care for me? Take care of me Take care of me Take care of me
"Heroic Three and the Invasion of the Invader" trailer
The newly found superhero team "Heroic Three" find themselves in a world in which crime and hate have been abolished. Since world-peace has put them out of work, they start investigating the situation and realize that a strange professor who they had saved sometime back may have something to do with it all.
Submerged in Dirt: "Sterile Room" (practice)
"Here's the funny thing about death metal: at a certain speed and intensity, it turns into sonic abstraction and enters the world of post rock through the back door. That's certainly the case with Tulsa's Submerged in Dirt, whose flesh-eating intensity can't hide the fact that their sound is stealthily smart." - Editors, Download.com Submerged in Dirt is a band that developed from the outskirts of Tulsa, OK. In an area known to many as the "Bible Belt" we have successfully transcended the limitations put on us by our surroundings, and have created? some of the most brutal music ever conceived. Our style relies heavily on dynamics and key progressions (two things that our genre have long forgotten) while at the same time we utilize extremely powerful vocals. Our fan base is ever growing and we have set out to make a name for ourselves among the greatest metal bands ever. This video is practice footage of our latest song Sterile Room. By the way, Submerged in Dirt are Gods!!!
Trick Deck featuring Christa Wells and Mr E.: "Freaky Love"
Trick Deck returns with Freaky Love their second release via Infrasonic Productions. This new release will tickle hotspots around the world and further establish the group as innovators, mixing electronica, hip-hop and their own unique brand inspiration born of the combination of several talented collaborators. Produced and played by Mark Wand, the album features the vocal stylings of Christa Wells. Also featured are Mr. E of The High Children and San Jose rapper Kungfu Vampire with several beats provided by drum sensation Kevin Sawka.
Based upon the celebrated novel "La Bestia nel Cuore," "Don't Tell" is the mesmerizing story of a woman?s journey into her past and the aftermath of confronting personal demons long hidden beneath the surface of her psyche. At the heart of the film is Sabina (Giovanna Mezzogiorno), a beautiful young woman who seemingly has it all -- a supportive and loving boyfriend, a comfortable lifestyle, and a promising future. But when Sabina learns she is pregnant, a normally celebratory occasion is clouded by a succession of haunting nightmares, strange memories, and personal insecurities that send Sabina?s world spiraling out of control. While shunning the affections of her boyfriend Franco (Alessio Boni), Sabina flees to America where she seeks comfort from her brother Daniele (Luigi Lo Cascio) and his family. In the arms of her loved ones, Sabina uncovers truths so dark and disturbing that she begins to question her own instincts about life, love, and her future happiness, leading to an intense psychological climax that finds Sabina at a crossroads of redemption or destruction. Directed and co-written by Cristina Comencini, "Don't Tell" is adapted from her bestselling novel "La Bestia Nel Cuore." The film stars Giovanna Mezzogiorno, Alessio Boni, Stefania Rocca, Angela Finocchiaro, Giuseppe Battiston and Luigi Lo Cascio.
From his cutting edge album comes the first music video from the eclectic artist Skitchy. For too long artists have had little or nothing to do with their own promo videos, but Skitchy has decided to buck that trend and created a slightly disturbed 3D animated masterpiece - by himself. 3D animation in music video is usually reserved for artists with high budgets and large teams of animators, but with this piece Skitchy has broken the mould. The video revolves around a day in the life of a robot living in a world that is part cartoon and part reality. When a gang of thugs attack he decides to get revenge. An idea comes to him when he spots something bouncing along the sidewalk - a human heart. So he grabs his shovel and heads for the cemetary... Skitchy commented "Originally I was making the video as a purely promotional piece for my music, but as time went by it took on a life of its own. When you make something comletely by yourself you have no restraints, and working in a 'virtual' 3D world gives you free reign to 'play God'. I could visualise certain scenes, and others just happened as I built and animated them."
