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Eternia featuring Jessica Kaya: "Love"
In celebration of March's Women's History Month, Canadian hip-hop recording artist Eternia examines the prevalence of violence against women in Canada and around the world. Eternia is drawing from the third single "Love" released from her Juno-nominated album "It?s Called Life" to raise awareness for Amnesty International's campaign to Stop Violence Against Women. This sensitive and critical issue is portrayed through the music video for "Love," which features guest vocals of Eternia?s sister ? Jessica Kaya, and which is slated for release in Canada, Australia and select US markets throughout March 2006. "In their lifetime, more than one in three women around the world report being abused or suffer from other forms of violence," explains Eternia. "Love" is the most personal and meaningful song I have ever created; it illustrates the struggles of physical and emotional abuse my mother suffered at the hands of my father, while having to raise us. Many women endure abusive relationships, thinking that is the only way to survive and raise their children. "Love" is my way of expressing a mothers' ultimate sacrifice for her children." Non-profit organization The 411 Initiative For Change (411), uses musicians as the media to engage and educate young people on pressing social issues. 411 facilitated this collaboration between Eternia and Amnesty International. "Amnesty International is the world?s largest human rights organization," explains 411 Executive Director Tamara Dawit. "Artists, like Eternia have the unique humility to use their prominence in bringing awareness to issues of importance to young people. With just over half of the women in Canada reporting having been victims of at least one act of violence since the age of 16, this is an issue of great importance to Canadians." Amnesty International has more than one million members around the world ? which includes thousands of Canadians; ? who are putting pressure on decision-makers to stop violence against women in families, communities, and war as well as violence tolerated by government authorities. "Each person can help stop violence against women, but only if we speak out," asserts Eternia. "I hope that I can inspire other young people to affect change in their communities." Eternia has rocked rhymes from crowded subway cars in the Bronx to shows across Canada, the US and Australia. Following a slew of successful singles, videos and feature releases, her first full-length, It?s Called Life, came out in Canada and Australia in October 2005.
When hip-hop began its attack on mainstream culture in the mid-80's, it found itself in some pretty strange neighborhoods. It started to influence kids that the music was never intended for. Shows like Yo! MTV Raps and national tours from Run DMC brought rap music to uncharted territories never thought of during its birth in the projects. This is when the suburbs discovered rap music. And so did Hot Karl. Hot Karl, born Jensen-Gerard Karp (23), grew up in Calabasas, CA, a secluded suburb only a few miles away from the Malibu beaches. He listened to N.W.A. and Slick Rick, never relating to their subject matter or lifestyle, but loving the artform. It wasn't long before Karl began writing his own lyrics, hiding it from his affluent neighbors who still looked down at rap music and its possibilities. Karl continued to write lyrics, enter battles and freestyle at USC (where he graduated Cum Laude 2001), creating the Hot Karl persona. This is when Karl decided to call into a Los Angeles radio show to rap on the Roll Call competition, where he lasted a record 30 days on air to become the all-time champion and create a surprising buzz in LA. As managers and labels began to call, Karl created a demo exhibiting his style of witty satire and tight rhymes with help from Limp Bizkit's DJ Lethal. Karl weighed out his options from the firestorm of interest and eventually signed with Interscope Records, where he created what was to be his debut CD. "Your Housekeeper Hates You? included guest appearances by Redman, Fabolous, DJ Quik, Mya, Sugar Ray, DJ Clue and MC Serch. Once Interscope informed Karl that his CD could not be commercially released due to ?scheduling conflicts,? he asked for his immediate release, hoping to return to his underground roots and stay away from this corporate side of the music industry that he slowly began to hate. As Karl continues his attempt to "make hip-hop fun," he never focuses on the morbid world of rap and violence that continue to prove strong sales. "I'm only going to speak about things I know," Karl explains. "My keeping it real is much different than most other MC's." Karl has recently signed with EMI Publishing and found his music (as well as likeness) in the video game, NBA Live 2003, proving that leaving a major label is hardly an ending - but rather just another beginning. It's gonna be a fun ride as Karl attempts to introduce his upbringing and signature humor to the culture of hip-hop. It's time to realize the magnitude of rap music's influence, as well as time for some unlikely voices to have their chance.
Professional Sinnerz featuring Strider and DJ Cut Brawl: "Positive Evolution"
taste of things to come with the Positive Vibration project... The new video Positive Evolution by the Professional Sinnerz is a teaser for the Positive Vibration compilation, which will be released soon throughout Europe. Lyrics/Performance: Adamantas Production: Strider, Tyler Scratches: dj Cut Brawl (Phase 3) Video editing: Nik Anand Positive Vibration is a totally independent production of Zoltan Tribe, with Strider (Zoltanation Beats) in the production, and featuring artists such as Q-Unique (Uncle Howie Records/Arsonists), Sifu VERSUS, Isvoleas, Odysseas (Razastarr), E. Aghios (Anaflexi/Antixoes Paragoges), Professional Sinnerz, Dogmother, Taki Chan, Aktarv8r (Nasha Label, formerly of the Asian Dub Foundation), Dos Noun (Manifest Music), Paragontes (Antixoes Paragoges), Heretikos (Deadlock), Red One, dj Everlast, dj ALX, dj Cut Brawl (Phase 3) and others... The project is almost complete, and it will send out positive vibes throughout Europe in summer 2006... Info: http://www.zoltantribe.com http://www.myspace.com/thepositivesideofhiphop Contact: info@zoltantribe.com Bookings: bookings@zoltantribe.com
TuneWiki for Windows Media Player
A new Windows Media Player add-on from TuneWiki brings lyrics and social networking to your favorite songs and music videos.
The LG Lyric offers music features and a compact slider design for MetroPCS. At CTIA fall 2009, we take a first look at it.
The Pharcyde emerged on the hip hop scene in 1992 with their debut, Bizzare Ride II the Pharcyde, on the Delicious Vinyl label. The Californian quartet consisting of Tre Slimkid Hardson, Romye Booty Brown Robinson, Derrick Fatlip Stewart, and Imani Wilcox came together to make a splash on the hip hop scene breaking the mold of the West Coast gangsta rap of its time, by producing rhymes and beats narrating hilarious skits, clownish antics, and stoned perceptions. With their unique style of rap, their light hearted lyrics, and diverse sound The Pharcyde established themselves quickly among the listeners as a legitimate hip hop force. And a force they were to keep their fan base so hooked that they waited three years before releasing their much anticipated sophomore album LabCabinCalifornia. Unleashed in 1995 this album made evident the growth of a band that had endured the realities of the music industry and fame. Manifesting a stronger lyrical content, LabCabinCalifornia showed the rap world that the Pharcyde were not just the playful cats on Bizarre Ride II, but they were musicians growing and exploring their talents. With different producers, The Pharcyde ventured into a jazzier, more sophisticated sound. LabCabin displayed the abilities of the Pharcyde as clever lyricists, as well as gifted musicians dappling in both the worlds of hip hop and jazz. In 1997, the ride began to get bizarre. While on the heels of completing their third album, Plain Rap, and in the middle of enjoying the fruits of labor as struggling artists who had impacted the world of hip hop, Fatlip decided that he would pursue a solo career. Upon Fatlip's departure it was not long before Slimkid followed suit leaving the group, Booty Brown and Imani, to make sense of their decisions emotionally, musically, and financially. Yet as always, under a new record label, Chapter One, Imani and Booty Brown focused and clung to the Pharcyde recipe that had repeatedly delivered success - retreat into the studio for a few years, lose yourself in your music, test yourself by pushing boundaries and hustle like you never knew what a record deal was. The end result of all this hard work, The 2004 return of a Band that influences the hip hop that crowds our radio waves today. The new ride for the Pharcyde starts with their recently released, Humboldt Beginnings. The duo has proven themselves once again as key players in hip hop. The album gives their fans a trip down memory lane with the same vibe and fertile lyrics from the Pharcyde's past classics. Imani and Brown display their abilities to carry on the Pharcyde name in its original fashion, seducing their audience with the same boyish charm that founded them at the beginning, now combined with the knowledge that has been bestowed upon them as men who have taken on the rap game. Humboldt Beginnings has repeatedly been described as an album before its time. http://www.thepharcyde.com
One of Australia's most quietly adored bands, Youth Group, stand ready to roar with 'Skeleton Jar'. Youth Group are at the forefront of an exciting new era in Australian alternative music. Singer/guitarist/songwriter Toby Martin formed the group with drummer Danny Allen in Sydney, Australia and despite several line-up changes since, these two remain at the band's core. After quickly gaining a strong live following the band signed to local independent label Ivy League Records (the same people who manage The Vines and Jet) and released their debut album in May 2001. 'Skeleton Jar' is the band's second album and the first to be released in the US. The talents of singer/songwriter/guitarist Toby Martin shine through on this album like a beacon. Eccentric, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain with his uniquely pure voice. From the haunting singles 'Skeleton Jar' and 'Shadowland' to live favorites "See-Saw" and 'Piece Of Wood", Youth Group present an eclectic feast, with a darker and less poppy approach.
One of Australia's most quietly adored bands, Youth Group, stand ready to roar with 'Skeleton Jar'. Youth Group are at the forefront of an exciting new era in Australian alternative music. Singer/guitarist/songwriter Toby Martin formed the group with drummer Danny Allen in Sydney, Australia and despite several line-up changes since, these two remain at the band's core. After quickly gaining a strong live following the band signed to local independent label Ivy League Records (the same people who manage The Vines and Jet) and released their debut album in May 2001. 'Skeleton Jar' is the band's second album and the first to be released in the US. The talents of singer/songwriter/guitarist Toby Martin shine through on this album like a beacon. Eccentric, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain with his uniquely pure voice. From the haunting singles 'Skeleton Jar' and 'Shadowland' to live favorites "See-Saw" and 'Piece Of Wood", Youth Group present an eclectic feast, with a darker and less poppy approach.
The 404 430: Where we Microsoft Courier your enthusiasm
We couldn't record today's Podcast without spending a little time on Gizmodo's big unveiling of Microsoft's secret tablet PC. The blog is reporting that even though our first inclination is to call it a tablet, it's really more of a booklet, with two 7-inch(ish) screens with multitouch, a 3MP camera on the back, and a fancy stylus for clicking, writing, dragging, and drawing. In typical 404 fashion, we have to poke fun at the fact that while a long plastic pen is very innovative, we wish it had fully functioning voice recognition, but as we've seen from the Google iPhone app, that technology will likely never be perfected. In the meantime, it looks like the Microsoft booklet will materialize before the fabled Apple tablet.
