Electric Light Orchestra: "Do Ya" Video
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Electric Light Orchestra: "Rollover Beethoven"
The band pulls out a Chuck Berry classic as the encore to their 1979 show at Wembley. Behold the spinning cellos, the huge guitar riffs, and all that glorious hair. This track is included on the DVD "Electric Light Orchestra-Out of the Blue tour, Live at Wembley."
Electric Light Orchestra: "Mr. Blue Sky"
This ELO hit was filmed on the "Out of the Blue" tour, live at Wembley stadium. It is included on the DVD "Electric Light Orchestra--Out of the Blue tour, Live at Wembley."
Kristian Cvetkovic: "Mozart, Piano Concerto No. 20 in D minor, K. 466, Mvt. 1"
Soloist: Kristian Cvetkovic (born on 2. November 1991 in Zug, Switzerland) Mozart - Piano Concerto No.20 in D minor, K.466, Mvt. 1 (Allegro) Conductor: Thierry Fischer Orchestra: Orchestra della Svizzera Italiana, Lugano, Switzerland Recording date: 12. March 2006 (live)
The White Stripes: "Blue Orchid"
get behind me satan -is the white stripes? fifth album -produced by grammy award winning producer jack white -recorded in Detroit at third man studios, mixed in Memphis at ardent studios, mastered in new york city at masterdisk -album contains thirteen original songs -songs were written on piano, acoustic guitar, and marimba -songs are deceivingly orchestrated, some sounding as if they were recorded with a full orchestra when they only have piano and bass on them -none of the songs had been played live before the recording of the album -none of the songs were completely written before the recording of the album -contains the white stripes shortest song to date -only three songs are electric guitar based -the band used their live sound engineer to engineer the recording -their fourth album, elephant was released one year after completion. the first single from get behind me satan, ?blue orchid,? was released two weeks after completion -jack white has described the record as an exploration of ?characters and the ideal of truth? -the band will tour prior to, and continue after, the album?s release but are only playing countries and cities that they?ve never been to before. The band plan to tour the u.s. and Europe afterwards. -a vinyl version of the record will be put on hold pending a unique release. -produced by jack white, engineered by matthew kettle, mixed by jack white, mix engineer john hampton, mastered by howie weinberg, photos by ewen spencer all songs written by jack white album artwork design by the third man artwork layout by arthole graphics
Ella Fitzgerald & Count Basie: "Flyin' Home"
Norman Granz is one of the most important non-musicians in the history of jazz and no one has made a greater contribution to the staging, recording and filming of jazz concerts. This series of performances from the prestigious Montreux Jazz Festival now makes a part of this legacy available on dvd for the first time. Ella Fitzgerald and Count Basie Orchestra. This concert is the perfect example of how to "swing". The ideal combination of Ella Fitzgerald, at the height of her powers in 1979, with the Count Basie Orchestra and then accompanied by the great man himself, leads to a sublime evening with versions of such Ella classics as "Flying Home", "A-tisket, A-tasket", "Please don?t talk about me when I?m gone", "Sweet Georgia Brown", and many more.
The star-studded talent set to take the BACARDI B-LIVE stage includes world renowned DJ Paul Oakenfold, accompanied by members of the Florida Classical Orchestra; and Camp Freddy, a rock superstar band including Dave Navarro and Chris Chaney of Jane's Addiction, Scott Weiland of Stone Temple Pilots and Velvet Revolver, Matt Sorum of Guns and Roses, Donovan Leitch and Billy Morrison of The Cult, who will be joined by special guests Mark McGrath, Jerry Cantrell, Duff McKagen and Billy Duffy. Fans will also be able to watch the celebrity spinner DJ AM collaborating with punk rock drummer Travis Barker. Miami's own DJ Le Spam and The Spam Allstars will open the show, playing their innovative blend of improvisational electronic mix of Latin, funk, hip hop and dub.
The star-studded talent set to take the BACARDI B-LIVE stage includes world renowned DJ Paul Oakenfold, accompanied by members of the Florida Classical Orchestra; and Camp Freddy, a rock superstar band including Dave Navarro and Chris Chaney of Jane's Addiction, Scott Weiland of Stone Temple Pilots and Velvet Revolver, Matt Sorum of Guns and Roses, Donovan Leitch and Billy Morrison of The Cult, who will be joined by special guests Mark McGrath, Jerry Cantrell, Duff McKagen and Billy Duffy. Fans will also be able to watch the celebrity spinner DJ AM collaborating with punk rock drummer Travis Barker. Miami's own DJ Le Spam and The Spam Allstars will open the show, playing their innovative blend of improvisational electronic mix of Latin, funk, hip hop and dub.
Kudu tap into Siouxsie circa 82, dark Chicago house circa 86, deep 70s funk, and, consciously or not, UK jungle tekno circa 91. They are real deal, and their music is so primal that they could just as validly be classed a rock act as a jazz or dance act. On stage Kudu are dark and raw and desperate, but their pop potential has always been apparent to anyone with ears for song craft and eyes for charisma. Bar Star, the first single from the upcoming full-length from Nublu Records entitled Death of the Party, confirms this perception. In addition to the aforesaid ingredients, Kudu on record have a sense of fun lifted from Deee-Lite, ESG, church in rural Georgia and parades in New Orleans. Kudu plans to tour extensively surrounding the release of the record, and they have already received press from the likes of XLR8R, URB, Pitchfork, and the acclaimed music writer Simon Reynolds. Remixes of Bar Star are as diverse as Kudu?s influences. In Flagranti, the head of Codek Records, turns Bar Star into a disco track that echoes Prince and the Time?perfect for a Miami Dancefloor. Freddie Mas, of Tigersushi fame, twists the track into an AC/DC-like cock-rock funk anthem. This is the twelve inch of the year from the band of the year.
Miles Davis: "Call it Anything" live at Isle of Wight Festival 1970
This lovely footage from 1970 finds Miles deep in his exprimental electric period. The cast of players is extrodinary -- including keyboardists Herbie Hancock and Keith Jarret. It is a staggering, challenging, searching, singular performance. This footage is from the DVD "Miles Electric: A Different Kind of Blue" which features interviews with many musicians who he collaborated with on the later electric records and live footage from his 1970 performance at the Isle of Wight festival.
Ray Charles: "Ray Sings, Basie Swings"
Uncover never before released Ray Charles recordings combined with new performances of the legendary Count Basie Orchestra featured on Ray Sings, Basie Swings CD in stores October 3rd. I am proud to offer copies of the CD available for review and giveaway as well as audio streams and other assets (album cover, press release, and bio). Concord Records and Starbucks Hear Music, the two Companies that co-released Genius Loves Company, announced today that they will partner again to co-release and co-market Ray Sings, Basie Swings, which marries archival, never-before-released Ray Charles recordings with brand-new performances by the Count Basie Orchestra. A painstaking labor of love that combines cutting-edge technology and musical ingenuity, Ray Sings, Basie Swings due out October 3rd, 2006 at Starbucks Company-operated locations in the U.S. and Canada and at traditional music retail, showcases the late artist at his dazzling peak. Although Ray Charles and Count Basie shared the same bill during their careers, Ray Sings, Basie Swings marks the first and only recordings in which the ?Genius? is backed by the legendary bandleader?s orchestra. John Burk, Concord Records? A&R chief and producer of Ray Charles? 2004 multiple GRAMMY? Award-winning blockbuster album Genius Loves Company, came upon the lost tapes simply marked ?Ray / Basie,? in late 2005 while surveying the label?s vaults in Berkeley, CA. While documentation about the original recordings is scarce, the archival reels that served as source material for Ray Sings, Basie Swings were apparently concert tapes made in the 1970s by legendary impresario-producer Norman Granz. Ray Sings, Basie Swings gives listeners the unprecedented experience of hearing Ray Charles at the height of his powers with the legendary Count Basie Orchestra.
