Chely Wright: "The Bumper of My SUV" Video
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In this sentimental tune, country singer-songwriter Chely Wright (she of the 1999 hit song "Single White Female") muses about a river that can give life and take it away.
The White Stripes: "Blue Orchid"
get behind me satan -is the white stripes? fifth album -produced by grammy award winning producer jack white -recorded in Detroit at third man studios, mixed in Memphis at ardent studios, mastered in new york city at masterdisk -album contains thirteen original songs -songs were written on piano, acoustic guitar, and marimba -songs are deceivingly orchestrated, some sounding as if they were recorded with a full orchestra when they only have piano and bass on them -none of the songs had been played live before the recording of the album -none of the songs were completely written before the recording of the album -contains the white stripes shortest song to date -only three songs are electric guitar based -the band used their live sound engineer to engineer the recording -their fourth album, elephant was released one year after completion. the first single from get behind me satan, ?blue orchid,? was released two weeks after completion -jack white has described the record as an exploration of ?characters and the ideal of truth? -the band will tour prior to, and continue after, the album?s release but are only playing countries and cities that they?ve never been to before. The band plan to tour the u.s. and Europe afterwards. -a vinyl version of the record will be put on hold pending a unique release. -produced by jack white, engineered by matthew kettle, mixed by jack white, mix engineer john hampton, mastered by howie weinberg, photos by ewen spencer all songs written by jack white album artwork design by the third man artwork layout by arthole graphics
After years of development and delays, the evolutionary sim is finally here. "Spore" is one the most ambitious games ever to come from the mind of Will Wright. The game starts you off as a single-cell organism, which you must evolve into a civilization and beyond, through survival of the fittest. 'Spore' will release on September 7 for the PC and Mac, and for the Wii and DS at a later date.
Hailing from the small town of Moscow, Idaho, Josh Ritter?s songs are a rare gift of natural, intuitive beauty. Born in the late ?70s to two neuroscientists, Josh bought his first guitar from the local K-MART after hearing the Bob Dylan and Johnny Cash classic ?Girl From The North Country.? He began Oberlin College with the intent to follow in his parent?s scientist footsteps, but instead, discovered songwriting and the music of artists like Gillian Welch, Townes Van Zandt, and Leonard Cohen. He graduated and then moved east for its close proximity to historic folk clubs like Club Passim in Boston. On a shoestring budget he recorded his critically acclaimed break through album Golden Age of Radio in 2001 at various tiny, one-room studios on the East Coast. In the fall of that year, Josh pressed up several thousand copies of Golden Age, which quickly sold and funded more touring. A copy found it?s way into the hands of Jim Olsen and Signature Sounds Recordings, and the record was released nationally in the US in January 2002. Critics called the modest album ?stunning,? ?elegant,? and ?damn near perfect,? landing Josh in the pages of Details, the New York Times, and Maxim. ?Come and Find Me,? the modest anthem of Golden Age, was featured over the end-credits of HBO?s uber-hip series Six Feet Under, and several successful tours followed. Meanwhile, at a Boston open mic that spring, Josh met Glen Hansard, the lead singer of The Frames. Hansard invited him to open a string of shows for the band in Ireland. Josh?s career took flight in Ireland, buoyed by the single ?Me & Jiggs,? which entered the Irish Top 40 and helped gain Josh full blown cult status, complete with sold-out headline tours, late-night TV appearances, and his very own cover band in Cork. Josh ran the gamut at the Irish Hot Press Reader?s Poll Awards, landing in the Top 5 for Best International Folk Act, International Male Songwriter, and International Male Singer, putting him in the company of Springsteen, David Gray, and Johnny Cash. Josh would spend much of 2002 splitting his time between the US and Ireland, sharing bills with such eclectic artists as Beth Orton, Liz Phair, Damien Rice, and Joan Baez, as well as a celebrated appearance at the 2002 Newport Folk Festival. In the process, he garnered impressive acclaim not only for Golden Age of Radio but also for his richly textured and intimately engaging live shows. Publications like The Village Voice, The Washington Post, and The Irish Times scrambled to describe what made Josh?s music so ?stunning.? Sold-out shows in New York, Boston, and Dublin, as well as a trip to the Sundance Film Festival kicked off 2003 in style. In February of that year, rested, refreshed, and more than ready to make a new record, Josh entered Black Box studios in rural France with his touring band and Irish producer David Odlum (the Frames, Gemma Hayes) to record Hello Starling. Recorded and mixed in only 14 days in an old dairy barn in the French countryside, the thick stone walls, high ceilings, and vintage gear (much of it Curtis Mayfield?s old equipment), made for a record which sounds conversational and honest and shimmers with a new-found confidence. The 11 songs on Starling retain the feel and flow of another era; these are catch-tunes and earnest lullabies that rekindle the warm glow of a young Springsteen or Leonard Cohen in both their literacy and honest enthusiasm. ?Kathleen,? a summer anthem about waiting around a party to drive a girl home, is a live favorite; ?Rainslicker? moves and sways with all the dust-stained imagery of the Clientele; and the show-stopping beauty of ?Baby That?s Not All? suggests an artist at the peak of his new-found powers. The legendary Joan Baez recently recorded ?Wings,? the haunting ballad at the center of Starling, for inclusion on her new album, placing Josh alongside artists such as Gillian Welch, Steve Earle, and Natalie Merchant. Additionally, Norah Jones nominated Hello Starling for the 2004 Shortlist Music Prize and his song ?Kathleen? won the 2004 Boston Music Award for Song of the Year. During 2004, Josh spent the spring on a U.K. tour that was followed by appearances at summer festivals, including the Cambridge Folk Festival (alongside Gillian Welch) and the V Festival (with The Strokes and the Pixies). In Ireland, Josh played his biggest show to date there, headlining one night of the Heineken Green Energy Festival. In October of 2004, Josh signed with V2 Records. V2 plans to release Hello Starling this February. This fall, Josh toured with Sarah Harmer in Canada. In December, Josh will play a series of East Coast performances. In the spring of 2005, Josh plans to enter the studio again to record another album for V2.
Roger O'Donnell, long known as the man behind the keys for legendary bands like the Cure and earlier for The Psychedelic Furs, steps out on his own with his beautiful new album The Truth in Me. A collection of songs composed and recorded using a single instrument, the Moog Voyager. An instrument with it's own cult following, the Moog is generally not known for the very warm and undeniably human sounds that become immediately apparent upon listening to this fascinating work. Always an artist of unique vision, Roger O'Donnell's playing and songwriting can be found on era defining records and he has performed on some of the biggest tours and festivals all over the world. His contributions have always had an amazing influence on the bands he played and wrote with. Following the inclusion of his song "Another Year Away" on the soundtrack for the Moog Documentary, Roger was encouraged by one of the film's producers to do an entire album orchestrated with a Moog Voyager. Since Roger had enjoyed working with the Voyager on the soundtrack, the idea appealed to him: "My initial idea (for the soundtrack) was to try and write a song and record it using only a Moog and that's what happened. I knew from my early days that I could orchestrate using mono analogue synths so in a way I was revisiting my roots." "Definitely not a concept album, more of an album concept, it was a re-visiting of my early days of composing using limited instrumentation. Consciously un-compromised or commercial, it's a mainly instrumental journey through my musical influences and where I am now (vocalist Erin Lang sings 3 songs). I was also inspired by Bjork's use of a single instrument, the voice, on her record Medulla. I found the Voyager really easy to work with and thought that maybe I had found my own voice and could do something that was entirely original. Finally, music that I am satisfied with and that satisfies me, The Truth In Me says what I have been trying to say for a long time." The Truth In Me has inspired a number of musicians to join Roger in his exploration. Remixes have already been done of a number of the album's tracks by such luminaries as Jimmy Tamborello of The Postal Service/Dntel/Figurine, Kieran Hebden of FourTet, The Notwist/Console, and Jimmy LaValle of The Album Leaf. Roger O'Donnell will be touring the US through the Fall of '06 and beyond with an appearance at this years CMJ festival in New York. "...a collection of songs that shows the sensuous and moody side of the Voyager." Electronic Musician
2Tall: "Beautiful Mind" feat.Dudley Perkins & Georgia Muldrow
Dudley Perkins is best known for his releases on US label Stones Throw Records, where he lends his unique voice to many of Madlib's productions. Highlights from his releases include the single 'Flowers' and album 'Expressions (2012 A.U.)', plus the album 'Illmindmuzik' as Declaime on Good Vibe Recordings.
"Teddy! Live in '79" DVD clip: "Close the Door"
"Teddy! Live in '79" is a sizzling live performance DVD featuring Pendergrass in his scorching prime. Filmed at The Sahara Hotel in Lake Tahoe, Nevada, "Teddy! Live in '79" contains performances of hits from his first two solo albums, "Teddy Pendergrass" and "Life Is A Song Worth Singing," as well as a medley of his chart toppers as lead singer for Harold Melvin and the Blue Notes. As a bonus feature, the DVD also contains an in-depth interview with Pendergrass recorded in 2002. "Teddy! Live in '79" is the first live performance DVD from this pinnacle, magic time in the sexy superstar's career. In "Teddy! Live in '79," Pendergrass raises temperatures sauntering and swaying in his spotless white suite, complete with gold medallions. Needless to say, he entertains in front of a most enthusiastic audience. Women, especially, can hardly contain themselves as Pendergrass makes his way through "Life Is A Song Worth Singing," "Only You," and his first #1 single, "Close The Door." Pendergrass pays tribute to his former group Harold Melvin and the Blue Notes with a medley including "If You Don't Know Me By Now," "The Love I Lost," #1 disco single "Bad Luck," and "Wake Up Everybody." Pendergrass also performs a soulful version of Eric Carmen's "All By Myself," which has previously never been released.
The Raconteurs: "Steady, As She Goes"
The Raconteurs are a new band made up of old friends, consisting of Jack Lawrence (bass), Patrick Keeler (drums), Brendan Benson (guitars, vocals, keys) and Jack White (guitars, vocals, keys). The seed was sewn in an attic in the middle of a hot summer when friends Jack White and Brendan Benson got together and wrote a song that truly inspired them. This song was "Steady, As She Goes" and the inspiration led to the creation of a full band with the addition of Lawrence and Keeler. While each of these four individuals have had successful careers with their own bands, the culmination of all of their talents is what truly makes The Raconteurs a force to be reckoned with.
The quartet convened at Benson's East Grand Studio to lay down the basic tracks for Broken Boy Soldiers. Work would continue whenever the boys could get together over the next year. Finally, the album has found a window for its release in May of 2006. The band is now, for its members, all consuming and they now present themselves to be....consumed, or at best simply heard.
From the ready-made, radio-friendly quality built into songs like "Steady, As She Goes", to the explosive tenacity of "Store Bought Bones", all the way down to the 'hits the cockles of your heart' lullabies that encompass the full length recording, The Raconteurs are more than capable of conquering any genre challenge or tale that they encounter. After all, a raconteur is, by definition, a deft storyteller. And now a new story is unfolding.
Fractured Persona: "Why Are We Why?"
"Why are we Why ?" is an Indie/Rock song from Fractured Persona's album "Unspoken," which is now available. This music video, artistically shot in black and white, has as it's main feature a Ghost soldier appearing in a bunker and chasing an unsuspecting passerby! It stars Ashley Cotter and Richard Banbury and was edited by Emma Ross from Aidi Design. ENJOY! for more info visit http://www.fracturedpersona.com
?I guess I knew from an early age that I could never do a job where I?d have to sit in an office all day long,? says Lily Allen. It seems unlikely Allen will be confined to a cubicle any time soon. The 21-year-old artist, pronounced by NME as ?the archetypal singer-songwriter for the iPod generation,? took Britain by storm this past summer with her debut album Alright, Still rocketing onto the U.K. Album chart at #2 and her first U.K. single, ?Smile,? topping the U.K. Airplay chart for six weeks in a row. Now she?s set her sights on America ? and early reports indicate she won?t exactly be flying under the radar here, either. ?She symbolizes a new blogging-age, middle-class girl: cockily ambitious, skeptical yet enthusiastic, technically savvy, musically open, obsessed with public expression and ready to fight back,? said The New York Times in a feature on Lily. Allen was born in Hammersmith, a borough in Greater London, and grew up all over London ? Shepherds Bush, Bloomsbury, Islington. ?I went to 13 different schools so I never had time to make enduring friendships. Music became a lifeline to me. I listened to punk, ska and reggae, courtesy of my parents? record collections,? she says, which explains why, in addition to numerous up-and-coming dance artists she counts The Specials, T. Rex, The Slits and Blondie as favorites.
