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?The intensity. The drama. The emotion. The colors. The darkness. The melodies. The anger. The honesty. The drive. The new. All of the above and more.? According to Stone Sour frontman Corey Taylor, those are the things that define Stone Sour?s passionately pulsing second album, Come What(ever) May (Roadrunner). Stone Sour?s first album in four years finds the band firing on all cylinders, and primed to capture the attention and the hearts of the rock ?n roll masses.Stone Sour?s self-titled debut was twice Grammy-nominated and RIAA Certified Gold. It was an eclectic album, propelled by the band?s busy tour schedule, the contemplative smash single ?Bother,? and a series of groovy, melodic metal numbers. In 2002 and 2003, Stone Sour established itself as a multi-faceted hard rock force of nature.While Taylor is one of the most recognized figures in rock music, thanks to his role as the frontman for Slipknot, a Grammy winning, multi-platinum act, Stone Sour is anything but a side project. It?s a full-time band that all members are fiercely dedicated to. Taylor spent much of 2004 and 2005 supporting his other band, but will spend 2006 and 2007 focusing on Stone Sour and Come What(ever) May. Also comprised by guitarist James Root, who does double duty in Slipknot, bassist Shawn Economaki, guitarist Josh Rand and new drummer Roy Mayorga, Stone Sour is armed with an album that expands beyond the palette of its predecessor. The band was afforded more time to craft songs, and it shows. The album, produced by Nick Raskulinecz (Foo Fighters, Velvet Revolver), is tight, crisp, and full of rowdy rockers and melodic numbers.?With Stone Sour, I loosen up and show more of myself,? Taylor reveals. ?As soon as the fans hear this new record, they?ll see it?s different than anything that we have ever done. It gives me a chance to do the singing that I love to do, the type of singing that I do when I?m walking around my house.? Taylor, a self-described extrovert, may be the mouthpiece for Stone Sour, but he insists the band is a truly collaborative effort, and that?s something he thoroughly enjoys. ?I?ve been able to blend into the background if needed, you know? You grow up thinking being recognized all the time will be sweet, but sometimes you just want to be one of the guys. I think I balance it fairly well, without killing people.?Guitarist Josh Rand, who ran 3-5 miles a day during the recording process to clear his mind for each day?s highly creative atmosphere, believes that the diversity of Come What(ever) May, which features guest appearances from The Wallflowers? Rami Jaffee and Godsmack drummer Shannon Larkin, will be what hooks fans, and what keeps them. ?This album?s content will fit any mood you may be in,? the guitarist says. ?If you?ve had a shitty day at work, you could crank ?Hell And Consequences.? If you need a little optimism, you could listen to ?Through Glass.? If you are feeling depressed, you could listen to ?Zzyzx Road.??Obviously, Come What(ever) May is a sensory experience, encompassing a wide spectrum of emotions. ?30/30-150? and ?Reborn? are bruisers that?ll get the blood coursing through listeners? veins, while the first single, ?Through Glass,? takes up real estate in your brain for days at a time, thanks its unforgettable melodic twists and chorus. Try and purge your brain of Come What(ever) May?s melodies, and you?ll fail miserably. Taylor concurs, ?So many bands are so genre-specific these days. No bands cover the middle ground. If they try, it?s lifeless and limp. Our album has such a pulse. The cool thing is that when we write stuff, it turns out catchy whether we want it to or not. It?s just something that we do.? He?s right. Crafting melody and mixing it with metallic maelstrom is definitely something that Stone Sour does better than most.Jim Root, who contends that ?life? itself influenced this album and who claims he consumed nerve-shattering, tooth-staining amounts of coffee during the recording process, sees Come What(ever) May as a necessary evolution in the band?s sound. ?We?re taking every aspect to the next level. As an artist, no matter what you do, you must evolve. That?s very important to me. Some people fear change. I embrace it. This record is a testament to where I am at, musically and spiritually. Life is a learning experience and so is song writing. As with everything I try to improve. I can sit back and listen to these songs and know that I have.?Taylor understands that as his career goes on, he will be less and less understood and he likes it that way. ?I?ve lost a little sleep over the fact that people don?t get what I do and how I do it. I do everything I can to entertain, educate and infuriate the status quo. If I give the mainstream a headache once in a while, that works for me.? It?s that attitude that attracts the disaffected youth, the kids, the anti-conservative thinker, as well as the casual rock fan to Stone Sour. ?I have a conscience,? Taylor says about his songwriting style. ?I have a respect for the music and I have an agenda. I have an individualistic mind to botch the ?product? mentality, and I am not out to further myself in a spotlight that knows no favorites. This could all be gone tomorrow. If all you?re doing is trying to build your Q points, what are you going to do when no one wants to see you anymore? At least I?ll be happy about the music I left behind.?The songs and music on Come What(ever) May ensure that Stone Sour?s legacy will endure for a long time to come.
Maximo Park: "Apply Some Pressure"
Maximo Park have taken the world by storm and proven themselves as one of the last truly original acts to make it through the closing door of the new wave of young British rock acts. Their debut full-length "A Certain Trigger" launched a wave of frenzy in the UK that began with an endless string of sold-out shows and emphatic praise from rock bible NME. It's recently ascended even further with record sales landing the band a Gold Record for the album, appearances on the legendary Top Of The Pops television program and a headlining spot on this year's NME Awards Tour alongside upstarts Artic Monkeys, joining Maximo Park in good company with past NME Tour headliners Franz Ferdinand, The Killers and Kaiser Chiefs. In addition to their superstar status in the UK, Maximo Park have made a great impression on US shores with praise from MTV and Rolling Stone as well as Andy Warhol's Interview, and a tour with modern-rock darlings The Bravery. More a companion piece to "A Certain Trigger" than a full-fledged Maximo Park album, "Missing Songs" is meant to act as both a treat for hardcore fans and a welcome addition to the collection of new converts. The record is comprised of nine tracks that were featured as b-sides on the band's UK and European singles but only two of which ever appeared on a US release (the limited "Apply Some Pressure" single which you'll also find in this package) and never-before-heard demo versions of three of MP's most popular tracks. On the import-single, you'll find the original version of the new single, "Apply Some Pressure" while "Missing Songs" features an acoustic version of the same songs as well as live favorites such as "A19" and "I Want You To Leave" that have become staples even though they've been essentially unavailable in the US.
Les Claypool: "Of Whales and Woe"
From the concert DVD "Fancy," featuring Les Claypool and band live during their 2006 tour
On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album delivers an emotional punch that proves all other rock stars owe us an apology.New York magazine raved, &Radiohead has made their best music in years, maybe ever. TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.
On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album "delivers an emotional punch that proves all other rock stars owe us an apology." New York magazine raved, "Radiohead has made their best music in years, maybe ever." TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.
Ted Leo & the Pharmacists: "Me and Mia"
Ted Leo is a unique artist for these times. He provides a near perfect combination of politics, art, punk values and humor in his songwriting and the combination is resonating with people all over the world. Having toiled for years in the punk underground with both his former band Chisel and his solo effort Ted Leo/Pharmacists, 2004 is definitely the year Ted Leo is primed to break out into the mainstream. In February 2003, Lookout Records released the critically acclaimed "Hearts Of Oak," a gem of a record that received accolades from Spin, Rolling Stone, Magnet, the New York Times, MTV. Touring and promotion in support of "Hearts" was massive and included 5 US tours, a run in Japan and the UK and an appearance on "Late Night With Conan O'Brien." A brief respite from touring was required mid-way through his second US run, when his vocal chords became enflamed due to the rigorous schedule of radio station visits, in store performances and nightly gigs. Ted began a new regimen of vocal warm ups, fewer shows in a row and a dram less Irish Whisky and found his voice to be stronger than ever. In early 2004, in between some short tours, Ted began to write his fourth solo album. Motivated to keep pushing himself as a songwriter, performer and cultural critic, he shut himself in the basement of his childhood home in New Jersey and began to write. The songs that resulted in "Shake The Sheets" are fresh, smart, and passionate. Producer Chris Shaw proved to be the perfect partner for Ted and his sonic vision for the album. Well known for his work in producing the last 2 Bob Dylan albums, Shaw has also worked on many other diverse projects, from Dashboard Confessional, to Bell Biv De Voe to the classic Public Enemy album, "It Takes a Nation Of Millions to Hold Us Back." A perfect combination for Ted! Ted Leo is an artist who is well poised for a career with no limits. He will continue to write pop rock gems and work hard on the road to connect with his fans who continue to grow with him as he connects with more and more people. Do not be surprised if in 25 years you are dusting off your album jackets and along with Joe Jackson, Nick Lowe, Paul Weller you throw on Ted Leo to change your mood for the day.
Dr. O: "Go F*** Yourself, Mr. Cheney"
Ben Marble, M.D.'s comments to Dick Cheney were proclaimed the 'BEST TELEVISED SOUND BITE OF THE YEAR' by Rolling Stone Magazine. What many don't know is that prior to this, Ben's band, dR. O, had already been proclaimed the 'Supergroup of Cyberspace' (by Yahoo Internet Life magazine) due to their having more genre #1 songs on MP3.COM than any other band in the world with liseteners in over 100 COUNTRIES.
Life and Times Of A 2-Bit Pub Band
Think: The Monkeys meets Spinal Tap, and you have summed up this short adaptation of rock band tetra'tum's exploits as they go on tour around the Home Counties of England ... well, a tour of 2 pubs actually! The contents are losely based on actual events! Yes! The band really are as daft as they are portrayed in the film!! The band are being interviewed by Spoof Rock TV reporter, Amanda, whilst on tour. So come with her now into the life and times of a 2-bit pub band and get an insight into what really goes on behind the scenes...
MILK's new album is now out worldwide! As seen in Rolling Stone Magazine, this album was produced in Los Angeles and Liverpool by Fran Ashcroft (Gorillaz, Dandy Warhols, Damon Albarn). Their mission is to lead a new trend of "New Alternative Psychedelia", combining the aesthetics of trippy hippie bands with a post-grunge appeal and a "forward thinking" vision.
A compilation of some of the past week's best videos, brought to you by the Download.com Video team. This week brings computer nerds, "Band Camp" bimbos, and Diddy's scandalous smell.
1.) "Why We Fight" trailer
2.) Super Monkey Ball Touch & Roll Official Trailer
3.) "Doogal" trailer
4.) Tour of the "American Pie: Bandcamp" set
5.) Singing man
6.) Bobby Bare: "Are You Sincere?"
7.) Download.com's Macworld recap
8.) William Shatner: "Lucy in the Sky With Diamonds"
9.) P. Diddy's ad pulled
10.) Hurra Torpedo: "Total Eclipse of the Heart"
11.) Coming soon
12.) Stephen Malkmus: "Baby C'mon"
13.) "Hard Candy" trailer
14.) SNL: "Nick Burns: Your Company's Computer Guy"
15.) "Enron: The Smartest Guys in the Room" trailer
16.) "Islandshasten"
Click here for the Week in a Minute archive.
