BHI featuring Lil' Jon: "Do It, Do It (Pool Palace)" Video
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Trick Deck featuring Christa Wells and Mr E.: "Freaky Love"
Trick Deck returns with Freaky Love their second release via Infrasonic Productions. This new release will tickle hotspots around the world and further establish the group as innovators, mixing electronica, hip-hop and their own unique brand inspiration born of the combination of several talented collaborators. Produced and played by Mark Wand, the album features the vocal stylings of Christa Wells. Also featured are Mr. E of The High Children and San Jose rapper Kungfu Vampire with several beats provided by drum sensation Kevin Sawka.
Johnny Cash: "Live at San Quentin"
After nearly four decades, their full-length, unedited hour-and-a-half concert is now officially available over-the-counter, as Johnny Cash At San Quentin: Legacy Edition, a deluxe three-disc display book box set package (a la the recent Bruce Springsteen Born To Run 30th Anniversary Edition) arrives in stores November 14th on Columbia/Legacy, a division of Sony Bmg Music Entertainment. The complete 31-track concert, the longest Johnny Cash live performance on record containing 13 previously un-issued tracks, four of them featuring Johnny will be complemented by Johnny Cash In San Quentin. This one-hour DVD documentary film, produced by Englands Granada TV, chronicled the event with numerous performances as well as graphic one-on-one interviews with prison guards and inmates discussing their experiences behind bars.
Directed by Mazik Saevitz Featuring...John Yancey Common Will.I.AM Black Thought Talib Kweli Karriem Riggins Frank N Dank Styling by Las Vegas based Fruition (www.fruitionlv.com). James "Jay Dee aka J Dilla" Yancey was born and raised on the mean streets of Detroit?s east side. Little is known of his musical upbringing, but he has most definitely become one of the most talented, innovative producers of our time. Gaining inspiration from listening to Whodini?s ?Big Mouth? back in the day, Jay tried his hand at making beats by using the ?pause? and ?record? buttons on his tape deck. After learning to work an MPC-60 back in 92? from Amp Fiddler, J Dilla was on his way to becoming one of hip-hop?s illest beat makers. After hooking up with two high school friends, T3 and Baatin, they formed the crew called, Slum Village (circa 1988), and Jay started to polish his rhyming skills to match his dope production. As Slum Village began to show themselves in Detroit and around the east coast Jay was also busy getting his production noticed by other artists in the music industry. One thing led to another and by the end of 1996, Jay Dee had produced joints for the likes of The Pharcyde, Keith Murray, Busta Rhymes and De La Soul. After hearing Jay?s ill productions Q-Tip (A Tribe Called Quest) brought him in to lend his expertise to their 1996 release ?Beats, Rhymes and Life?. Jay Dee became one-third of the ghost production team now known as the Ummah, which included Q-Tip and Ali Shaheed. That year also saw the first release from Slum Village with ?Fantastic Vol. I?, a classic hard to find item. A chance meeting with Janet Jackson led to his 1997 remix of the chart topping ?Got Til? Its Gone? single that paired Janet?s smooth vocals with Jay Dee?s intoxicating drum kicks. Now dabbling in other music genres, Jay went on to lace beats for artists like Macy Gray, D?angelo, N?Dea Davenport and Erykah Badu. 2000 was a stellar year for Jay Dee, with his group Slum Village finally releasing their critically acclaimed ?Fantastic Vol. II? through Goodvibe Recordings, he also received notoriety with many other acts. With the now defunct Ummah production team non-existent (breakup of Tribe Called Quest in 99?), J Dilla became a member of The Soulquarians, which includes Ahmir ??uestlove? Thompson (The Roots), James Poyser and D?angelo. Jay produced a substantial amount of Common?s 2000 release ?Like Water For Chocolate? and contributed to D?angelo's Voodoo album. In 2001 Jay Dee released his first solo effort entitled ?Welcome 2 Detroit? (BBE Records). The ?W2D? album showcased a few emcee?s from the Detroit area, but also showed the versatility of Jay Dee and his craftiness. This 16 track ensemble of lyrical tracks, classic ?instrumental? covers and bouncy grooves solidified Jay Dee as one of the illest producers of his era and beyond. Other albums that followed included Jaylib (Jay Dee & Madlib) as well as an instrumental series at Bling47.com and production of 2 songs (Love is... and It's Your World (Part 1 & 2)) on Common's recent 'Be' album. J Dilla leaves behind a body of work which will be loved and rediscovered for years to come. His most recent album "Donuts" was released on February 7th, the day of his 32nd birthday. Two other projects, "The Shining" (BBE Records) and "Jay Love Japan" (Operation Unknown) are completed and will be released in 2006. Other production work has been completed for artists Madlib, Busta Rhymes, Ghostface Killah, A.G., Visionaries, Truth Hurts, Phat Kat, MF DOOM, Skillz, and Frank N Dank.
As Kelly Willis planned to go into the studio last fall, she really didn't know what to expect. She had spent the four years since co-producing her 2002 album, the lovely, laid-back Easy, on family matters: her oldest son Deral, born in 2001, got three siblings -- twins Abby and Ben born in 2004 and baby Joseph, whose birth followed in early 2006. "This time around, I had absolutely no time or energy to be involved in the producer role at all," Willis recalls. So she called a guy "who lives and breathes music," whose instincts she loved and who she felt "really comfortable around": Chuck Prophet, the edgy singer-songwriter who contributed guitar to both Easy and 1999's acclaimed What I Deserve. Together, they would create the most sonically adventurous album of Kelly Willis' seventeen-plus-year recording career, "Translated From Love."
Natalie Walker. Urban Angel. Biography. Born and raised in Indiana, vocalist Natalie Walker is an artist whose lilting, melodic voice and lyrical reveries reflect a life journey of determination and self-discovery. With musical influences ranging from Alison Krauss to Portishead, Jewel to Lauryn Hill, Beth Orton to Bjork, the former lead singer of downtempo electronic group Daughter Darling now delivers her own unique, haunting sonic landscape that is at once organic, ethereal, elegant and entrancing. ?Creating music is my outlet,? says Natalie. ?I was born to sing. When I don?t, I feel empty. When I do, I feel fulfilled. It?s that simple.? Urban Angel, her solo album debut, was co-written by Natalie and two-man production team Stuhr. ?I worked with two really great producers out of Brooklyn, Dan Chen and Nate Greenberg. They?d send me the rough copy of a song and the music would just evoke emotion,? she explains. ?Its like fitting pieces of a puzzle together. When you?re in the studio recording its all very raw and real. I try to make a song new each time I sing it. I want it to be unforgettable. My producers are amazing. They forced me to develop my real voice. I?ve improved my vibrato and my tone. Stuhr delivered exactly what I asked of them. It couldn?t have happened more perfectly.?
With its range of features, decent print quality, and fast print speeds, the Epson PictureMate Snap is a solid choice for snapshooters who want an at-home photo lab.
Normally it's a great honour if a big pop band like Franz Ferdinand asks an underground producer to remix a song. If then also Royskopp, Yello, Annie, Mylo and even Roxy Music call the guy and ask for a mix you can be quite sure that the producer must be more than just one of the many new one hit club wonders. And if next this artists starts to record his solo album and people like Soulwax, The Rapture and Radio 4 want to sing on it, it's not unlikely that there is something special going on. All this is happening to Swiss born, but Berlin-based disco producer, DJ and painter Robi Insinna aka Headman. You can easily call Robi one of the leading figures of the new disco movement. His first HEADMAN album "It Rough" was released back in 2003 on the small German label Gomma and set new standards in club circles. It was immediately nominated album of the month" in Jockey Slut Magazine/ UK and called one of the most important and innovative albums of the year by DJ?s such as Trevor Jackson, Ivan Smagghe or even Hell. The title track (with a Chicken Lips re-work on the 12") caused a huge fuss in clubs around the world. Since then he has been building up a worldwide underground reputation as remixer, producer and DJ regularly playing hot clubs like Bugged out or Optimo in the UK as well as Tribeca in New York and FUN in Berlin. This year he even has been invited to play at occasions like the MTV music awards aftershow party in Lissabon or the famous Colette Shop Parties in Paris. He also is currently travelling with SOULWAX as Tour DJ all over Europe. Besides the records on his main label Gomma, Headman has also recently been asked to publish a single on London's Output records. He also started an own little inprint (Relish records) and from time to time he puts out records under his moniker Manhead. But his main project is the HEADMAN music: The Headman style is a very special version of (balearic) Disco, combining the organic sound of 70ies Leftfield Disco and Rock with the energy of 90ies house. The new album includes songs Robi recorded with Stephen Dewaele from Soulwax/2many DJs (he performed on the first single ROH), Matt Safer from The Rapture, Anthony from Radio 4 and Erol Alkan from London?s TRASH Club. The remix for the first single ROH was done by Trevor Jackson aka Playgroup. The second single MOISTURE includes two club mixes by Robi himself and the kicking MUSTAPHA 3000 remix. Robi`s projects are especially notable for their artwork. He studied painting at the famous Brera Art academy in Milan/ Italy and starts to get known also for his big Head paintings. (The ON album will include a 16 page booklet showing paintings made for every song on this CD) For more information for Insinna?s paintings please check out www.relishrecords.com/art (www.headman.org)
Bonnie "Prince" Billy: "Agnes"
A spare animated video accompanies this Palace Songs remake.
Swiss born, Berlin-based Robi Insinna, a.k.a. Headman, is a nu-disco producer on the small Gomma imprint.
Of Montreal: "Disconnect the Dots"
The brainchild of singer/guitarist Kevin Barnes, Of Montreal was among the second wave of bands to emerge from the sprawling Elephant 6 collective. A native of Athens, Georgia, Barnes formed the group following a failed romance with a woman from Montreal. After several moves to various cities and states, Barnes again found himself living in Athens. Once back home, he began collaborating with bassist/vocalist Bryan Poole (Elf Power) and drummer/vocalist Derek Almstead (Circulatory System). Together they recorded the band's debut album, Cherry Peel, released by Bar/None in 1997 (and later re-issued in late 1999, remixed and with additions by the later five-piece version of the band). Whereas the majority of the Elephant 6 collective drew their influences from 60's pop icons, Barnes was taking Of Montreal in an altogether different direction. While paying homage to these groups, he also began incorporating vaudevillian elements not only into the band's music but also into their live performances. With Poole having to leave the band because of his involvement with Elf Power, Almstead switched to bass and new members Jamey Huggins and Dottie Alexander were brought on board for drum and keyboard duties, respectively. Andy Gonzales(Marshmallow Coast) guitar/piano/vocals joined shortly thereafter. The band's second album, The Bedside Drama: A Petite Tragedy found Barnes experimenting with his lyrical content. Chord changes impressed upon nearly every word as a host of characters were orchestrated throughout album's sixteen songs. Although Kevin is credited as playing most of the instruments himself, Bryan Poole and Julian Koster (Neutral Milk Hotel, The Music Tapes) made unaccredited appearances. All members were represented on the band's third full-length, The Gay Parade. Hailed by critics and fans alike (including All Music Guide, who went so far as to refer to the album as indie-pop's equivalent to Sgt. Pepper), The Gay Parade was a musical extravaganza bringing over 40 musicians (many of them vocalists in the album's choir) to the table. A concept album in every sense of the word, The Gay Parade created a carnival of absurdist characters living in a Kafkaesque world. Coquelicot Asleep In The Poppies: A Variety Of Whimsical Verse, the band's fourth album was released April 2001. The 22-track CD included a 16-page full-color booklet of artwork by David Barnes as well as a fold-out poster with lyrics. The album signified an even more ambitious undertaking than The Gay Parade right on down to the concept, arrangements, lyrics, and artwork that went into making the album. The band's fifth album Aldhils Arboretum was released the following year. 2003 proved to be an eventful year for the band. Andy left to spend more time on Marshmallow Coast and to go back to school. Kevin got married. In the fall of 2003, they recorded their next album. Kevin's wife, Nina, joined the group. Derek left the band to spend more time with Circulatory System, and, following the demise of their previous label, Of Montreal signed with Polyvinyl January 2004 Four months later, the band's sixth full-length, Satanic Panic In The Attic, was released. With Satanic, the band again reinvented their sound, this time with the inclusion of electronic and Afro beat influences. The album was an instant critical success, tearing through the radio charts, landing a video on MTV, and gathering favorable reviews left and right. Of Montreal returns this Spring with their new album The Sunlandic Twins April 12, 2005. Peppered with beats from the eighties on top of the traditional Of Montreal sound, The Sunlandic Twins will assuredly become an instant Of Montreal classic. In addition to the new album, Of Montreal is preparing to embark on one of their most ambitious national tours ever. As of February 2005, the proposed routing will keep the band on the road for seven months, spanning over a hundred shows and covering countless cities.
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