Beck: "Nausea" Video
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On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album "delivers an emotional punch that proves all other rock stars owe us an apology." New York magazine raved, "Radiohead has made their best music in years, maybe ever." TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.
On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album delivers an emotional punch that proves all other rock stars owe us an apology.New York magazine raved, &Radiohead has made their best music in years, maybe ever. TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.
Liars: "Plaster Casts of Everything"
The video for "Plaster Casts of Everything" is directed by Patrick Daughters, who has directed videos for Beck, Feist ,The Yeah Yeah Yeahs, Kings of Leon, The Shins, Bright Eyes and more. It was shot on location in Los Angeles and features a cameo by The Yeah Yeah Yeahs' Karen O.
Paul McCartney earned three Grammy nominations for his critically acclaimed album, "Chaos And Creation In The Backyard." With nominations for Album Of The Year, Best Male Pop Vocal Performance, for the album's first single "Fine Line," and Best Pop Vocal Album, (as well as a Producer Of The Year nod for Nigel Godrich) McCartney's "Chaos" stands as one of the most nominated albums of the year. "It's always great to be recognized for your work,? said McCartney, who recently completed his sold-out, 37-city, "US Tour" of America. "We're very proud of the album, the reception it's had and I?m chuffed for Nigel. It was a great album to make. And seeing as I've never actually won a Grammy for my post-Wings work, it's pretty exciting..." "Chaos And Creation In The Back Yard" is McCartney?s 20th studio recording since The Beatles. Upon its release, which marked the end to a nearly four year studio hiatus for McCartney, the recording was met with unprecedented universal critical praise. The comparisons to "Chaos," were made at the time, many pointing out similarities to "McCartney," as well as to the Beatles "White Album." "Chaos" was produced by Nigel Godrich (Radiohead, Travis and Beck) and was recorded in London and Los Angeles over the past two years.
The 404 437: Where we vote ourselves Podcast of the Year
TGIF!TGIF!TGIF!TGIF!TGIF! Before you take off for the weekend, be sure to check out today's episode of The 404 Webcast, where we're reintroducing the Semi-weekly Beck's Beer Audio Draft! Today's featured artist is Family of the Year, an up-and-rocking folk(ish) band from Los Angeles.
The 404 377: Where Wilson needs a haircut
Today's show covers Wilson's ever-growing locks of hair and Google ads catering to stupid people. We also take a look back at the original Sony Walkman and examine the best-selling video games of the '90s. Finally, stick around for our weekly Audio Draft Pick sponsored by Beck's Beer in conjunction with Last.fm!
The 404 384: Where we're not spastic, we're just passionate
We have an especially fun episode for y'all today, with a comparison between Transformers 2 and GI Joe, a brief rundown of old video game movies, the decade's biggest tech flops, and OF COURSE: The 404 Semi-Weekly Audio Draft Sponsored by Beck's Beer in conjunction with Last.FM, a subsidiary of CBS Interactive and CNET News and Reviews 5000!
Pocket Symphony is their fourth studio album proper and the follow up to 2004?s Talkie Walkie (although if you include their Allessandro Baricco City Reading collaboration, the Virgin Suicides soundtrack and their recent Charlotte Gainsbourg production 5:55 they could claim seven). It?s also the fourth album they have done in conjunction with English producer Nigel Godrich (?he?s so cool, he could be French,? quips Air?s Nicolas).
Formed in 1993, Low is a trio from Duluth, Minnesota comprised of guitarist/vocalist Alan Sparhawk, percussionist/vocalist Mimi Parker and bassist Zak Sally. Throughout Low's history, the band has accumulated acclaim from critics ("Low build big magic from so little" - Rolling Stone) and musicians (Radiohead hand-picked Low to open a string of dates in 2003). Initially garnering attention as leaders of the '90s slowcore movement, Low went on to develop a sonic repertoire that incorporated pop, R&B and dissonant rock n' roll. With this kind of storied history, most people thought they had Low pegged. But then they turned in their Sub Pop debut, The Great Destroyer. The band's seventh full-length album, The Great Destroyer is fascinating in that it blends the band's austere melodies ("On the Edge Of," "Silver Rider") with an aggressive guitar onslaught ("Monkey," "Everybody?s Song") and even melds Low's varied styles together into a single song ("When I Go Deaf"). Co-produced by Low and David Fridmann (Flaming Lips, Mercury Rev), The Great Destroyer is a welcome surprise and, in the end, a rock n' roll revelation.
Formed in 1993, Low is a trio from Duluth, Minnesota comprised of guitarist/vocalist Alan Sparhawk, percussionist/vocalist Mimi Parker and bassist Zak Sally. Throughout Low's history, the band has accumulated acclaim from critics ("Low build big magic from so little" - Rolling Stone) and musicians (Radiohead hand-picked Low to open a string of dates in 2003). Initially garnering attention as leaders of the '90s slowcore movement, Low went on to develop a sonic repertoire that incorporated pop, R&B and dissonant rock n' roll. With this kind of storied history, most people thought they had Low pegged. But then they turned in their Sub Pop debut, The Great Destroyer. The band's seventh full-length album, The Great Destroyer is fascinating in that it blends the band's austere melodies ("On the Edge Of," "Silver Rider") with an aggressive guitar onslaught ("Monkey," "Everybody?s Song") and even melds Low's varied styles together into a single song ("When I Go Deaf"). Co-produced by Low and David Fridmann (Flaming Lips, Mercury Rev), The Great Destroyer is a welcome surprise and, in the end, a rock n' roll revelation.
