Bassnectar: "Bomb the Blocks" Video
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Synthetic-music maestro Lorin Ashton, aka Bassnectar, tells CNET News.com where he gets the sounds that inspire him. During the annual Scorpio Ball in San Francisco his sounds have the place in motion.
This outstanding shooter combines creepy horror with kinetic and visceral action, and it elevates the genre to a whole new level of intensity.
Weird and visceral singer-songwriter Scout Niblett cuts right to her emotional core and exposes the mess as is. Her fearless approach is unencumbered by musical boundaries--and to a certain extent musical ability--resulting in an awkward yet rewarding listen.
"Slither" is an edgy blend of heart-stopping terror, wry humor and surprising humanity from genre-bending screenwriter James Gunn, whose "Dawn of the Dead" became one of 2004's most surprising hits. The sleepy town of Wheelsy could be any small town in America-somewhat quaint and gentle, peopled with friendly folks who mind their own business. But just beneath the surface charm, something unnamed and evil has arrived...and is growing. No one seems to notice as telephone poles become clogged with missing pet flyers, or when one of the town's richest citizens, Grant Grant (Michael Rooker), begins to act strangely. But when farmers' livestock turn up horribly mutilated and a young woman goes missing, Sheriff Bill Pardy (Nathan Fillion) and his team, aided by Grant's wife Starla (Elizabeth Banks), uncover the dark force laying siege to their town...and come face-to-face with an older-than-time organism intent on absorbing and devouring all life on Earth. "Slither" is the feature film directing debut of screenwriter James Gunn and stars Nathan Fillion, Elizabeth Banks, Gregg Henry and Michael Rooker.
R-DE has produced another project which continues to excite listeners of all genres. His style of R&B and Soul has helped him hit number #1 in several MySpace music categories.
Felix da Housecat: "Madame Hollywood"
Chicago's disco visionary FELIX DA HOUSECAT is set to return to dominate dance floors and airways with his stunning third album VIRGO BLAKTRO & THE MOVIE DISCO. A master class in sugar-frosted vocal pop, soulful synth-funk and pulsing electronic disco, it is comfortably the most satisfying album this dance music icon has produced. Six years after he glammed up dance floors with Kittenz And Thee Glitz, 20 since he stepped into a studio to record his first underground hit at the age of 15, one of modern pop's great outsiders is about to embark on the next phase of his remarkable career.
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
Kinky: "A Donde Van Los Muertos"
Formed in their entirety in 2000 five piece Latino dance funk band KINKY have emerged from relative obscurity in the desert city of Monterrey, Mexico to a phenomenal worldwide success. With two triumphant albums under their belt and many more tours, soundtracks and award nominations (including not one, not two, but three Grammys) to date, the boys begin 2005 on a very high note indeed. The original KINKY line-up comprised of Gilberto Cerezo, Ulises Lozano and Carlos Chairez who experimented with alternative genres. Three became five when Omar Gongora and Cesar Pliego joined in early 2000 and everything clicked into place. With such diverse influences as traditional Samba beats to techno and rock 'n' roll, KINKY tapped their resources of rich talent and varied musical styles, to create their distinctive new sound. By mid 2000 they were gaining a reputation for their unique blend of Latin rock and when Chris Allison, British record producer of Coldplay and the Beta Band, heard them, he decided to sign them to the his Sonic360 group of labels. The deal lead to a licensing agreement for the U.S. and Canada through Nettwerk America and BMG Mexico for Latin America. The rest, as they say, is history. Aided by the production skills of Chris Allison, by 2002 KINKY had recorded and released a fine self-titled debut album, received by critical and public acclaim. Following the band?s effervescent SXSW appearance, critics from highly respected International press described KINKY?s music as ?feverishly danceable,? ?groovy electro-pop? and even going so far as to proclaim their unique blend as the ?future of music.? As an album, ?Kinky? combined the stylishness of discerning American and European dance grooves and straight-ahead rock ?n? roll, with traditional rhythms from throughout South America. Their fresh new sound and extensive touring attracted fans and supporters all over the U.S., Latin America and U.K. With live performances so well received, KINKY played over 180 shows in the year, travelling the world while working on their next album ?Atlas?. KINKY changed location for the recording of ?Atlas?, heading to a secluded ranch in Quintana Roo, Mexico. In the serenity of the isolated jungle, they found both creativity and productivity, composing seven of the album?s eleven songs. ?It was vacation and hard work at the same time,? remembers Gil, ?and when we were in the jungle we were surrounded everywhere by insects and animals. One time as I was recording vocals, a bug came directly in to my mouth .... It was fun to have that kind of interaction!? For the remainder of the album, KINKY travelled to Los Angeles to work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut; ?The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound,? says Ulises. ?In the first album we recorded ourselves and made loops. On this record we didn?t use as many loops or samples. It was more like a live session where we?d record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live.? ?Atlas? has enjoyed huge success and confirmed KINKY?s status as the Mexican demi-Gods of the music world. With singles ?Presidente? and ?Headphonist? A and B listed on radio playlists worldwide and many high profile performances, including the MTV Latin Music Awards, and supporting the almighty Vasco Rossi on his Italian arena tour, KINKY are in an amazingly good place right now. To keep up to date with all the exciting KINKY news as and when it happens, keep your eyes and ears open and alert on the Sonic360 web site.
F.E.A.R. (First Encounter Assault Recon) is an outstanding first-person shooter that combines creepy horror with kinetic and visceral action and elevates the genre to a whole new level of intensity. The game is now available for high-performance Windows P
The longer versions of these tracks, featuring Jack DeJohnette and Foday Musa Suso will be available on the album by "The Ripple Effect" :"Hybrids" released October 4th 2005 on Jack's label "Golden Beams Productions".
The Project: The Ripple Effect was conceived of as a project to blend some of the elements of modern electronica/dance music with previously recorded music by Jack DeJohnette and some of his collaborators. All of the music on this album was taken from multitrack recordings. Some elements were added, sometimes overdubbed and edited, while other parts were omitted. The structure and composition were altered, but the musicality was retained. While staying true to the original?s feel, a new piece of music was created.
We believe this hybridization of styles is a part of the natural developmental flow of music. Enjoy.
The Artists: As a leader, composer and drummer, Jack DeJohnette has supported some of the most important and innovative musicians of our time, including Miles Davis, John Coltrane, Sonny Rollins, Carlos Santana, Keith Jarrett, Herbie Hancock and Pat Metheny. Widely regarded as one of jazz music?s greatest drummers, DeJohnette?s playing has long drawn on sources beyond "jazz." Never willing to sit still long enough to be categorized, he was already describing his work as "multi-directional music" thirty years ago. See http://www.jackdejohnette.com for more information.
Foday Musa Suso is an internationally recognized kora (West African 21-stringed harp lute) virtuoso and a Mandingo griot.Born in The Gambia, Suso grew up in a society where griots function as walking libraries, singing their stories for the community while providing history, wisdom and entertainment. Suso has performed and recorded worldwide with many prominent musicians including Herbie Hancock, Philip Glass, Pharoah Sanders, Ginger Baker and Bill Laswell. See http://www.fmsuso.com for more information
Composer/multi-instrumentalist John Surman is one of the key figures in a generation of European musicians who have crucially expanded the international horizons of jazz. He is acknowledged as an improvisor of world class, and composer of a body of work which extends far beyond the normal range of the jazz repertoire. He has performed and recorded with musicians including Elvin Jones, Gil Evans, Karin Krog, John Taylor and Dave Holland. See http://www.johnsurman.com for more information.
Remixer/Musician Ben Surman is involved with electronica projects including Third Zomby and Mind over Rhythm. He is also currently working on remixes for Karin Krog, Colin Walcott and various other artists. As an engineer he has worked with many artists including Herbie Hancock, Bobby McFerrin, Dave Holland, Hermeto Pascoal and Jim Hall.
Marlui Miranda is the most acclaimed and recognized performer and researcher on music from the Brazilian Indians. She has interpreted and adapted traditional chants and songs from many Brazilian Indian nations. Miranda worked with Hector Babenco in the film At Play in the Fields of the Lord. She is a recipient of several grants including a Guggenheim and the Cultural Merit Medal and has recorded and performed with leading Brazilian musicians including Milton Nascimento, Gilberto Gil, Egberto Gismonti and Nana Vasconcelos.
Producer/Engineer Big Al is best known for his work with various projects including Mind Over Rhythm, Clone Theory and Clip. His recording studio "The Sonic Kitchen" is responsible for some of the highest quality electronica and dance music to come out of the UK in the past 15 years including work with Plaid, The Black Dog, John Holt, Youth, Dennis Bovell and Zomba Records.
"Ancient Techno" and "Ocean Wave" appear in their original form on Jack's previous release on "Golden Beams Productions": "Music From the Hearts of the Masters."
For more information please visit http://www.jackdejohnette.com
