Armor for Sleep: "Car Underwater" Video
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The band released only three singles in the last year - but these 12inches caused a good buzz and heavy rotations with DJ's all over the place. Especially the single SPACE FOR RENT (and The Rapture's remix of it) is currently getting a huge response (Leftfield single of the issue in DJ mag), and their cover version of Benny Benassi's Satisfaction is still a hit in many clubs. The album?s second single OUT THE DOOR was remixed by French producers IN FLAGRANTI and SUPERDISCOUNT and has been getting good exposure in clubs worldwide. Pete Tongfeatured it in his Radio One Essential charts and 2 MANY DJ?s featured a few WhoMadeWho Songs in their latest Radio One mix. MTV in France and Italy and MTV in UK put the video on rotation. The 2 MANY DJ'S/ SOULWAX guys are such huge fans of WhoMadeWho that they invited the band to do their live support on their big UK tour in autumn 2005. Same with MYLO who invited the band to support them on their tours. UK Press quotes: "Brilliant!"(NME) "...focused and brilliant." (iD sept 2005) "while the record is super fun, the band is even better live!" (Dazed & Confused) "Should coax even the shyest of floors back from the death!"(DJ mag) NME about WHOMADEWHO's Remix of MUNK's Kick out the chairs!:One of our favorite dance tracks of the year!
Pela is an American rock & roll band. At a time when the word 'America' has never been more fraught with meaning, songs that speak to our basic feelings and emotions about life could never be more resonant. Lost amongst all the geo-political tumult are the stories of every day America; the aches and pains and the beautiful possibilities. Yet amidst all the turmoil and uncertainty, new stories are being written and told by a new generation of American bands. Pela is clearly one of those voices.
The Foggy Few: "Pint of No Return"
The Foggy Few from Bergen, Norway, is a folkrock band inspired by Irish and Scottish music. From its start in September 2003, the band has been on the bill with major Norwegian artists, touring every corner of the country. In a short amount of time The Foggy Few has gained a reputation as an awesome live band, and has developed into one of the most exciting new folkrock bands in Norway. Their music has made people compare them to bands such as The Pogues, The Waterboys and The Hooters, which must mean that The Foggy Few are on to something good, although their sound is very much their own. The band's summer hit "Summerfeelgood" has been playlisted on Norway's biggest radio channel, NRK P1. The Foggy Few's debut album is out in 2006 and it is called "Pint of No Return". To promote the album The Foggy Few will tour all around Europe. More info at www.thefoggyfew.com
Formed by Kristin Hersh in 2003, 50 Foot Wave released a self-titled mini album last year - 6 blistering songs whose electrifying energy astonished anyone who encountered them. Now the band follow that up with "Golden Ocean", their full-length debut. 50 Foot Wave is Hersh's first new band since she founded the influential Throwing Muses, and it's a harder, faster, more direct experience than anything she has recorded before. Kristin sums up her vision for 50 Foot Wave thus : "What could be more fun that turning everything up to 10 and screaming your head off for an hour every night?"
There's something odd about Hot Chip. Some fracture between conception and actuality that makes them all the more intriguing. Ostensibly Hot Chip sign up to the Hip-Hop dream as espoused by MTV Cribs and presumably as lived by, ooh, Pharrell Williams? They just seem to have some problems translating it to Wandsworth, SE London, is all. In fact they seem to have trouble squaring it with the equal, but to some extent opposite, influence of, say, Bill Callahan from Smog. Or Lambchop. Or Crystal Gayle. So, instead of doing the obvious thing and working out what sort of band they are going to be, they conclude that they will be all of them at once. And then they'll make it all in a room smaller than the box room at your Mum's house. With whatever's lying around. That is, whatever's lying around - toy trumpets, kazoos, blah. This to conform to a cherished idea of Brian Wilson's that, in the studio, anything goes. "Whereas a band like Primal Scream simply want to BE The Rolling Stones for one album, then King Tubby on the next, and Royal Trux on another, we prefer to make references in miniature to the spirit of the records and performances we love and admire," says vocalist/keyboard player Alexis Taylor. Unlike most of their heroes and role models, however, Hot Chip prefer things to be slightly off or too loud or in some way odd, and set great store in the accidental nature of recording. Perhaps it is this that gives them the slightly homemade feel that permeates the whole "Coming On Strong," and makes it an album so high on charm.
This performance of "Sleep 'Till Noon" was caught live at The Curtain Club in the Deep Ellum section of Dallas, Texas. Kayne Korges is the videographer for Musicians.Net, a musicians resource on the world wide web.
Sharon Jones: "100 days, 100 nights"
Sharon Jones was born Sheron Lafaye Jones in Augusta, Georgia on May 4th 1956. Her mother moved to Brooklyn soon thereafter, however Jones was sent down south for a few months every year to stay with her family. As a child, she and her brothers would imitate the songs and dances of James Brown, who shared their hometown. Like many rhythm and blues entertainers, she began performing in church at a very young age where her voice would find a lifelong home and inspiration. As a teenager in the early nineteen seventies, she began singing outside of the church in talent shows and with local funk groups. Later she would make her living with a combination of sporadic session work as a mostly anonymous voice on various dance records (sometimes credited as Lafaye Jones), singing with wedding bands, and a handful of day jobs which included stints as both a prison guard at New York’s notorious Riker’s Island, and an armored car guard for Wells Fargo Bank. In 1996 she was called in to sing back-up at a Desco Records studio session for 70’s soul legend Lee Fields.
The two Brians and Tom tackle one of tech's enduring religious questions: Mac or PC?
Why bad spelling will ruin a good point every time and whatever happened to Road Warrior, this week on the Mailbag.
Panic Cell decided to re-release "Away From Here" as a follow up to Thousand Words. As the band's look had changed they needed a new video for this re-mixed version. Set in a club during Panic Cell's performance, the narrative follows a girl as she meets her apparent assailant. We had an industrial niteclub location in mind when writing the script but decided to recreate the club in a studio which was logistically beneficial and kept costs down. We hired the loading bay at Black Island Studios. The set for the narrative was built adjacent to the bay where the band were performing, enabling crew to jump between sets so the band's performance could be shot while the actors were going through make up changes. We achieved the look for the club by using long lenses and low key lighting, shooting on an Arri 435 from Panavision so we could easily adjust the shutter angle between shots. Robin Brigham had lit the original version and has a great gift for getting creative under pressure, managing to keep up with our tight shooting schedule. Our two production dynamos Carolyn and Isy sourced actors Jennifer Glyn and Danny George who's parts were pre-blocked and rehearsed enabling efficient shooting. The whole shoot was storyboarded and planned down to the last detail in order to accommodate the amount of set ups. We used Panic Cell's fans as extras to add to the realism of the club. A free bar as part of the set was unfortunately derogatory to their behaviour but despite alcohol induced issues the extras did a great job and we shot as planned with long lenses to create the illusion of a larger crowd. For practical reasons all the scenes with the extras were shot first. The flashbacks of Jennifer getting ready were filmed in a house in Wimbledon. Danny wasn't available so Yan body doubled during the exterior attack scenes which were shot in the back garden. Finally we dragged poor shivering Jennifer into a nearby alley to shoot her post attack scenes, covering her in a blanket between takes. Robin lit this sequence with one sungun maintaining the high contrast look of the club interiors, shooting everything wide open on the lens which gave us a very shallow depth of field. Dave at Framestore provided us with another superb grade and once we finished the cut, the final stage was the subtle CG sequence as Jen turns into a vampire. Chris Shaw created a rough transition, tracking vampire eyes and teeth onto Jen's face. He had planned to do a more detailed version but the first one worked really well as the sequence only lasts for a second, so we used this in the final cut. More information is available at www.visualabuse.com
