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One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
One of the cornerstone punk bands of the '90s, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a dash of essential hardcore crunch. Critics praise their political commitment, surging energy, and undeniable way with a hook and the band's strengths have made them one of the most revered punk bands ever. Their third album, 1995's ...And Out Come the Wolves, made them a platinum-selling sensation and an inescapable presence on MTV and modern rock radio. While they never translated that success into an enormous blockbuster record, that wasn't necessarily their ambition, choosing to stay with the independent punk label Epitaph and the creative freedom it allowed them. That decision helped them retain a large, devoted core audience as revivalist punk-pop began to slip off the mainstream's musical radar. Rancid was formed in 1991 by San Francisco Bay Area punk scenesters Tim Armstrong (guitar/vocals) and Matt Freeman (bass). Lifelong friends and longtime punk fans, the two had grown up together in the small, working-class town of Albany, near Berkeley; they'd also played together in the legendary ska-punk band Operation Ivy.
Fresh from the U.K cult success of their debut single 'Gravity's Rainbow' earlier this year, Klaxons (that's Jamie, Simon and James to their local Vicar) are now venturing Stateside with their offerings of post punk sensibilities with their deep love of Rave music described by Jaime as the most short lived genre of all time. It never even existed and classic Pop culture that sticks like knives out of their every chord change. Resulting in an instant mind bending, shoe stomping hit hailed as The most worthy indie dancefloor filler of the year NME Touching down in 2006 from a place undetermined to wrestle the hearts and minds of the nations music lovers from last year's seemingly all-pervading po-faced, post-punk moroseness. The band describes their sound as Josef K-meets-Baby D, with a twinkle in their eye, surely the first to mention those names in the same sentence. American audiences will immediately see the nod towards influential 90's bands such as Happy Mondays and Altern8. Definitions aside, what you hear is post punk psychedelic pop that meets pill popping dance music and it sure works. A trio with heads jam packed with ideas, ideas that layer influences and an imagination with genuine talent. Dazed & Confused Xan Valleys E.P lurches out demonically from a world of distortion and drummatic? madness, stuffing the peaks and breakdowns into moments of a sheer pop meltdown. If ever a band were all about the moment, all about Myspace as a progression of rave cultures underground communication, and all about creating a live experience every bit as exhilarating as their singles, this is the Klaxons signature sound. The opening track Gravity's Rainbow doesn't mess around as it welcomes and steers the listener into an eerie world of pumping psychedelia combined with melodic and romantic vocals blissfully taking you on a pleasantly trippy ride through their wondrous world and another dimension that is Xan Valleys. One listen to Atlantis To Interzone and the several miles of dots between those influences are quickly joined, where screaming sirens and samples straight out of a field in '89 give way to the punked out half-falsetto, half melodic breakneck vocals and drums. Klaxon, a French verb meaning to too certainly alludes to the raving mania of their audiences who frantically get down to the sounds with horns and whistles intact. But also the word's origin is actually a form of tribal drumming, Simon says used to communicate over long distances, pre amplification and telephones. Therefore, these London lads really are practicing the art of channelling a much loved yet equally forgotten musical era now reinvented and given back to us in the form of Klaxons.
"Revenous" is from the death-metal band Arch Enemy.
Daily Debrief: Retouching 'The Godfather'
In Friday's edition of the Daily Debrief, CNET News.com's Kara Tsuboi and Jim Kerstetter discuss the digital retouching of classic film The Godfather. Hear exactly what director Francis Ford Coppola requested from the technicians cleaning up his masterpiece.
