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Liars: "Plaster Casts of Everything"
The video for "Plaster Casts of Everything" is directed by Patrick Daughters, who has directed videos for Beck, Feist ,The Yeah Yeah Yeahs, Kings of Leon, The Shins, Bright Eyes and more. It was shot on location in Los Angeles and features a cameo by The Yeah Yeah Yeahs' Karen O.
Beck has confirmed an October 3 U.S. release for his new album, The Information. Three years in the making, The Information is the album Beck began work on with producer Nigel Godrich (Beck's Sea Change, Mutations; Radiohead's OK Computer, Kid A) before last year's Guero. The Information was finally completed earlier this year once extended touring engagements necessitated by Guero's success, as well as Nigel's other commitments, were fulfilled. The Information is comprised of 15 songs and a DVD featuring homemade videos for each of the 15 songs shot in-studio during the actual sessions. The artwork for The Information is either non-existent or infinite, depending on one's point of view: Each copy will come in a blank package with one of four collectible sticker sheets specially designed by American and European artists hand-picked by Beck. In addition to the self-shot videos currently floating around on Beck.com, Beck's MySpace page, Youtube and various other corners of the Internet, Beck recently shot a video for "Cell Phone's Dead," directed by Michel Gondry. In other Beck video news, last year's "Hell Yes" clip will be up for Best Special Effects In A Video when the 2006 MTV Video Music Awards air 8 p.m. August 31. On the live front, Beck will follow his previously announced headlining slot at this year's Download Festival September 30 at San Francisco's Shoreline Amphitheater with a top-billed appearance at the Detour Festival October 7 in downtown Los Angeles.
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Project Vector: "Out of the Closet"
Rock/techno artist Project Vector debuts in the realm of video with "Out of the Closet," a self-shot and self-edited video. With neither the time for extensive on-location shooting or the budget to hire a professional video production company, Project Vector's Dave Gastambide dived in with almost no experience in video and produced what many are calling a surprisingly good clip for a first try. "I basically just shot most of the footage in front of a green screen and used a lot of compositing and digital effects to try and create some interesting visuals," Dave elaborates. "I didn't really know what the heck I was doing, but it was fun." "Out of the Closet" is the opening track on REALITY SHOW, Project Vector's debut CD released earlier in 2005. The album has gradually been winning PV an enthusiastic following who dig the unusual stylistic hybrids and the willingness to intelligently explore controversial subjects.
On their 2001 self-titled debut, the five-piece band KINKY (Gilberto Cerezo, Ulises Lozano, Carlos Chairez, Omar Gongora, Cesar Pliego) emerged from the desert city of Monterrey, Mexico with a set of world-savvy songs that belied the fact that most of the ideas were birthed in their small home studio. As musicians who not only knew their various instruments but each other for many years within the small but supportive music scene of Monterrey, a collective vision of channeling sounds across the globe was definitely within reach. To work on thier second album, Atlas, they headed deep into the jungle, uprooting their studio and taking up temporary residence in an isolated ranch in Quintana Roo, Mexico for a month. From there, KINKY traveled to a different sort of jungle - Los Angeles - in order to write a few more songs and work with venerable engineer Thom Russo (System of a Down, Audioslave). Russo helped the band bring out a more raw and rock-driven sound in comparison with their electro-pop dominated debut (though they haven't abandoned their love of the machines either). "The approach for this album was different from the first in that on this one we wanted to focus on a live, organic band sound," says Ulises. "In the first album we recorded ourselves and made loops. On this record we didn't use as many loops or samples. It was more like a live session where we'd record the whole track on tape [too], rather than just digital. You can hear all the organic sounds like guitar, drum, bass and vocals all sounding live." It's this contrast of environments - represented by the image of a fantastical grasshopper-jetliner hybrid on the album cover - and constantly being on the road that makes up the themes of Atlas. Sonically it is a clash of the organic and the digital; lyrically it roams from remembering to grab and savor the moments maybe you can ("Snapshot", which owes its rhythms to "quebradita", a northern Mexican music style) to finding something special in what most take for granted as those in-between times when you're waiting for something else to happen ("Airport Feelings"). But they start right at home in Mexico, with the propulsive single "Presidente." "We're asking, which color is our president? Green, white or red?" explains Gil. "These are the colors of our flag and they cover different ideas. Red can be very drastic or violent, or mean danger. White means peace or being clean. Green means things are growing up or developing. So each color represents state of mind or feeling and I think it's a good analogy with our flag."
The winning videos were selected from nearly 300 submissions created by Firefox enthusiasts from around the world, who responded to the opportunity to help promote Firefox through short film.
The winning videos were selected from nearly 300 submissions created by Firefox enthusiasts from around the world, who responded to the opportunity to help promote Firefox through short film.
The winning videos were selected from nearly 300 submissions created by Firefox enthusiasts from around the world, who responded to the opportunity to help promote Firefox through short film.
Firefox Flicks: "Give Me the Soap"
The winning videos were selected from nearly 300 submissions created by Firefox enthusiasts from around the world, who responded to the opportunity to help promote Firefox through short film.
Matthew Dear: "Don and Sherri"
From the album Asa Breed on the Ghostly International label, this video premiered on MTV2's subterranean, 10.22.08. Directors Judy Welfare and Jeremy Hollister capture much of the song's fervent busyness by using a special 5 camera rig splayed out in a semi-circle and attached to the bed of a truck. With Dear literally hanging out over the street, they used mirrors to create a layered effect, similar to the vocals on Don and Sherri, except these shots were achieved for real, in-camera.
