Amon Tobin: "Foley Room" (DVD trailer #1) Video
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Amon Tobin: "Foley Room" (DVD trailer #2)
March of 2007 will see 'Foley Room' come to fruition. An expansive project which had Amon Tobin, armed with vintage recording tools of the highest caliber and a helpful crew of friends, traveling far and wide in search of as many interesting recordings as possible; wildlife, insects, machinery, kitchen utensils, musical instruments and musicians were all recorded with calculated objectivity in order to then be brought in to the studio and treated simply as raw material. This is the basis of his new album. To better explain how all this went down there will be a documentary DVD accompanying the album; here are the trailers...ENJOY!
A mechanical praying mantis feasts on the tossed off body parts of humans living in post-industrial madness in this Floria Sigismondi directed video.
This video is from "Zen TV," a collection of videos from Ninja Tune that includes some of the biggest figures in electronic
music, paired with some of the most creative directors in the world.
Since the mid-nineties and the groundbreaking Stealth parties at the Blue Note in Hoxton Square, Ninja has been almost as well
respected for its engagement with visuals as it has for its audio. Now at last, the two come together on this massive
retrospective of almost a decade of experiment, innovation, humour and weirdness.
Let's get the spec out of the way first.
The ZenTV DVD has twice the capacity of a normal DVD, containing as it does 35 promo videos from the label, a fifteen minute
audiovisual mix and a 30 minutes audio mix from Hexstatic. And as if that wasn't enough, the DVD has a state-of-the-art menu
system which means you can watch the videos either in the order we intended, randomly, or chronologically from the oldest to the
newest or the newest to the oldest. You can also look up any specific act and check out their videos and album art. Or just leave
a gallery of some of Ninja's finest covers running in the corner of the room as a kind of ambient art installation dahlink? Mwah.
But that just scratches the surface, really, cos after all, in the kingdom of the blind content is king. Or something like that.
You know the music is going to be good (we hope you know the music is going to be good), but what about the visuals?
Well, one advantage with not having hit records (Coldcut's "Beats & Pieces" remains our one top forty for 12 years work) is that
you don't have to worry about getting your promos shown on daytime MTV or TOTP or any of those hellholes of visual mediocrity
where all the bands have to look fabulous and if they don't, well you better make sure you put some models in there who do? So
instead, you can be (whisper it) creative.
Which is why some of the top up-and-coming names in video direction and animation have worked for Ninja in the last few years.
Because they know that if they pitch an interesting, visually striking, innovative idea, they will be left to get on with it
without interference. Established directors like Alexander Rutterford (Amon Tobin, now working for Radiohead) Sam Arthur (DJ
Vadim) as well as young turks like Conkerko (Bonobo). Fizzy Eye made their first music video for Wagon Christ (the truly
excellent "Receiver") and have since gone on to do commercials for Honda, proving that a track record with Ninja doesn't ruin
your business prospects.
Beyond this, artists like Kid Koala and Jaga Jazzist often even commission their own videos, working with close associates to
find the perfect match between their sound and the director's vision. As if that wasn't enough, there are artists on the label
who are intimately involved in the creation of their own videos, whether it's the Scruff cartoons that make up the basis of his
Cosgrove Hall-animated "Sweet Smoke," the pioneering audiovisual cut-ups of Hexstatic and Coldcut, Funki Porcini's satires of
adverts or his weird, otherworldly concrete moving abstracts.
Overall, since those early audiovisual mash-ups, the driving force behind all of Ninja's visual work has been that the video is
not merely an unrelated promo item to sell a single but should be intimately related to the sounds it represents. The budgets may
be small, some results may be more effective than others, but there's no denying that the attempts to realise this ideal are
never less than interesting.
Are you sitting comfortably?
Click here for the rest of the exciting videos from this collection.
Amon Tobin featuring MC Decimal R: "Verbal"
This heart racing tune from Jaga Jazzist is a gem of rough animation. Plus, there are lots of zebras. This video is from "Zen TV," a collection of videos from Ninja Tune that includes some of the biggest figures in electronic
music, paired with some of the most creative directors in the world.
Since the mid-nineties and the groundbreaking Stealth parties at the Blue Note in Hoxton Square, Ninja has been almost as well
respected for its engagement with visuals as it has for its audio. Now at last, the two come together on this massive
retrospective of almost a decade of experiment, innovation, humour and weirdness.
Let's get the spec out of the way first.
The ZenTV DVD has twice the capacity of a normal DVD, containing as it does 35 promo videos from the label, a fifteen minute
audiovisual mix and a 30 minutes audio mix from Hexstatic. And as if that wasn't enough, the DVD has a state-of-the-art menu
system which means you can watch the videos either in the order we intended, randomly, or chronologically from the oldest to the
newest or the newest to the oldest. You can also look up any specific act and check out their videos and album art. Or just leave
a gallery of some of Ninja's finest covers running in the corner of the room as a kind of ambient art installation dahlink? Mwah.
But that just scratches the surface, really, cos after all, in the kingdom of the blind content is king. Or something like that.
You know the music is going to be good (we hope you know the music is going to be good), but what about the visuals?
Well, one advantage with not having hit records (Coldcut's "Beats & Pieces" remains our one top forty for 12 years work) is that
you don't have to worry about getting your promos shown on daytime MTV or TOTP or any of those hellholes of visual mediocrity
where all the bands have to look fabulous and if they don't, well you better make sure you put some models in there who do? So
instead, you can be (whisper it) creative.
Which is why some of the top up-and-coming names in video direction and animation have worked for Ninja in the last few years.
Because they know that if they pitch an interesting, visually striking, innovative idea, they will be left to get on with it
without interference. Established directors like Alexander Rutterford (Amon Tobin, now working for Radiohead) Sam Arthur (DJ
Vadim) as well as young turks like Conkerko (Bonobo). Fizzy Eye made their first music video for Wagon Christ (the truly
excellent "Receiver") and have since gone on to do commercials for Honda, proving that a track record with Ninja doesn't ruin
your business prospects.
Beyond this, artists like Kid Koala and Jaga Jazzist often even commission their own videos, working with close associates to
find the perfect match between their sound and the director's vision. As if that wasn't enough, there are artists on the label
who are intimately involved in the creation of their own videos, whether it's the Scruff cartoons that make up the basis of his
Cosgrove Hall-animated "Sweet Smoke," the pioneering audiovisual cut-ups of Hexstatic and Coldcut, Funki Porcini's satires of
adverts or his weird, otherworldly concrete moving abstracts.
Overall, since those early audiovisual mash-ups, the driving force behind all of Ninja's visual work has been that the video is
not merely an unrelated promo item to sell a single but should be intimately related to the sounds it represents. The budgets may
be small, some results may be more effective than others, but there's no denying that the attempts to realise this ideal are
never less than interesting.
Are you sitting comfortably?
Click here for the rest of the exciting videos from this collection.
High School Record follows four awkward 17-year-olds as they struggle through their senior year. Like most high school students, they ride a continual wave of embarrassment: crappy after-school jobs, attempted sex in the science room, tinfoil shorts, guitar-strumming hippie teachers and brushes with the law. The only difference is that their moments of humiliation are all caught on tape - our gang of four are the subjects of a documentary shot by fellow classmates. A journey into narrative anarchy, High School Record is an engaging film partially improvised by its young cast. Written by Ben Wolfinsohn and based on his own high school experiences, HIGH SCHOOL RECORD is a painfully funny exploration of the teenage mind. High School Record is a follow up to Wolfinsohn's critically acclaimed music documentary Friends Forever.
Kazakhstani TV personality Borat is dispatched to the United States to report on the "greatest country in the world." With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson than on his assignment.
"High and Dry" pays tribute to the influential and eclectic community of musicians that has emerged from Tucson, Arizona, over the past 20 years. Through performances and interviews, the documentary captures the struggle of one small town's big music scene.
A documentary about a really, really dirty joke
This is a trailer for the documentary film 'No End In Sight.'
A bumbling security guard at the Museum of Natural History accidentally lets loose an ancient curse that causes the animals and the insects on display to come to life and wreak havoc.
"No Direction Home: Bob Dylan" DVD trailer
The film, which focuses on the singer-songwriter's life and music from 1961-66, includes never-seen performance footage and interviews with artists and musicians whose lives intertwined with Dylan's during that time. Dylan talks openly and extensively about this critical period in his career, detailing the journey from his hometown of Hibbing, Minnesota, to Greenwich Village, New York, where he became the center of a musical and cultural upheaval, the effects of which are still felt today. For the first time, The Bob Dylan Archives has made available rare treasures from its film, tape and stills collection, including footage from Murray Lerner's film Festival documenting performances at the 1963, 1964 and 1965 Newport Folk Festivals, previously unreleased outtakes from D.A. Pennebaker's famed 1967 documentary "Don't Look Back", and interviews with Allen Ginsberg, Pete Seeger, Joan Baez, Maria Muldaur, and many others. In anticipation of the film, members of Dylan's worldwide community of fans also contributed rarities from their own collections.
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