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Home-recorded songs can feel incomplete whilst being as tantalizingly indicative as the sketches before a painting. The outlines, though interesting in their own respect, are not as satisfying as the finished version. Grizzly Bear, however, have approached song writing as a craft to master from their very first album, Horn of Plenty onwards. Enamored by how a song "reads", they were fully present from prologue to denouement even though singer/songwriter Edward Droste recorded them by himself in his Brooklyn bedroom. Fuelled by a bout of post-relationship inspiration, those first songs celebrated the creative liberation of the ProTools era. They explored the depths of break-ups through crystal-clear tones, field sounds and woozy, complex harmonies.
Inspired by a true story, the young girl that inspired Ed Silver to write this song passed away from a rare form of leukemia. "She was so brave and so strong. She inspired in me a strength that I never new I had," states Ed Silver. The proceeds from this song and video will benefit The Children?s Miracle Network. "Children's Miracle Network is the alliance of premier children's hospitals. Every year, Children's Miracle Network hospitals treat 17 million children for every disease and injury imaginable." "Children's Miracle Network hospitals impact the lives of more children than any other children's organization in the world." Julie was cared for by a children?s hospital. If you would like to donate to The Children?s Miracle Network visit www.edwardsilver.com for links to The Children?s Miracle Network. Be sure to let them know you saw the video, just so we can judge the impact the video has had.
When a rogue wave capsizes a luxury cruise ship in the middle of the North Atlantic Ocean, a small group of survivors find themselves unlikely allies in a battle for their lives. Preferring to test the odds alone, career gambler John Dylan (Josh Lucas) ignores captain's orders (Andre Braugher) to wait below for possible rescue and sets out to find his own way to safety. What begins as a solo mission soon draws others as Dylan is followed by a desperate father (Kurt Russell) searching for his daughter (Emmy Rossum) and her fianc? (Mike Vogel), a young couple who hours before couldn't summon the courage to tell him they were engaged and now face much graver challenges. Along the way they are joined by a single mother (Jacinda Barrett) and her wise-beyond-his-years son (Jimmy Bennett), an anxious stowaway (Mia Maestro), and a despondent fellow passenger (Richard Dreyfuss) who boarded the ship not sure he wanted to live but now knows he doesn't want to die. Determined to fight their way to the surface, the group sets off through the disorienting maze of twisted steel in the upside-down wreckage. As the unstable vessel rapidly fills with water, they all must draw on skills and strengths they didn't even know they possessed, fighting against time for their own survival and for each other.
Iron and Wine: "Naked as We Came"
Miami's Sam Beam makes music under the name Iron and Wine and September, 2002 saw the release of his debut album, The Creek Drank the Cradle. That record was/is hushed, literate, intimate, melodic: a quiet treasure which, with its unaffected candor and depth, found fans all over. (Entertainment Weekly: "Based in Miami, of all places, [Beam] invests these songs with hypnotic beauty and sparkling melody, making them as accessible as they are affecting.") Our Endless Numbered Days is the second full-length album from Iron and Wine and it was recorded both at Sam's Miami home and in Chicago's Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.) On it, Sam is aided and abetted by regular touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki, and Jonathon Bradley. Listening to Our Endless Numbered Days makes plain Sam's deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless.
Complicated is the first single from Circuit's debut record "Eau De Humanity." You can purchase "Eau De Humanity" from such fine retailers as Tower Records, Borders, Amazon and wherever great music is sold. The concept developed around the video is that once people come in contact with each other they already know the song. Watch closely as all the principle actors are signing the words. The song is track seven on Circuit's debut "Eau De Humanity." The video is a live setting and was shot over two days.
"The Big Lebowski" teaser (1998)
The Dude just wants retribution for his soiled rug, but instead he and his bowling buddies (Walter and Donny) find themselves embroiled in all kinds of trouble involving Nihilists, missing toes, and nearly spilled beverages. Directed by Joel Coen from a screenplay by Ethan and Joel Coen. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro (as Jesus). Watch for Aimee Mann who has a cameo, playing one of the Nihilists.
In this sentimental tune, country singer-songwriter Chely Wright (she of the 1999 hit song "Single White Female") muses about a river that can give life and take it away.
Yep Roc is proud to introduce The Moaners, a female rock duo that manages to capture the unapologetic sexuality of Polly Jean Harvey with the raw amplified blues of the Fat Possum crowd. Featuring former Trailer Bride front woman Melissa Swingle and transplanted Baltimore punk drummer Laura King, The Moaners unleash a batch of hard love songs on their debut, Dark Snack. From the opening yowl of feedback that precedes the albums pounding opener,"Heart Attack,"to the sense of longing on "Talk About It" ("I know you dont want to talk about it theres too much to say"), this album is an exuberant expression of freedom and sexual emancipation from a distinctly female perspective. Whereas Swingles previous band, Trailer Bride, conjured visions of dark, Flannery OConnor-esque tales, moss-covered trees and mournful secrets, The Moaners are a rock band that are as comfortable invoking the spirit of Chapel Hill-born folk blues legend Elizabeth Cotton as doing their own reworking of "House of the Rising Sun" with lyrics inspired by a local rural joint, the Paradise Club. Swingles Mississippi-bred drawl wraps around the lyrics like a warm wind an instantly recognizable voice that can go from honeydrip sweet to searing in seconds flat. Check out the track "Terrier," where an exasperated Swingle snarls, "But you know, you aint no Great Dane?" It's the best dismissal of a pushy sort of, uh, overcompensating man you?ll ever hear. The two women cut a striking image on stage. Both brunettes, Swingle is tall and willow thin, usually sporting a huge pair of 70s-era Jackie O. shades, maintaining a sultry onstage aura of cool but all the while seeming like a kettle about to boil. Playing a tuned down hollow-body guitar and using loops and delays, her guitar sound is full and visceral the kind volume you can feel pulsing under your ribcage. Drummer King, whos been playing since age 11 (shes a vet of Baltimore bands Pedge, Headless and others), is a muscular, hard-hitting drummer who beats the hell out of her clear Vistalite bicentennial kit. They met when their former bands played a gig together King was playing in Grand National, a rock trio featuring fIREHOSEs Ed Crawford on guitar. Swingle was going through the dissolution of her marriage. "I was blown away by her drumming, Swingle recalls. I started writing songs to fit her drumming, which is very rock and roll. Basically, once we started playing, our styles collided and it became what it is. Were both self-taught, so its like a real natural feel. It was like, Forget the sad songs, its time to rock and roar." A collaborative effort fueled by estrogen and Sparks (a caffeinated malt liquor beverage the two started drinking during the recording of the album), King adds backing vocals and contributes lyrics; Swingle, also an accomplished artist, contributes to the visuals. The two make their own buttons and T-shirts and have already hit the road with everyone from pals the Drive-By Truckers to Wanda Jackson, as well as making a splash at Chicagos Estrojam festival. The sky is the limit, the road is truly their lady, and the chemistry is audible. There is nothing mournful about this music, Swingle says. This is music to crank up and drive around to!! These are the most rockin love songs Ive ever written not sweet ones. A lot of Trailer Bride was minor key, depressing music. Im happy with what weve got!
Brian Cooley tells you three simple steps to get the most out of your home entertainment system. Learn what you need to know about seating distance, room lighting, and window treatment.
iPhone launches at NY Apple store
While some people wait in line for days, others waltz in at the last minute to pony up as much as $600 for the red-hot device.
