topspin

The future of concert ticketing

Are you fed up with the antics of the big-time concert industry? The continually rising prices? The huge service charges? (Not that this is entirely the fault of the ticket sellers--a percentage is usually kicked back to the artist.) The quick "sell-outs" of all decent seats, followed by the mysterious appearance of marked-up tickets on scalper sites?

Then here's some good news. In June, The Pixies teamed up with digital-music marketing agency Topspin Media to perform an interesting experiment in London. The Pixies--who didn't have an e-mail list before they started working with Topspin--sent an e-mail … Read more

Mellencamp mourns the death of the record biz

Don't take my word for it that the major labels and the system that propped them up for so many years are dead. John Mellencamp, who sang a string of rock hits back in the 1980s and '90s, thinks the business is dead as well. In an articulate and passionate essay on the Huffington Post, he argues that the long slide started well before the rise of file sharing, back to when the business started relying on SoundScan and Broadcast Data Systems (BDS).

With SoundScan, instead of relying on surveys from record stores, the labels could see exactly how … Read more

An obituary for the major labels

Update, 3/24: An SXSW organizer contacted me to let me know that the show included 14 panelists from major labels, as well as 20 panelists from independent labels. The truth remains that I didn't see, hear, or meet any--but of course I couldn't attend every panel. I've corrected the post accordingly.

Almost a year ago, I posted about how two executives from major Web companies had taken new positions related to digital music: Douglas Merrill left Google to become EMI's president of digital operations, and Ian Rogers left Yahoo Music to become the CEO of … Read more

Topspin's direct-to-fan marketing platform

AUSTIN, Texas--I've blogged about Topspin Media in the past--it's the company that handled the staggered direct-to-fan release for the recent David Byrne-Brian Eno album, "Everything That Happens Will Happen Today." At the South by Southwest festival here this week, Topspin announced that it has taken a lot of the lessons it learned from the Byrne-Eno release and applied it to their platform.

Under the Byrne-Eno program, the artists first asked listeners to enter their e-mail address in exchange for a free song download. A few weeks later, they released a streaming version of the entire record, … Read more

McCartney's freak-folk goes on sale

If you think John and George were the only psychedelic members of the Beatles, recall that Paul wrote "Helter Skelter" (although John played that bassline) and check out some of the tracks from his first solo album, Ram. If you're still not convinced, head on over to The Fireman site and take a listen to Electric Arguments. This is Paul's second collaboration with Killing Joke producer Youth, and it's the wildest music he's made in years.

Like the recent David Byrne/Brian Eno record, Topspin Media is handling promotion and distribution for Electric Arguments, … Read more

Byrne/Eno succeed in cutting out the middleman

Back in August, I noted that the new David Byrne/Brian Eno album, Everything That Happens Will Happen Today, was available in its entirety as a free streaming audio file.

They also put up a free download of one track, "Strange Overtones." Later, they offered several packages to purchase--from downloads-only for $8.99 to a deluxe package with a hardbound book, screensaver, and extra songs for $69.99.

Turns out that this release and marketing strategy was driven by Topspin Media, which is led by former Yahoo Music Vice President Ian Rogers.

A couple weeks ago, Rogers … Read more

Execs move from Web to music companies

Maybe it's just coincidence, but this week two executives have left major Web companies for roles in the music industry.

Earlier this week, Google VP of Engineering Douglas Merrill left to lead EMI's digital music initiative. According to his Google bio, his core background is in finance--not music and not really technology, although apparently he has done a lot of work in information security. Apparently, singing the Sex Pistols' anti-label song "EMI" to EMI head Guy Hands helped him get the job. Too bad MCA's gone--maybe I could have gotten a job by singing … Read more