High-End Audio

Atlantic Technology's new 1400 SR-z speaker was designed with Dolby's Pro Logic IIz "height" surround processor in mind

The new speaker's compact size and shallow profile allow it to be unobtrusively mounted high on the wall above the system's front left and right main speakers. The 1400 SR-z sells for $425/pair MSRP.

The company claims that the 1400 SR-z's "voicing" and timbre will match all of Atlantic Technology's speaker systems.

Each 1400 SR-z uses a pair of 3.5-inch full-range polymer-treated cone drivers. The wedge-shaped speaker disperses sound laterally … Read more

Audiophiles are on a quest; we're always lusting after the perfect fill-in-the-blank (speaker, amplifier, turntable, CD player, etc).

Catch is, perfect gear wouldn't automatically make every recording sound life-like. At that point the gear wouldn't have a sound per-se; the recordings' sound would be laid bare.

I wrote "How high do you want your fi?" for the April 2009 issue of Stereophile magazine, and I'm still getting a wide range of feedback about that piece from readers and friends.

I'm defining a "perfect" hi-fi as one that's indistinguishable from the sound of live instruments. No hi-fi has ever fully recreated the sound of a symphony orchestra, jazz group, or rock 'n' roll band. Solo instruments fare better, i.e. guitars, flutes, and vocals; you can almost get a glimpse of their sounds over the best high-end systems. But a drum kit? Piano? No way!

Audio components are far from perfect, so it's no surprise their sounds aren't 100 percent convincing. As imperfect as the gear is, the recordings themselves are even further away from documenting the sound of vocals and instruments.

The age-old analog/digital divide is the least of it. The musicians do their thing, and then the microphones, their positions relative to the instruments, the skill and imagination of the engineer/producer/mastering team's use of equalization, compression, processing, etc., create the sound we hear.

Pop or rock music is rarely played by the complete band, with vocals, live in the studio. Out-of-tune singers and players are pitch-corrected, drummers' off-kilter rhythms are tweaked, there's not a lot of there there to reproduce. Most recordings are so heavily processed they could never sound real.… Read more

I went to the New York International Auto Show to listen. Weird yes, but I'm the audio guy, and nowadays high-end cars all have high-end audio systems. These cars go for hundreds of thousands of dollars, and I was hoping to hear some decent sound. That didn't happen.

The nice folks at the Bentley Motors display put me in a spectacular Flying Spur Speed ($252,000). The car has a 6-liter W-12 engine with twin turbochargers, 6-speed automatic transmission, and a claimed top speed of 200 mph. The interior was lavish beyond belief, with truly gorgeous wood and leather that puts your average Mercedes to shame. Rock stars and sports heroes know how to live!

The sound? I'm sure the engine sounds fabulous, but they wouldn't allow me the honor of blipping the throttle. Ah, there was a Naim audio system in the car, and I'm a fan of Nain's home gear, but the Bentley's sound system was nothing to get jazzed about.

The $6,900 Naim audio system sports 15 speakers, including dual subwoofers. Just don't kid yourself, it's not remotely on par with a credible home system. I thought the in-dash display was sort of tacky. Naim would never put such a thing in its home systems.

Next, Rolls-Royce cars, like this awesome Phantom Coupe pictured at the top of this blog ($437,000), now have Lexicon audio systems. Too bad I didn't get to hear it. (Maybe the Bentley guys told them about me, just kidding.)

The Mini Cooper people were a lot friendlier, so I checked out the sound in their 10 speaker MINI Hi-Fi Sound System. Considering it adds just $500 to the car's bottom line, it was pretty good.… Read more

Most audiophiles are 40+.

True, there's a small sprinkling of twentysomethings and thirtysomethings who love gear, but are there any teenage audiophiles? They're pretty rare, so when I heard about a 17-year-old with 1,500 LPs and a huge collection of analog tapes I had to talk to him.

David M has it bad.

When he was five, his father had Bose speakers. Maybe they were too big, so his dad tossed them out and little David threw a fit! By the time he was eight or nine he started putting together his own hi-fi.

Like a lot of audiophiles David doesn't think he's one. He said, "I've always loved music, and as I've bought better equipment I found I liked the music more. It cycled from there." He's read audiophile magazines like Stereophile since he was in the eighth grade. David sounds like an audiophile to me.

He's totally into it, "I'm all audio, all the time...I thought I was done when I had a Sansui receiver and JBL 4311 speakers, but I'm still on the upgrade path." He now regularly records concerts at his high school and of his friends' bands. I've listened to some of David's recordings and he's good. But David has yet to turn any of his friends into audiophiles; even most of his musician buddies aren't into sound quality. He said, "They don't care. Some of them have already lost some of their hearing." Yikes!

He has one friend with a decent turntable and a collection of records handed down from his parents, but that guy's no audiophile. David set up his ex-girlfriend with a nice hi-fi, and she's getting into vinyl and tape.

He's not turned on by much new music, or anything that's played on commercial radio stations. He likes folk music and obscure '70s pop, a bit of classical, some jazz. David says he's open to trying anything.… Read more

Isoclean makes audiophile-grade gold-plated fuses. This fuse is a "tweak," an accessory that promises to improve the sound of your hi-fi.

Audiophiles eat this stuff up. We put special cones or pads under our equipment to eliminate bad vibes, plug our electronics into AC power line conditioners, and buy equipment stands to coddle our components.

Isoclean isn't the first company to offer audiophile fuses, and I can't say I'm game for these types of tweaks. They reek of "snake oil" silliness, but an audiophile buddy couldn't stop raving about the difference the … Read more

Let's face it, headphones always sound like headphones--that is--they never really sound like speakers.

Headphones "squirt" sound directly into your ears, but the new AKG K 702's much-larger-than-average earcups allow the drivers to be placed farther away from your ears, so the sound seems less direct. This headphone was designed for recording engineers and studio use, and the sound quality is right up there with some of the best headphones ever made. Priced at $540, it's not cheap, but it's not at all out of line for what you get. This blog is a preview of my upcoming full CNET review.

I found the K 702's expansive sound hugely appealing; that's why it sounds less like a headphone and more like speakers in a room. Not the same as, but less headphone-like than most.

The AKG K 702 is, in fact, the professional version of the consumer K 701 model that came out a couple of years ago. That one received raves from the audiophile press, including me, so naturally I had even higher hopes for the K 702, but it's essentially the same design as the K 701. The K 702 is matte dark blue (looks black to me) instead of gloss white and features a detachable cable.

Thanks to the way the K 702's real leather/metal wire headband distributes the weight of the 'phones evenly across your head, and those large, extra soft velour covered cushions, you can wear these headphones for hours at a time and they'll remain nice and comfy. Build quality, durability, fit and finish are all first rate.

I've made the point in previous blogs, but to get the best sound from high-end headphones plug them into a high-quality headphone amplifier. Sure, the K 702 sounded fine plugged into my Onkyo SR-TX 805 AV receiver, but the headphone was sweeter and prettier sounding with my Woo Audio WA6 SE tube amp ($1,050). Then again, the K 702's sound over my ancient 15GB iPod wasn't too shabby. … Read more

You'll get no argument from me that $107,000 seems like a lot of money for a pair of speakers.

But the YG Acoustics Anat Reference II Professional is a lot of speaker. Stereophile magazine's Wes Phillips delved deep into the flagship speaker's build and sound quality in his review. It was a tough assignment, but somebody had to do it.

While $107,000 is definitely out of my price range, that doesn't mean there's not a market, albeit a very small market, for products that advance the state of the art. Great, but who buys these things?

Answer: rich people. You probably know some of their names. Rock icon Bruce Springsteen just signed a new $110,000,000 contract. The Boss could and should buy these things (maybe he'd make better-sounding records). And the last time I checked, Tom Cruise is still getting upward of $20 million to appear in a movie. A pair of YG Acoustics Anat Reference II Professionals would be a nice start for his home theater.

In addition, sports superstars are still signing megamillion contracts, and big-business CEOs are still eating at fancy restaurants. Even now, the rich aren't hurting; luxury markets are holding steady.

The Anat Reference II Professional is a three-piece modular loudspeaker. It is, shall we say, on the statuesque side of large; the Reference Main Module sits atop the Studio passive subwoofer, which, in turn, rests upon the Professional powered subwoofer. Each three-module array weighs 440 pounds.

Most of each module is made of aircraft-grade aluminum; the front baffles are a machined "ballistic grade" alloy of aluminum and titanium. The speakers are shipped in six custom aluminum flight cases.… Read more

Dolby has a new surround format: Pro Logic IIz.

Here we go again. Another new format with more speakers, but this time, the "surround" speakers are in the front of the room, three or four feet above the left-and right-main speakers. These height channels are designed to provide a greater sense of envelopment than previous generations of Dolby or DTS surround.

Pro Logic IIz incorporates all of the features and capabilities of Pro Logic IIx.

"Expanding on established Dolby Pro Logic II matrix-decoding innovations, Dolby Pro Logic IIz identifies and decodes spatial cues that occur naturally in all content--stereo and 5.1 broadcast, music CDs, DVDs, 5.1 and 7.1 Blu-ray Discs, and video games," the Dolby site further explains. "Dolby Pro Logic IIz processes low-level, uncorrelated information--such as ambiance and some amorphous effects like rain or wind--and directs it to the front height speakers."

You don't have to buy new, specially encoded discs to experience Pro Logic IIz, but do you really want to buy another pair of speakers, wall-mount them, and run a pair of speaker wires up your wall, to the sides of your TV?

Dolby doesn't require the height speakers to be identical to the main-left or -right speakers. Some Pro Logic IIz systems will use a total of nine speakers (five front, four rear), plus one or more subwoofers.

Onkyo's TX-SR607 ($599 MSRP) is the first receiver to feature Pro Logic IIz; the company will soon offer additional models equipped with the new Dolby processor, to be announced later this year.

Then again, Yamaha's higher-end receivers have had height, aka "Presence," channels for years. Those extra speakers supplement the sound from the front speakers with ambient effects produced by Yamaha's proprietary Cinema DSP, which provides various multichannel configurations up to 11 channels. Obviously, Dolby's Pro Logic IIz uses different technology, though the end result may be similar. … Read more