'60 Minutes': Saving 155 lives Video

To play this video, you need Javascript enabled and the latest version of Flash installed. Install Flash now
'60 Minutes': Saving 155 lives
Created: 02/08/2009
Video description: How do you evacuate 155 people from an Airbus 320 sinking just off the Manhattan shoreline? The crew of US Airways flight 1549 described how they were able to get every passenger back on dry land.

'60 Minutes': Saving 155 lives Video Transcript

>> The job of evacuating one hundred and fifty passengers fell to five of the most experienced pilots and flight attendants in the business. Tonight the crew of flight 1549 describes the tense final minutes from the time the engines went out, until every passenger was back on land. ^M00:00:20 [ static ] ^M00:00:25

>> We met the crew this past week inside a U.S. Airways hangar in Charlotte, North Carolina. Among them they had well over one hundred years experience in the air. They are, along with Captain Sullenberger [assumed spelling], first officer Jeff Skyles [assumed spelling], and flight attendants Donna Dent, Sheila Dale, and Doreen Welsh, who was seriously injured.

>> This is the first time you all had worn your uniforms since January fifteenth. Doreen, you don't have yours on.

>> I just can't put it on yet. My uniform was in shreds, soaking wet. I had a different story in the back of that airplane, and mine was more violent and more, the uniform just went to pieces. I can't explain, I'm just not ready to put it on yet.

>> It's been three and a half weeks since Welsh last wore her uniform. She and the rest of the crew were on the final leg of a four day trip when the plane lost power. Co-pilot Jeff Skyles was the one who first spotted the birds.

>> When you felt them hit the aircraft, did you know right away what they had done to the engines?

>> Both engines went right back to kind of a hushed state, and that's probably just about as bad as it gets when you're an airline pilot, to hear that.

>> Which brings me to you all. Did you know what was going on?

>> It was so quiet, and Donna and I were seated beside each other. She was, she was there and I was here. And it was so quiet, and I said what was that? And we were you know, I whispered, and you did say maybe a bird strike.

>> Bird strike.

>> What was the sensation inside the cabin after the birds hit the engines?

>> I had some panic in the back, and I got out of my seat, and I calmed everyone down. I said it's okay, I said it's, we might have lost one engine, we'll circle around. And so I thought well everything is okay. And then I heard the old brace for impact.

>> What was your reaction to hearing those words?

>> Well terror.

>> Yeah. And I thought okay -

>> Sheer terror.

>> - we're gonna crash on the runway.

>> We began yelling brace, brace, heads down, stay down, brace, brace, heads down, stay down.

>> What did the passengers do when you started giving these commands?

>> They were not getting in the brace position. They were looking out the window, you know. People were just looking to see what was happening.

>> Were they screaming, crying, praying, was it quiet?

>> People were making cell phone calls in the back, but most of the people that I could see were in their brace position. And it was so fast.

>> Let's talk about the moment of impact. Doreen, you were sitting in the back of the plane. What was the impact like there?

>> The back of the plane hit first, correct? It was violent, horrible. Things flew out.

>> Meanwhile at the front of the plane, what was it like there?

>> We were thinking that wasn't so bad.

>> I mean it was a hard impact, and I thought well the gear must not have been down, because there was no bounce to it, it was just a slam.

>> Did you know that you were landing in water?

>> No we didn't, not until we looked out the window and saw the water. That's when we found out, and of course I was still thinking well maybe there's water next to the runway that we just landed on.

>> When I got out of my seat and saw that water, it was the most shocked I've ever been in my life. Wasn't expecting that.

>> But as soon as you hit, people were getting up trying to get out.

>> They did not try to get out until Sully said evacuate.

>> Once the plane landed, what was the scene like inside that cabin?

>> I could see that I could open my door, because the water, I could see it was lower than the door. So I opened my door, and my chute automatically came out, it automatically inflated. Sounds wonderful to hear your chute opening up. And then they started coming, and Donna was working her door. But there was no pushing and shoving.

>> Was it a little chaotic?

>> No, there was, there was nothing said, and there was no eye contact. They were just going.

>> But in the back of the plane, it was a very different story.

>> A passenger had come back and pushed back me and opened the door, just enough that the water came flooding in. And I went back twice and tried to recluse it, it would only go so far, it wouldn't stop, and the water was just rising. You know, garbage cans were floating, coffee pots were floating like at this level, and things were flying, it was crazy back there.

>> The impact was so powerful that it tore a hole under the airplane's tail. Doreen Welsh feared she and some of the passengers would not get out alive, as water was pouring into the cabin.

>> By the time I left there, it was here. There was no doubt in my mind it was over. And I just went crazy and started yelling at people and pushing people, and getting people to go over the seats. And as I was getting up I thought I might actually live. Cause a second ago I thought I was gone. So my emotions had gone through, within seconds, accepting death and seeing life. It was unbelievable.

>> Some people told me the passengers jumped in the water. Many of them were afraid that the plane was going to explode, or sink, and that they wanted to get away from the aircraft.

>> I remember seeing a gentleman swim, swimming. And I don't know if he had been on the wing or how he got there, but he swam over to the life raft, and people pulled him in. I heard that several people slid off of the wing, and others pulled them back on.

>> Yet amazingly, only two people on board were seriously injured. Doreen Welsh was one of them, and had to be carried onto a life raft, unaware of a deep cut she had in her leg.

>> It was quite a gash, you know, and it was all the way through the muscle, and I thought I was going to pass out at that point from it.

>> The crew quickly cleared out all the passengers, parents with children, an elderly woman, and dozens of people traveling on business, before Captain Sullenberger himself walked up and down the cabin twice to make sure everyone was out. Then he took a final look at his sinking plane, grabbed the maintenance log book, and jumped into the last life raft, now filled with passengers.

>> Did they talk to you?

>> One man did. He said you saved my life, thank you.

>> And what did you say?

>> I said you're welcome.

>> That's it?

>> Yeah. And at that point also I was telling the people on the deck of the boats to rescue the people on the wings first, because we in the rafts were relatively safe.

>> Did you see those people standing on that wing?

>> Yes. It's an amazing sight, I'll never forget it.

>> Sullenberger had landed the plane right between two ferry terminals. Within minutes, the first rescue boat pulled up alongside it, with others close behind.

>> It was amazing. It was crucial. It was life saving, literally.

>> What would you like to say to those folks?

>> Thank you seems totally inadequate. I have a debt of gratitude I fear I may never be able to repay.

>> To those rescue workers.

>> To the first responders, to all of them.

>> According to someone in the pilot's union, you were still in total professional mode once you got off that airplane.

>> Well I may have looked like it, but I was in shock.

>> You were.

>> Yeah. I just crashed an airplane.

>> One of the first calls Captain Sullenberger made was to his wife, Lori.

>> What did he say to you?

>> Well I'll tell on myself and say that when he did call our house, I was actually on the other line, and I ignored the phone call, twice. And when he called the third time, I said to the person I think I should take the call. And so I hung up, and took the call from Sully. And he was very calm, and said I just wanted you to know I'm okay, but I thought that meant that he was on the flight coming home, that he had made the connection and was coming home. And I just said okay, that's good. And he said no there's been an incident, I had to ditch an airplane in the Hudson River. And I laid down on the bed for a moment. I wasn't crying, but I was just in shock, really shaking hard. I called an old best friend and said Sully has just crashed an airplane, and I don't know what to do. And she said go get your girls. And so I hung up, and I went and got the girls and brought them home.

>> Captain Sullenberger says even though he believed that everyone who had been on board was safe, he still wanted confirmation.

>> After bugging people for hours, I finally got their word that it was official, that the count was one five five.

>> All survived.

>> Yes, one fifty five.

>> What did you say when you heard that?

>> I don't remember saying anything, but I remember feeling the most intense feeling of relief that I ever felt in my life. I felt like the weight of the universe had been lifted off my heart. [ cheering ]

>> This past week, the crew and some of the passengers of flight 1549 came face to face for the first time since the accident. That part of the story when we come back. [ ticking ]

Related Videos

'60 Minutes': An emotional reunion

150 people might not be alive today if it weren't for Capt. Sullenberger and the crew of US Airways flight 1549. '60 Minutes' invited some of the passengers to reunite with them in, of all places, Charlotte, N.C.

'60 Minutes': 'I was sure I could do it'

Katie Couric speaks with Capt. Chesley "Sully" Sullenberger about the final moments before US Airways flight 1549 made a dramatic landing in the Hudson River.

"United 93" trailer

Acclaimed filmmaker Paul Greengrass ("The Bourne Supremacy") writes and directs an unflinching drama that tells the story of the passengers and crew, their families on the ground and the flight controllers who watched in dawning horror as United Airlines Flight 93 became the fourth hijacked plane on the day of the worst terrorist attacks on American soil: September 11, 2001. "United 93" recreates the doomed trip in actual time, from takeoff to hijacking to the realization by those onboard that their plane was part of a coordinated attack unfolding on the ground beneath them. The film attempts to understand the abject fear and courageous decisions of those who--over the course of just 90 minutes--transformed from a random assembly of disconnected strangers into bonded allies who confronted an unthinkable situation. Greengrass, known for films such as "Resurrected" and "Bloody Sunday," brings to United 93 a history of compassionate filmmaking that has explored some of the most troubled incidents of recent world history--when politics turns to violence, when beliefs slip into zealotry. As there is no perfect record of the hijacking's exact details and hostage retaliation, Greengrass takes a careful hand and partially improvises the events with an ensemble cast of unknown actors who were given studies of their UA Flight 93 counterparts. "United 93" intends to dignify the memory of those on that flight, the men and women whose sacrifice remains one of the most heroic legacies of the incomprehensible tragedies that unfolded on that autumn morning.

"Flight Plan" trailer

Academy award-winning producer Brian Grazer ("A Beautiful Mind," "Apollo 13") teams up with two-time Academy award-winning actress Jodie Foster ("Silence of the Lambs," "The Accused") in the taut psychological thriller, FLIGHTPLAN, directed by Robert Schwentke and written by Peter Dowling and Billy Ray. Flying at 40,000 feet in a cavernous, state-of-the-art 474 aircraft, Kyle Pratt (FOSTER) faces every mother?s worst nightmare when her six year-old daughter, Julia, vanishes without a trace mid-flight from Berlin to New York. Already emotionally devastated by the unexpected death of her husband, Kyle desperately struggles to prove her sanity to the disbelieving flight crew and passengers while facing the very real possibility that she may be losing her mind. While neither Captain Rich (SEAN BEAN), nor Air Marshal Gene Carson (PETER SARSGAARD) want to doubt the bereaved widow, all evidence indicates that her daughter was never on board resulting in paranoia and doubt among the passengers and crew of the plane. Finding herself desperately alone, Kyle can only rely on her own wits to solve the mystery and save her daughter.

E-40: "The Making of the 'Tell Me When To Go' Video"

This is a behind-the-scenes look at the video shoot for the first single from My Ghetto Report Card, E-40's soon-to-be released 12th album. "Tell Me When To Go" features Keak Da Sneak, and was recently shot by Lil' Jon and Director, Bernard Gourley (Lyfe Jennings, Three 6 Mafia, Beanie Siegle). The video introduces the world to the Hyphy movement in the Bay. "Hyphy music is like Crunk, but in a more up-tempo way. The culture is a way of life for Bay kids. We got the side shows, the muscle cars, we ghost ride the whip, we got the invisible driving, the music, the go dumb get stupid dances, we just actin' a fool expressing ourselves," explains E-40. Thousands of people showed up at the shoot including just about every rapper in the bay, members of the Hieroglyphics crew, and members of The BME Click including Lil' Jon, Lil' Scrappy, and Bohagon. "We were smokin' up the block, turning donuts and figure 8's. We had the hyphy train crackin'. Just imagine 300 cars riding back to back after a party with every car, van, camper or truck with all they doors open, shakin' their dreads, showing their grill, sporting stunna shade glasses, dancing on top of the roofs and hoods of the whip, campaigning like the president, like a big parade. It's just a whole bunch of super energy. You gotta see it," explains E-40.

The Race: "Sinking Feeling"

In late 2003, with more than 20 songs completed, The Race approached electronic duo Telefon Tel Aviv to help produce a new record. Self-admitted studio-perfectionists and highly acclaimed for their electronic composition, Telefon jumped at the opportunity to work on a group of songs that were raw yet completely written. Over the course of two months, The Race and Telefon broke down the music to its essential elements and then began to build it back up again. The Race's preference for simple song structures and dynamically powerful writing, combined with the exquisite production of Telefon Tel Aviv, has resulted in the stunningly beautiful "If You Can" - an album that shows a band ready to make its mark.

"Snakes on a Plane" teaser

Samuel L. Jackson stars in this intense and aptly named action feature from director David Ellis. Jackson plays an FBI agent who is escorting a witness on a flight from Hawaii to Los Angeles when an assassin releases hundreds of deadly snakes on a commercial airplane in order to eliminate the witness. The FBI agent, along with a rookie pilot, frightened crew, and passengers must then band together in a desperate attempt to survive.

Angels of the Airport: New Orleans airport after Katrina

Immediately after Katrina I traveled to Louisiana as an independent volunteer EMT. Through the LA Bureau of EMS I was paired with a trauma nurse (Lynn), and our first assignment was to triage patients at the New Orleans Louis Armstrong International Airport. We were there from 9/2 ? 9/4, the time in which all of New Orleans was being evacuated. We were later assigned to a makeshift hospital in Lafayette, but the airport was by far the most heartbreaking and memorable experience. We hear a great deal about what went wrong after Katrina, but little is said about the positive. The volunteers I worked with were by far the best team I?ve ever been a part of. We had few resources and worked long hours in the face of constant heartbreaking circumstances. But there were few complaints. Everybody worked together to make the best out of a bad situation. Here?s to all the volunteers and to the citizens of New Orleans. The memories will fade, but every one of you will live in my heart forever. Here?s a glimpse of what it was like: From the time we started and Lynn told me we would not stop for anything, even a person dying on the side of the road, the magnitude of what we were going into hit. This was compounded when she let me know she had a loaded .380 in the console because car-jackings were happening on the road down. (And I volunteered to come down here???) Within an hour we were talking our way through police roadblocks. At one tense point we were confronted at gunpoint by a very belligerent (and obviously scared) officer when we asked how we could get to the airport when he directed us off our route. Two hours later we finally arrived. At that time the airport was a clearing house for New Orleans. There was a constant stream of buses from the Superdome and the Convention Center as they closed them down. All the people you saw on the news being airlifted off rooftops and saved by boat were funneled through the airport. Thousands of people passed through in the days we were there. Entering the airport we ascended a flight of steps, stepping in to a sea of downtrodden, weary looking people. They looked at us with a sense of longing, seeming to beg us with their eyes to help end the nightmare they were living. People of all ages were standing, sitting, and even laying in a massive crowd which appeared to come to a point at the opposite end of the terminal. Many were clinging to the only belongings they had left, suitcases and plastic bags with clothes, purses, teddy bears, favorite toys, Bibles, pictures, anything they could grab in the short time they had to flee. Garbage filled the ground. No matter where we stepped, we were standing on cardboard, cups, bottles, and food. Abandoned belongings were scattered about; suitcases, clothing, jackets, tattered blankets, dolls. As we worked our way through the crowd and into another concourse, we were greeted by a scene that will replay in my mind forever. There were three beige military tents in the middle of a large circular terminal. The floor was carpeted with people laying on battlefield cots, on the floor, in wheelchairs, or simply leaning on one another. Occasional rows of airport seating were filled with people and belongings. The sight confronting us was much like a battlefield in the throes of war. The smell of urine, feces, vomit, and death hung heavy in the air. I felt I must have accidentally stepped into Hell. My every instinct told me to turn and run. But I couldn?t. These people needed help. Over the next several hours we went from patient to patient, taking histories, blood pressures, and pulses; checking only their vitals to determine whether their condition warranted immediate medical attention. Many were nursing home patients who were not ambulatory, and in the absence of anybody to help them to the bathroom, many had urinated and defecated on themselves. People were calling to us constantly, desperate for some contact with anybody who could make them more comfortable. Each person had significant needs. Our ability to keep going depended on our ability to distance ourselves from what we were seeing and hearing. We heard story after story that broke our hearts. In one case an elderly patient I was caring for broke down and recounted her story of getting accidentally separated from her husband during the evacuation. She hadn?t seen him in two days. Despite wanting to give her a big hug and reassurance that all would be ok, I could only squeeze her hand, turn and leave. It felt heartless, but had I started to feel in any way, I couldn?t have gone on...there was too much heartbreak. The flow of patients was unending. People being evacuated by helicopter were dropped at the airport. Those that could walk to the terminal did. Those that were not ambulatory were loaded onto baggage carts like luggage and brought to the terminal. Bus after bus dropped more people at our front door. Unable to accommodate everybody, the crowd built out into the passenger loading zone. People were standing in 95 degree heat for hours. Dehydration overcame many. As we worked, the dull roar was occasionally shattered by loud shouts of "Medic! Medic!" from the main concourse. Federal agents and military personnel watching the crowd summoned medical help for those that passed out. We ran, pushed our way through the crowd, and carried people limp and lifeless to the red tent, despondent family members in tow. The minutes turned to hours. The hours turned to days. The time blurred together. Finally after working nearly 40 hours straight, I could take no more. Despite the ongoing needs of the patients, my adrenaline levels began to run low and fatigue was rendering me nearly useless. As I lay down in my cot I said a short prayer and finally drifted into a fitful couple hours of sleep. Waking after 5 hours, I made my way back upstairs ready to face the crowd again. I was amazed to find the terminal to be practically empty. At some point in the night, the crowds of people had been largely evacuated. Over the next few hours the situation changed very little. A slow trickle of patients picked up as air rescues resumed with daylight. A few hours later we were released to leave. I don?t think I?ll ever be able to fully process what we saw at the airport. Logically I can rationalize it as battlefield medicine. But giving it a title does not take away the pain and suffering we saw in those peoples? faces. It doesn?t take away the inhumanity of people laying in their own filth, waiting for one person to have just a little bit of time to tend to their needs. Each and every one of us who worked there is left with a closet full of ghosts. We?re haunted with feeling there was more we should have done for those patients. Logically we know each of us was giving 500%. But it still wasn?t enough. The saddest memory is that of our "expectant" patients. In many cases patients were too sick to transport. Unfortunately we were equipped to treat and send people, not hospitalize them. Faced with no viable options, these mothers, fathers, brothers, sisters, sons, daughters, people who had once laughed and cried, people who were loved deeply by others were carried away to a quiet area, away from the other patients. There they spent the last minutes and hours of their lives receiving only morphine to reduce their pain...waiting to die. The experience at the airport has changed me forever; not in the context of a huge conversion. Instead it has colored the way I view humanity. It?s impossible to describe in words. I marvel at the ability of people to cope with extremely inhuman situations. I truly view the people affected by the hurricane as heroes. My mind is still there. But for now I need to be with my family...and be grateful for life. Dwight Brown DwightB1809@msn.com

The Living Legends: "Down for Nothin'"

The Living Legends crew is a family of independent hip-hop creators. From primary earth bases in Los Angeles and Oakland, the Legends extend worldwide and beyond. It all started with BFAP (now known as Sunspot Jonz) and PSC (Luckyiam), who laid claim to the name of Mystik Journeymen in the early 1990s. By '94 they were locally legendary for throwing Underground Survivors shows, houseparty style at their loft - 4001 San Leandro Street in East Oakland. That's where the Grouch hooked up with the Journeymen in 1995, just before they took off on their renowned first European tour. Around the same time in the southern part of the state, Mid-city Los Angeles to be exact, 3 Melancholy Gypsys (Murs, Scarub & Eligh) were part of the almost mythic Log Cabin crew going back to 1993. Log Cabin later broke up and the Gypsys wandered separately. As it turned out, the 3 would cross paths again in the Bay Area and became Living Legends. Aesop came to Oakland from Fresno, Arata from Osaka, and Bicasso from various points, East, West and elsewhere... In 1999 the Legends shifted their center of gravity to Los Angeles, but their presence has definitely not diminished in Oakland and the Bay. You know it makes no difference where they stay because the universe revolves around them anyway. Over the years, the Journeymen and the Legends have rocked Europe, Japan, Australia and Canada numerous times, plus they've toured the USA, north and south, east coast, west coast and beyond ... In the years since the Legends have continued releasing solo and crew projects and now have a catalog of over 50 full-length albums and numerous singles. All in all, this crew of motivated do-it-yourselfers has sold over 200,000 albums collectively. The latest crew album "Creative Differences" has turned in to their best selling album to date, (with Soundscan numbers just under 23,000 so far) and continues to sell. Other recent releases are from CMA (Grouch & Luckyiam), Scarub, and Sunspot Jonz. New projects by Eligh, 3MG, Bicasso and Aesop are expected in 2005. March 8, 2005, will see the release of the Legends highly anticipated new album "Classic," a project the crew got together to record earlier this year. That was the first time in recent memory all 8 members were together with the purpose of recording a new project and what came out of those sessions is definitely their strongest material yet. Expect to see them spring 2005 coming to a city near you on tour promoting the new project. The group has no plans to let up, they're only turning up the fire, see if you can keep up. Legends Baby!!!!

The Droid has landed

Motorola's latest Droid commercial has people drooling (and running for cover), and T-Mobile is just trying to get the lights turned on again.