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2Tall: "Beautiful Mind" feat.Dudley Perkins & Georgia Muldrow Video

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2Tall:
Created: 07/02/2007
Video description: Dudley Perkins is best known for his releases on US label Stones Throw Records, where he lends his unique voice to many of Madlib's productions. Highlights from his releases include the single 'Flowers' and album 'Expressions (2012 A.U.)', plus the album 'Illmindmuzik' as Declaime on Good Vibe Recordings.

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Oh No: "T. Biggums"

"T. Biggums" by Oh No featuring Dudley Perkins & Georgia Anne Muldrow video from the album "Exodus Into Unheard Rhythms," which dropped August 8, 2006 on Stones Throw Records.

Roger O'Donnell: "Moog"

Roger O'Donnell, long known as the man behind the keys for legendary bands like the Cure and earlier for The Psychedelic Furs, steps out on his own with his beautiful new album The Truth in Me. A collection of songs composed and recorded using a single instrument, the Moog Voyager. An instrument with it's own cult following, the Moog is generally not known for the very warm and undeniably human sounds that become immediately apparent upon listening to this fascinating work. Always an artist of unique vision, Roger O'Donnell's playing and songwriting can be found on era defining records and he has performed on some of the biggest tours and festivals all over the world. His contributions have always had an amazing influence on the bands he played and wrote with. Following the inclusion of his song "Another Year Away" on the soundtrack for the Moog Documentary, Roger was encouraged by one of the film's producers to do an entire album orchestrated with a Moog Voyager. Since Roger had enjoyed working with the Voyager on the soundtrack, the idea appealed to him: "My initial idea (for the soundtrack) was to try and write a song and record it using only a Moog and that's what happened. I knew from my early days that I could orchestrate using mono analogue synths so in a way I was revisiting my roots." "Definitely not a concept album, more of an album concept, it was a re-visiting of my early days of composing using limited instrumentation. Consciously un-compromised or commercial, it's a mainly instrumental journey through my musical influences and where I am now (vocalist Erin Lang sings 3 songs). I was also inspired by Bjork's use of a single instrument, the voice, on her record Medulla. I found the Voyager really easy to work with and thought that maybe I had found my own voice and could do something that was entirely original. Finally, music that I am satisfied with and that satisfies me, The Truth In Me says what I have been trying to say for a long time." The Truth In Me has inspired a number of musicians to join Roger in his exploration. Remixes have already been done of a number of the album's tracks by such luminaries as Jimmy Tamborello of The Postal Service/Dntel/Figurine, Kieran Hebden of FourTet, The Notwist/Console, and Jimmy LaValle of The Album Leaf. Roger O'Donnell will be touring the US through the Fall of '06 and beyond with an appearance at this years CMJ festival in New York. "...a collection of songs that shows the sensuous and moody side of the Voyager." Electronic Musician

Radiohead: "Bodysnatchers"

On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album delivers an emotional punch that proves all other rock stars owe us an apology.New York magazine raved, &Radiohead has made their best music in years, maybe ever. TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.

Radiohead: "Jigsaw"

On January 1, 2008, TBD Records/ATO Records Group will release in North America the physical version of Radiohead's In Rainbows. Released in download format earlier this year, In Rainbows has already received tremendous acclaim in the press. British music magazine Q wrote "In Rainbows is a brilliant work" while Rolling Stone said the album "delivers an emotional punch that proves all other rock stars owe us an apology." New York magazine raved, "Radiohead has made their best music in years, maybe ever." TBD/ATO are currently focusing on both "Bodysnatchers" and "Jigsaw Falling Into Place" as the North American radio singles. Produced by Nigel Godrich, In Rainbows is the band's seventh studio album and the follow-up to 2003's RIAA certified Platinum Hail to the Thief. More information about the album release and the band's touring plans to follow.

Madvillain: "All Caps"

For many, this is a dream collaboration between two of the most cherished artists in hip-hop, pitting the dusty, wig-twisting originality of Madlib's smoked out sounds capes against DOOM's nostalgic, visual rhyme style. Brothers from another mother, DOOM and Madlib have long admired each others work, first meeting face-to-face in Southern California in summer 2002, and since then they've shared a whole bunch of Cali-green, run through countless bottles of Grey Goose vodka and Heineken (well, that would be DOOM) and assembled over twenty tracks into a superb psychedelic romp of the highest caliber. The closest one can come to describing this beautiful chaos is a sublime companion piece to Madlib's previous evil adventure, Quasimoto's "The Unseen." But, as DOOM himself would ask anyone asking for a description: "He's the villain, so what about it?" In recent years the metal-faced maniac has released albums under the aliases of Viktor Vaughn, King Gheedora and Monster Island Czars. But rewind to 1993: DOOM (then Zev Love X) made his debut with the groundbreaking album 'Mr. Hood' as part of the group KMD, which has since achieved critical acclaim and cited as a key record in hip-hop's "Golden Age." Zev Love X, Subroc, and Onyx had just finished work on the follow up, "Bl_ck B_st_rds", a politicized commentary on the portrayal of race by the media, when their label Elektra decide to shelve the album over the controversial cover art which depicts a 'blackface sambo' character hanging from a gallows. Shortly after KMD were dropped and Zev Love X's brother Subroc was killed in a car crash. Like true-life story from the pages of a comic book, Zev Love X disappeared completely from public view, going back to the lab and fashioning new beats and lyrics, only to reemerge as the masked MF DOOM with the now classic "Operation Doomsday" in 1999. "Zev Luv X still exists, DOOM is a character, neither one of them is really me, they're a fa?ade I use to voice a certain view," Explains the MC behind the mask, Daniel Dumile. "Zev was like you're average nerd cat, might drop a jewel here and there, might tell you something you don't now, humble and modest. Whereas the DOOM character is more aggressive, on some real take over shit, but still trying to play likes he's a good guy. It's not so much I changed; I just took on another character." A string of creatively inspired singles on the influential Fondle 'Em label in the late 90's heralded DOOM's return. "Being from the underground, there's not so much bureaucracy, you can come out how you wanna come out. It's music straight up and down, if you're good you're good." DOOM sees himself as a conduit for his music. "I try not to tamper with it too much, I'm like the narrator or the spokesman. My music is raw, yet at the same time it can be easy listening." The spontaneity in DOOM's working process whether writing lyrics or building beats, calls to mind the spontaneous prose of Kerouac or the 'cut up' techniques of William Burroughs, in its praise of the purity of the original thought. Nostalgia is a central theme for DOOM: "I love cartoons, I still watch them to this day. I have an 8 year old son, he comes home and we just watch them together," smiles DOOM. "Dexter Laboratory, and of course all the Japanese shit, Dragonball Z, all them ill." DOOM's music harnesses the instinctive, inherent power of childlike thought; "There's no in-between with kids, they're so pure they can feel something if it's fat. As you get older you lose that innocence and purity of the original thought, so called 'growing up'," DOOM ponders. "I mean - you gotta keep that, that's the essence right there." Using his music to test the limits of his mind, DOOM finds creative inspiration in everything he does: "Any artistic genre feeds what I do as a musician, I do paintings, but music inspires my painting, and paintings or art inspires my music. Creativity and imagination is the key to what everybody's trying to figure out on Earth, it's the one thing that bridges everything together. It can solve a lot of problems with all this war and retarded shit that's going on." From the mellow keys of 'Accordion' with Madlib's deft tinkling to the bumping bass groove of 'America's Most Blunted' and the soulful beats of 'Fancy Clown' under his Viktor Vaughan guise, Madvillain sees Madlib on top form providing the freshest, most blunted foils for DOOM's ill flows. "Music is a universal language and I'm trying to show that all of us laugh at the same things, I'm trying to bring us all to more of an understanding. We need to bring this whole thing together," explains DOOM. With their Madvillain double-team, MF DOOM and Madlib have made a sure-fire classic sure to take the world by storm - will anyone dare step try and stop them?

Youth Group: "Shadowland"

One of Australia's most quietly adored bands, Youth Group, stand ready to roar with 'Skeleton Jar'. Youth Group are at the forefront of an exciting new era in Australian alternative music. Singer/guitarist/songwriter Toby Martin formed the group with drummer Danny Allen in Sydney, Australia and despite several line-up changes since, these two remain at the band's core. After quickly gaining a strong live following the band signed to local independent label Ivy League Records (the same people who manage The Vines and Jet) and released their debut album in May 2001. 'Skeleton Jar' is the band's second album and the first to be released in the US. The talents of singer/songwriter/guitarist Toby Martin shine through on this album like a beacon. Eccentric, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain with his uniquely pure voice. From the haunting singles 'Skeleton Jar' and 'Shadowland' to live favorites "See-Saw" and 'Piece Of Wood", Youth Group present an eclectic feast, with a darker and less poppy approach.

Youth Group: "Skeleton Jar"

One of Australia's most quietly adored bands, Youth Group, stand ready to roar with 'Skeleton Jar'. Youth Group are at the forefront of an exciting new era in Australian alternative music. Singer/guitarist/songwriter Toby Martin formed the group with drummer Danny Allen in Sydney, Australia and despite several line-up changes since, these two remain at the band's core. After quickly gaining a strong live following the band signed to local independent label Ivy League Records (the same people who manage The Vines and Jet) and released their debut album in May 2001. 'Skeleton Jar' is the band's second album and the first to be released in the US. The talents of singer/songwriter/guitarist Toby Martin shine through on this album like a beacon. Eccentric, yet highly emotive lyrics navigate their way across varied landscapes of pop, folk, and indie rock terrain with his uniquely pure voice. From the haunting singles 'Skeleton Jar' and 'Shadowland' to live favorites "See-Saw" and 'Piece Of Wood", Youth Group present an eclectic feast, with a darker and less poppy approach.

Ben Jalen: "Where Do We Go"

Ben Jelen is the first artist release for 2007 from Custard, home to multi-platinum selling "You're Beautiful" singer James Blunt. Jelen recently finished recording the final tracks for the album with producer/label head Linda Perry whom also mixed the majority of the songs in addition to two mixes from famed producer Bill Bottrell (Shelby Lynne, Tom Petty, Rosanne Cash, Elton John).

Oh No: "Move"

Oh No's "Move" is off the latest Stones Throw release.

Death From Above 1979: "Remix by Sammy Danger"

Death From Above 1979 release Romance Bloody Romance: In their quest to remix every single song on the label, they bring you their second full-length remix record. Two new recordings and 11 remixes from French masters Alan Braxe and Justice, UK machers Erol Alken and Phones, Queens of the Stone Age's Josh Homme, Test-Icicles' Sammy Danger, the DFA1979 guys themselves and more.