1984 Apple commercial Video
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This Cramps video was shot live in 1984, and comes from the DVD "The Cramps - Live at Napa State Mental Hospital".
We really liked the 2007 Mazda CX-7 during our test period, although it wasn't outstanding in any particular way. It came equipped with a good stereo system and good navigation, and it proved practical for getting around. It was even fun to drive at times
Budweiser commercial: "Grandmas"
These old birds love watching the game and having a few brews, in this funny spin on a famous Budweiser commercial.
BOL 1022: Load balancing in space
On the 40th anniversary of the moon landing we sadly report on the state of the broken toilet in the International Space Station. It means astronauts have to split up which toilets they use in order to load balance. No. Seriously. Plus we touch on the Amazon 1984 ironic mistake of the year.
From First To Last: "The Latest Plague"
?It?s one thing to play a certain type of music,? says singer Sonny Moore dismissively, ?but it?s another thing to have no originality.? This is not just another brash quote from a member of one of the only truly punk bands left, From First To Last. It?s actually more of a mantra. Because when the members of From First To Last?Moore, drummer Derek Bloom and guitarists Travis Richter and Matt Good?began recording their highly anticipated second album Heroine, the pursuit, above all things, was originality. Which, as one spin of Heroine attests, is what they?ve achieved. ?We are so pleased,? Moore says. ?Before we started, we all said, ?We?re not going to make this record unless it?s a record we truly love.? And we did. This is the first time I?ve ever been so proud of a piece of art in my life.? This didn?t happen overnight. Formed in 2002 by Richter and Good in their hometown of Orlando, Florida, it wasn?t until FFTL began recording their Epitaph debut Dear Diary, My Teen Angst Has A Body Count that the band?s line-up began to congeal. Living in Los Angeles and half-heartedly playing in another band, the then 15-year-old Moore decided to spend a few weeks with the band in Georgia, where they were recording their debut. His timing couldn?t have been better. Moore arrived just as Good and Richter parted with their original singer and they were in the process of filling in the vocal gap on their own. After hearing Moore singing backups in the studio one day, a decision was made: Moore was in. Perhaps unsurprisingly the remainder of Dear Diary came together almost as quickly. Good and Richter had written the album in two weeks; Moore completed his vocals in the same space. They were barely a band in some senses, but FFTL?s music caught on nonetheless. Due in large part to their constant touring schedule, including three consecutive Warped Tour runs, Dear Diary went onto sell over 100,000 copies. But beyond the album?s success was an often-unnoticed subtext. As Moore puts it on the album?s opening track, with his tongue firmly planted in his cheek, ?I?m glad you?ve graced me with your presence/You?re just in time to see me wrestle with my conscience.? Nevermind your broken heart. This was ?screamo? with wit.
From First To Last: "Note To Self"
?It?s one thing to play a certain type of music,? says singer Sonny Moore dismissively, ?but it?s another thing to have no originality.? This is not just another brash quote from a member of one of the only truly punk bands left, From First To Last. It?s actually more of a mantra. Because when the members of From First To Last?Moore, drummer Derek Bloom and guitarists Travis Richter and Matt Good?began recording their highly anticipated second album Heroine, the pursuit, above all things, was originality. Which, as one spin of Heroine attests, is what they?ve achieved. ?We are so pleased,? Moore says. ?Before we started, we all said, ?We?re not going to make this record unless it?s a record we truly love.? And we did. This is the first time I?ve ever been so proud of a piece of art in my life.? This didn?t happen overnight. Formed in 2002 by Richter and Good in their hometown of Orlando, Florida, it wasn?t until FFTL began recording their Epitaph debut Dear Diary, My Teen Angst Has A Body Count that the band?s line-up began to congeal. Living in Los Angeles and half-heartedly playing in another band, the then 15-year-old Moore decided to spend a few weeks with the band in Georgia, where they were recording their debut. His timing couldn?t have been better. Moore arrived just as Good and Richter parted with their original singer and they were in the process of filling in the vocal gap on their own. After hearing Moore singing backups in the studio one day, a decision was made: Moore was in. Perhaps unsurprisingly the remainder of Dear Diary came together almost as quickly. Good and Richter had written the album in two weeks; Moore completed his vocals in the same space. They were barely a band in some senses, but FFTL?s music caught on nonetheless. Due in large part to their constant touring schedule, including three consecutive Warped Tour runs, Dear Diary went onto sell over 100,000 copies. But beyond the album?s success was an often-unnoticed subtext. As Moore puts it on the album?s opening track, with his tongue firmly planted in his cheek, ?I?m glad you?ve graced me with your presence/You?re just in time to see me wrestle with my conscience.? Nevermind your broken heart. This was ?screamo? with wit.
ENIAC: The public's first glimpse of a computer
On Valentine's Day sixty years ago, the world read the first newspaper accounts of a mysterious, new computing machine in Philadelphia. It wasn't the first computer ever made, but on that day, public awareness of modern technology took its first great post-war jump forward.
ENIAC: The public's first glimpse of a computer
On Valentine's Day sixty years ago, the world read the first newspaper accounts of a mysterious, new computing machine in Philadelphia. It wasn't the first computer ever made, but on that day, public awareness of modern technology took its first great post-war jump forward.
The iLoad is marketed to people who love their iPods but hate computers. Unfortunately, iLoad only replaces the frustrations with a computer of its own.
When hip-hop began its attack on mainstream culture in the mid-80's, it found itself in some pretty strange neighborhoods. It started to influence kids that the music was never intended for. Shows like Yo! MTV Raps and national tours from Run DMC brought rap music to uncharted territories never thought of during its birth in the projects. This is when the suburbs discovered rap music. And so did Hot Karl. Hot Karl, born Jensen-Gerard Karp (23), grew up in Calabasas, CA, a secluded suburb only a few miles away from the Malibu beaches. He listened to N.W.A. and Slick Rick, never relating to their subject matter or lifestyle, but loving the artform. It wasn't long before Karl began writing his own lyrics, hiding it from his affluent neighbors who still looked down at rap music and its possibilities. Karl continued to write lyrics, enter battles and freestyle at USC (where he graduated Cum Laude 2001), creating the Hot Karl persona. This is when Karl decided to call into a Los Angeles radio show to rap on the Roll Call competition, where he lasted a record 30 days on air to become the all-time champion and create a surprising buzz in LA. As managers and labels began to call, Karl created a demo exhibiting his style of witty satire and tight rhymes with help from Limp Bizkit's DJ Lethal. Karl weighed out his options from the firestorm of interest and eventually signed with Interscope Records, where he created what was to be his debut CD. "Your Housekeeper Hates You? included guest appearances by Redman, Fabolous, DJ Quik, Mya, Sugar Ray, DJ Clue and MC Serch. Once Interscope informed Karl that his CD could not be commercially released due to ?scheduling conflicts,? he asked for his immediate release, hoping to return to his underground roots and stay away from this corporate side of the music industry that he slowly began to hate. As Karl continues his attempt to "make hip-hop fun," he never focuses on the morbid world of rap and violence that continue to prove strong sales. "I'm only going to speak about things I know," Karl explains. "My keeping it real is much different than most other MC's." Karl has recently signed with EMI Publishing and found his music (as well as likeness) in the video game, NBA Live 2003, proving that leaving a major label is hardly an ending - but rather just another beginning. It's gonna be a fun ride as Karl attempts to introduce his upbringing and signature humor to the culture of hip-hop. It's time to realize the magnitude of rap music's influence, as well as time for some unlikely voices to have their chance.
